Tag Archives: Fieldwork

#MeToo: A Crescendo in the Discourse about Sexual Harassment, Fieldwork, and the Academy (Part 2)

UPDATED 10/29/17, 9:50 am: Edited to include links to helpful resources

During the first few months of ethnographic research, many cultural anthropologists recognize that the training you received in the classroom seldom prepares you for the spontaneous, erratic, and frequently daunting task of actually completing field research. You are (oftentimes, but not always) away from friends, family, and home—people and spaces that make you feel safe and empowered. You may be learning a new language, new geography, and trying to gain access to communities and institutions that are cautious about letting you in. Fieldwork is a process that one submits to—sometimes throwing caution to the wind and pushing oneself to talk to people, go to locations, and navigate situations you would never openly embrace at home or in your everyday life.

Unfortunately, because this fascinating and complex process does not happen in a vacuum, ethnographers must create relationships in the context of all the oppressions that operate in the world. In their call for a “fugitive anthropology,” Berry et al (forthcoming 2017)[1] demand that we acknowledge and theorize the gendered, racialized, and sexualized violence that often constitutes the field and fieldwork for women of color and queer ethnographers. They write that speaking of “fieldwork as an individualistic rite of passage often obscures its constitutive and interlocking racial and gender hierarchies and inequities” and favors “the emblematic racially privileged male anthropologist” (1-2). The writers offer fugitive anthropology as a tool for resistance to anthropology’s “implicit masculinist ‘shut up and take it’ mentality in reference to gendered violence in the field” (2). Recognizing that women are three times more at risk than men for experiencing sexual harassment or assault in the field,[2] I share three fieldwork stories here hoping to contribute to the discussion about the politics of gendered and sexualized violence in the field and fieldwork, particularly for women of color ethnographers.

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#MeToo: A Crescendo in the Discourse about Sexual Harassment, Fieldwork, and the Academy (Part 1)

Anthrodendum welcomes guest blogger Bianca C. Williams.

Sunday night, October 15, I watched women across my social media timeline bravely and vulnerably share their stories of sexual assault and sexual harassment as part of the collective conversation tagged #MeToo. I contributed my own #MeToo post after reading the initial three shares by friends, writing that I did not think I knew a woman who had not experienced some form of sexualized violence. Within two hours, hundreds of my friends, colleagues, and former students had added their voices to the orchestra of rage, sadness, disappointment, indignation, frustration, and stoic resolve accompanying #MeToo. I experienced it like it was an atmosphere-piercing, discursive crescendo. As a Black feminist anthropologist who studies, teaches, and experiences the intricate ways patriarchy, misogyny, and misogynoir shape our educational institutions and lives, you would think I wouldn’t have been surprised by the sheer vastness of the stories this hashtag brought to the digital surface. But I was. And I simultaneously wasn’t. I knew the boundless reach of sexualized violence, and yet seeing its pervasiveness in the most-heartbreaking narratives of those in my communities made it more real. And then to see a few men in my timeline express shock, disbelief, and dismissive sentiments—as if they haven’t been listening to us for decades, generations—made me angry. However, it was the silence from the majority that made me livid. But isn’t silence part of how oppression works?

I went to sleep. And then I woke in the middle of the night in a fright, uncomfortable with my post so clearly being visible online. Initially, I posted my #MeToo in solidarity with my sistas and sibs who wanted to share their stories, and to support those in community who were hesitant because they thought they were the only ones. But as I thought about the stories of rape and sexual assault of those closest to me, I wondered if my “tame” encounters with sexualized violence even counted in comparison to theirs. I took my post down, giving myself permission to be unsure and unresolved. I’m usually pretty transparent, even in a profession that values obscurity and inaccessibility as intellect. I attempt to practice radical honesty in discussions, writing, and teaching, believing that narrative as truth-telling is a form of resistance. But for the first time in a while, leaning into the truth didn’t feel right. Not yet.[1] All I could do was lay there in my bed, wondering if the experiences of unwelcome attention; touching; uncomfortable conversations filled with sexual innuendo were enough to validate my public #MeToo. That might seem foolish, but again, isn’t this how oppression works? Isn’t it a force that would ask one to quantify and qualify one’s pain, wondering if it is “bad” enough to count as sexual assault?[2]

