Tag Archives: Writing Anthropology

From Different Throats Intone One Language?

(Savage Minds is pleased to run this essay by guest author Matt Sponheimer as part of our Writers’ Workshop series. Matt is Professor of Anthropology at the University of Colorado. He conducts research on the ecology of early hominins in Africa, among other topics including Neandertals and poetry. He is the author or co-author of numerous articles, including “The diet of Australopithecus sebida” in Nature 2012. Note: The title is from Jeffers’ Natural Music.)1

I’ve been thinking a lot about collaborative writing of late, and not the internecine conflict it sometimes engenders within U.S. anthropology departments. We are all certainly aware of subdisciplinary differences with regard to multi-authored manuscripts and the occasional contestation that occurs when credit for such undertakings must be meted out.2 No, I’m talking about something rather different, and I also hope much less charged. I’ve been gingerly contemplating the act of collaborative writing itself, both what it represents from a practical standpoint and as an intellectual exercise.
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Week 2: Savage Minds Writing Group Check-In

Here we are again: Friday! How was your week? Did you sink into a good groove, or did you more write-in-place as is sometimes the case? My writing this week was helped by Gina Athena Ulysse’s post Writing Anthropology and Such, or “Once More, with Feeling.” She gave us so much to think with as well as to feel and to allow without apology. Writing from the gut? Check. Writing without permission from others? Check. Writing with an awareness of the constraints of position and category? Check. Writing anyway? Check!

And she gave us this gem: “Decades ago, I realized that I am not a linear writer, but more of a quilt maker. I am content when I produce chunks. I have also learned to not berate myself if I can’t come up with anything. There are works by certain poets and art books near my desk (or in the moveable studio bag), which I need and reach for when words are not whirling out of my head as I face the screen.  As long as I am present in the space and in conversation with artists or even in silence, I now consider myself writing.”  Continue reading