[This is an invited post by Greta Uehling. Greta is the author of Beyond Memory: The Crimean Tatar Deportation and Return published by Palgrave Macmillan in 2004 as well as a number of articles on the Crimean Tatars. She teaches in the Program on International Studies at the University of Michigan in Ann Arbor.]
As pundits, politicians, and the world’s media wring their hands over Putin’s next move, events in Crimea seem to be fading from attention. Residents of Crimea have noted, correctly I think, that even after annexation, the Autonomous Republic of Crimea remained little more than a square on the board of a geopolitical chess game.
Focusing my attention on that square, the tiny, green, diamond-shaped peninsula hanging in the Black Sea, has been distressing to me over the past weeks. I have conducted anthropological fieldwork in Crimea on and off for almost two decades. Most recently, I have been using Skype calls with friends and colleagues on the peninsula, as well as local television available on the internet, for information. Continue reading
A day late and a dollar short. I had some trouble getting home from the Central States Anthropological Society meeting in Normal, IL, but I made it! These links still cover the week of April 6th, so nothing has changed there, but this list is shorter than normal. So anyway, if you have any suggestions for articles or blogs, please don’t hesitate to email me at firstname.lastname@example.org or find me on Twitter @dtpowis.
Distract yourself from grading or writing up a final paper; here’s what you (and I) missed last week. Continue reading
Anthropology may be “the worst major for a corporate tool” but that doesn’t mean that anti-corporate anthropologists shouldn’t consider incorporating. In this special pre-tax-day post I will take a break from my usual anti-capitalist blogging to talk about one particular instance where anthropologists might want to incorporate: if you are thinking of making a documentary film it may be just the thing for you.1
Many independent filmmakers register as either an S-Corporation2 or an LCC (a limited liability company) in order to protect themselves if they get sued3 by the subjects of their films. (Or from someone who claims to be harmed by the film or by the process of making the film.) Having a company helps protect your personal assets, such as your house or retirement savings, etc. from being seized if you were to loose the suit. Many independent filmmakers even set up separate LLCs for each film. Doing so, however, is a lot of work, and not without its downsides.
As @alltalk and others tweeted to us at SM, Oxford University Press (OUP) is celebrating library week next week by giving everyone free access to their online databases. Its not unusual for presses to periodically ungate their content so everyone can try some free samples. We don’t usually blog about press sales or free samples, but I did want to use this opportunity to talk about Oxford’s new bibliography series, which I think represents a new and interesting way to organize knowledge in today’s web-saturated environment.
A doomed genius taken before his time. One of the last line of ancient Roman noblemen revealing his secrets. Hidden writings once known only to an elite few, now revealed for all to see. It sounds so much like a Dan Brown novel that you mistake it for an April fools joke, but it’s not. There were so many fake announcements and releases on April first this year that one thing got lost in the shuffle: the actually really real release of the second monograph in HAU’s “Classics of Ethnographic Theory”, Rites and Annals: Between History and Anthropology by Valerio Valeri. Valeri’s work deserves to be widely read today because of its own intrinsic quality, as well as for the kind of rigorous, sophisticated, and humanistic approach to anthropology it exemplifies. Valeri’s work combined ethnographic erudition with high-level theorizing, wrapped up with a sophisticated prose style and a commitment to scholarship that exploded American binaries of science versus the humanities, objectivity versus subjective expression. For that reason, the release of Rites and Annals gives us a chance not only to read Valeri’s work, but to think about how it fits into the current approaches our discipline is taking.
Afghanistan’s upcoming elections have received a lot of coverage here in the United States, and all over the world. But did you know that one of the leading candidates, Ashraf Ghani, is an anthropologist?
Ashraf Ghani. Photo by Christof Sonderegger under a creative commons license.
This week was a blast, especially April Fool’s Day. Hopefully, you didn’t miss our very own Twainian satire, “Counterpoint: Good Americans should pay their debts, thank Sallie Mae,” or the Buzzfeedian listicle, “11 Cutting-Edge Thinkers That Anthropologists Should Be Paying Attention to Right Now!” Thank you all for sharing the latter – it was great fun to put together. If you sent me an angry email that was quickly followed up by an apology, or an angry tweet that was quickly deleted, don’t worry – you weren’t the only one. As usual, if you have any links or blogs that you want me to share, send them my way at email@example.com or on Twitter @dtpowis.
Here’s what you missed this week: Continue reading
Is there a canon of anthropological theory? Do we have a ‘disciplinary history’ of where we have been and where we are going? Sure, there are many grand narratives we tell of our discipline, but these stores tend to be tendentious and based on anecdotal. Can we find a more empirical, disinterested way to look for order in anthropology’s past?
In this post I examine anthologies of anthropological theory in order to see to what extent anthropology has a coherent, institutionalized canon. Is there a strong degree of agreement between these books? Do they tell the same stories? Do they include the same authors and readings? To answer this question, I asked our intrepid intern Angela to track down the contents of every edition of the main anthropological theory readers in North America.