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Explaining Ethnography in the Field: A Conversation between Pasang Yangjee Sherpa and Carole McGranahan

What is ethnography? In anthropology, ethnography is both something to know and a way of knowing. It is an orientation or epistemology, a type of writing, and also a methodology. As a method, ethnography is an embodied, empirical, and experiential field-based way of knowing centered around participant-observation. This is obvious to anthropologists as it has been our central method for the last century. However, what ethnography is, how it works, and the unique specificity of ethnographic data is not always clear to outsiders, whether they are other researchers, officials, or members of the communities with whom we are working. Why is this, and how do we explain ethnography and its value when we are in the field? In April, we started a conversation about this in person at a conference at Cornell University, emailed back and forth over the summer, and concluded the conversation this month at a conference at the University of Colorado. We cover topics including the context of research, questions of technology, IRBs, being a native anthropologist, the usefulness of ethnography and stories, and ethnographic research as a unique sort of data.

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Carole: What constitutes the field always differs by scholar. Who we are in dialogue with, where, and why depends on one’s research project. However, no matter where we are or who we are, explaining our research topic and method is critical. In your research, with whom are you discussing ethnography as method, and how do you explain it?

Pasang: In my research, I discuss ethnography as method with village residents, diaspora communities, government officials, NGO officials, scientists, youth leaders, students, policy makers, technocrats, and conservation practitioners. These categories often overlap. Continue reading

Shitting in Space: Engagements with Cosmic Taboo

Last December, I was asked an interesting question on Twitter: “How much poop is on the moon?” After a quick, panicky, existential reevaluation centered on whether my mountain of student loan debt was justified by having the ability to answer questions centered on feces, I began to do some research. Interestingly, the precise answer was easy to find.

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Casting into the Cosmos: Magic and Ritual in Human Spaceflight (Part 2)

In Part 1, I wrote a gonzo ethnography about my experience at a rocket launch in Florida. For Part 2, I will be utilizing historical records, museum didactic text, and astronaut testimony to illustrate that magical and ritualistic practice is heavily engaged with in spaceflight operations. One may speculate that with the extreme emphasis on the (perceived) empiricism of Western science in the realm of outer space affairs, there would be no room for the subjective—let alone magic, ritual, and religion. However, one of the themes that became apparent to me throughout my research is that there exists an enormous amount of mysticism within the field of human spaceflight. Some rituals are performed within the confines of accepted Western religious dogmas, while some fall into the realm of how some anthropologists understand magic and witchcraft.1 The first mystical component to human spaceflight is what writer Frank White has coined “the overview effect.” The term refers to the spiritual oneness that many astronauts report feeling after reaching outer space and seeing our planet from orbiting altitude, with many developing environmental and social justice viewpoints.2 Furthermore, many astronauts report that their time in space was filled with spiritual experiences, including temporal shifts, floods of emotion, and feelings of being a part of something larger than themselves. For a recent example, take what astronaut Ron Garan reports in the beginning of his autobiography:
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Casting into the Cosmos: Magic and Ritual in Human Spaceflight (Part 1)

Savage Minds welcomes guest blogger Taylor R. Genovese.

Field Notes – September 8, 2016 (Cape Canaveral, Florida):

I see the light and smoke first. The radiant fuel pours out of the rocket’s engines and the glow is absolutely blinding—like the brilliant ball of light at the end of a welding tool. I have to squint and look away from the base of the rocket as if I am staring directly into the sun. Then the sound comes. Roaring ripples of sound, reflecting off the Banana River and ricocheting off of buildings before finally kicking me square in the chest. The reverberations rock through my body as this asteroid-interceptor spacecraft, nestled on top of a cylinder of explosives begins to pick up speed—punching through the thick atmosphere of our planet. Within a few seconds, it is nothing but a small point of light high in the eastern sky—in a few more seconds, it has vanished.

I walk down the observation gantry and sit in the cool grass while other spectators begin to file out of the enclosure. I look up into the reverent afterglow of the rocket’s exhaust—the contrails swirling and slithering into sublimely beautiful colored shapes in the high winds of the stratosphere.

A mother and her son walk by. The mother asks her child what he thought of the launch. Clutching a toy rocket, he looks up at his mother and replies unabashedly and honestly:

“I have never seen quite a beautiful sight.”

These were my initial thoughts and feelings while experiencing my first rocket launch last summer. I scribbled these words down quickly and haphazardly, like the furious sketches of an artist attempting to capture a street scene that is moving quicker than their hand ever could. My hurried writing defiantly disobeyed the straight lines in my notebook; I didn’t want to look away from the rocket’s splendor. This was the first time I felt I had participated in a magical or religious encounter. In this two-part post, I would like to engage with magic, witchcraft, and ritual in human spaceflight—not only in a reflexive manner from my own field experience (Part 1), but also by historically and anthropologically analyzing the recorded rituals of astronauts and cosmonauts (Part 2).

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Clifford Geertz: Ethnographer?

Why was Clifford Geertz such a popular anthropologist? Because he connected anthropology and the humanities? Because he was a great writer? One answer that often comes up is that he was a great ethnographer. I mean, he actually did ethnography. Negara (1980) was a historical anthropology of power that appeared just in time for 1980s-era historical anthropology. Meaning and Order in Moroccan Society (1978) is a massive tome.  Kinship in Bali (1975) was technical and dense, hardly the lackadaisical em-dash filled slackfest some people accused Geertz’s writing of being. Peddlers and Princes and Agricultural Involution (both 1963) are vintage New Nations ethnographies. Religion of Java (1960) seems to rise above its Parsonian roots.

But what does it mean to be a great ethnographer? Continue reading

Reclaiming Detroit: Decolonizing Archaeology in the Postindustrial City

This entry is part 10 of 20 in the Decolonizing Anthropology series.

By Krysta Ryzewski

Detroit moves quickly; issues of scale and pace in a city of this size pose major challenge to contemporary archaeological practice. I’m not sure what a decolonizing archaeology should look like here, but it’s happening nonetheless. It is grassroots. It connects with communities. It shares the skills we have as social scientists with people, places, and collections. The goals are simple – to tell stories that matter, to empower memory, to increase participation, and, hopefully, to spur action against destructive forces of erasure and exclusion. We don’t have the luxury of time and protracted theoretical deliberation on our side; this work is done in a climate of rapid late capitalist development and privatization, where most of places we encounter are at the mercy of irreversible decay from ruination or demolition by developers.
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The Self at Stake: Thinking Fieldwork and Sexual Violence

[Savage Minds welcomes guest blogger Alix Johnson]

I don’t intend to write about surveillance and suspicion, but then I spend my first five months of fieldwork feeling watched.  I move to Reykjavík for dissertation research a year after being sexually assaulted there; just in time to testify in the ensuing trial.  I schedule my first interviews between witness preparation.  And in the months before he’s convicted, I get used to seeing my assailant around town.  Our eyes meet at bars and we share aisles at grocery stores; I see or sense or imagine or conjure him a few paces behind me while I’m walking home.  But his are never the only eyes on me – my lawyer says the defense attorney will question my character, so I weigh my decisions, imagine defending them in court.  Later, our case is covered by the tabloids.  They describe exactly what he did to me, and I watch people trying to find it in my face.