What did I find? The short answer is that these anthologies strongly agree on this history of anthropology between the years 1850-1950. Agreement rapidly decreases after — wait for it — 1974. Why and how? Are these anthologies accurate indicators of the anthropological zeitgeist? Who gets included and who doesn’t? For answers to these questions, read on….
[This is an invited post by Elizabeth Chin, a professor in the MFA Program at the Art Center College of Design in Pasadena, CA.]
Last year, Nickolay Lamm made viral internet splash with his “real Barbie,” a materialization of the iconic doll that used the average measurements of a 19 year old woman rather than the endlessly criticized unrealistic proportions of Mattel’s super-selling doll. Now Lamm is taking that doll, named “Lamilly,” to production. I don’t want to be a hater, but I think Lamilly will tank.
There aren’t many things as Upstate-y as the blue and yellow historical markers ornamenting the two-lane roads of the Empire State. One of my favorites is found on the Cherry Valley Turnpike near the Onondaga Reservation. While I knew about the Cardiff Giant through teaching about the scam during my first-ever go-round TAing,1 running across the marker put the hoax squarely on my mental map and made it a lot realer to me.
Ever have a run-in of your own with a famous or not-so-famous anthropological hoax?
What happens when dedicated people come together to work on a project they care about? Where do good ideas come from? How is it that some creations start off in niche markets and grow into global brands while others fade into obscurity? In his latest foray into Japanese popular culture, The Soul of Anime: Collaborative Creativity and Japan’s Media Success Story, Ian Condry offers ethnographically grounded theory for the study of creativity. The work can be read as a synthesis of the best practices in the field of pop culture studies from anthropology and cultural studies.
Condry describes the efforts of dedicated artists and producers working in a “crucible” atmosphere of “collaborative creativity.” Their collective social energy is the “soul” of their shared engagement with the project. Therefore this study offers something other than a follow-the-money investigation, anime as Japanese national culture, or an interpretation of the content of anime, reading the text. Rather Condry seeks to follow-the-activity and commitment of small groups of people (mostly men) as they exercise creativity. It is the dynamic social relations, the connections between people in a working group that shine through here. Anime is emergent from the social practice of creativity and the collective values of that group as they define the importance of their own actions within a context.
The following post by Daniel Souleles is another installment of the Anthropologies issue on student debt. Souleles is a PhD Student in Applied Anthropology at Columbia University. He has done field work with Catholic hermit monks and is currently studying private equity investors in New York City for his dissertation field work. He is interested in questions of belief, wealth, and value in the contemporary USA. He can be reached at: firstname.lastname@example.org
As the not quite proud holder of around 100k in student debt, I’d like to offer a few different ways to think about debt, student debt, and a career in anthropology. The attention Savage Minds has been giving to student debt and paying for grad school is excellent. However, I’d like to push beyond focusing on whether or not a prospective grad student should or should not take on a lot of debt. Focusing on the individual gets us into a mindset where we portray the grad student as a patsy or a fool, and spares anyone else any responsibility or blame. So starting from the individual making a decision, here are some better questions we might ask:
1) Why might someone want to spend their life as an anthropologist? Say what you will about the state of the discipline, its skills at teaching, its accessibility. For all these issues of access and abstruseness, and despite the cost of tuition and the amount of adjuncts hustling out there, we still manage to convince a lot of people that they want to become an anthropologist. This is awesome. How and why do we this? What does this tell us about the folks (possibly you and definitely me!) who are willing to go into debt to chase this dream? We should work with this desire instead of saying it’s stupid. Continue reading
I’m suspicious of for-profit journal publishers, but I like university presses. They are often value-driven, down on their heels, and plucky. When the death of publishing at the hands of The Digital was first announced, they were pretty depressed. But since then they’ve moved into ebooks, developed new ways to market their books, and have done a good job embracing the new.
Princeton is a good example of a large, (relatively) wealthy press with a lot of cultural capital that is looking for new ways to engage audiences. I think this ‘trailer’ (yes, you read that right) for their new book 1177 B.C. just stepped over the line. My favorite part is when the words “NO MORE MYCENEANS” start drifting towards you while the soundtrack from Lord of the Rings plays in the background.
Savage Minds welcomes guest blogger Matthew Timothy Bradley.
One of the things I want to do during my second go-round guest blogging at Savage Minds is to create a series of how-to posts—what is called “service writing” in the commercial publishing world—about dressing for hot weather fieldwork. Prior to that, though, I want to offer this list of seven of my favorite academic articles about clothing. The list is meant to be fun, as are the photos and the video of mine I have included along with it, none of which are meant to be illustrative of the items discussed in the articles. Please do feel free to mention some of your own favorite clothing-related articles, books, broadcasts, or films in the Comments, as well as to link to any photos or videos of your own. (Seriously! Please do. ☺)
Ceinture fléchée (aka, Assomption sash), on sale in Québec, May 2012.