Meanwhile, I’m meeting with engineers and developers, talking about data centers and fiber-optic lines.  I’m here to study the making of Iceland as an “information haven”: as John Perry Barlow called it, “the Switzerland of bits.”  A proposal for economic and political recovery, many saw positioning Iceland in this way as the path forward from the  financial crash.  So developers build data storage facilities, officials draft “information friendly” laws, and entrepreneurs found startups to manage it.  I want to trace the physical and conceptual infrastructure that allows Iceland to take on this new role.  Assuming technological connections index other intimacies, I am trying to track how debates over Iceland’s “connectivity” raise questions over sovereignty, identity, and place in the world.  My field notes from this period are hard to read now.  Desperately exhausted by the work of surviving, I’m frustrated that this should interfere with my “real” research.  But a year later, I can see something else there: a way of being that shaped the way I see and do my work.
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Ephemeral Layers: Coffee, Snapchat, and Violence

For decades, ephemeral layers at archaeological sites have been the bane of my existence. The moment I read, hear, or have to confront it at an excavation, my soul does a smh. How can we reconstruct anything meaningful in this ephemerality? To be honest, that frustration is simply a privileged standpoint of archaeologists who work in ancient cities, towns, or any mostly permanent settled space – which is where my training and research has focused. Ephemerality is a challenge and requires me to contend with materials and surfaces in a way I am only starting to understand.

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NGO-graphies: On Knowledge Production and Contention

NGOgraphies logo

The NGOs and Nonprofits Special Interest Group held its second biennial conference before the AAAs last week. It’s designed to give anthropologists and practitioners working in and with NGOs a chance to engage with each other in a more intimate, focused way before diving into the chaos of the AAAs. Entitled “NGOgraphies,” this year’s conference explored the dual meaning of the term, coined by Steven Sampson and Julie Hemment in 2001, which refers both to critical ethnography of NGOs in general and to analysis of the human geography of NGOs in particular. The conference attracted 112 attendees from 13 countries, and session organizers were encouraged to use alternate formats to engage participants, ranging from workshops to roundtables. Rather than a general report on the conference, this post is a reflection on some of the specific conversations and lines of thought the conference generated for me.

When I circulated the call for papers for my roundtable panel What Is This ‘Local Knowledge’ that Development Organizations Fetishize? to the NGOs and Nonprofits Interest Group listserv in May, I got the following email in reply:

Dear All,

I might have been interested in participating, but will likely be traveling overseas for humanitarian work at the time. I have worked for international NGOs and aid agencies for 30 years, as I do now. However, I must say that the title of the session troubles me. As a long-time member and leader of such organizations, I have never known our community to “fetishize” local knowledge. I think the term is disrespectful to my colleagues and their work and insights. This seems like some sort of construct or perception of research-based academics.

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Writing in and from the Field

[Savage Minds is pleased to run this essay by guest author Ieva Jusionyte as part of our Writers’ Workshop series. Ieva is Assistant Professor of Anthropology and Latin American Studies at the University of Florida. She is the author of Savage Frontier: Making News and Security on the Argentine Border (University of California Press, 2015). Ieva is currently conducting fieldwork for a new project about emergency services on the U.S.-Mexico border, funded by NSF and the Wenner-Gren Foundation.]

This morning, as I am sitting down to write this blog entry in my rental apartment in Nogales, I peer through the window: The sun has illuminated the dark brown border wall that coils over the hilly landscape and reminds me of the spiked back of a stegosaurus. Six months ago I arrived in Southern Arizona to begin fieldwork with firefighters and paramedics for a new ethnographic project about emergency responders on both sides of the line, as the international boundary which abruptly separates Mexico and the United States is locally called. Though ethnographic fieldwork takes many forms – I am conducting interviews, participating in the daily activities at the firehouse, volunteering at a first aid station for migrants, teaching prehospital emergency care at a local fire district, and engaging with the first responder communities in Arizona and Sonora in multiple other ways – my primary activity continues to be writing.

I have always been a morning writer. When I was working on the manuscript of my first book, Savage Frontier: Making News and Security on the Argentine Border (University of California Press 2015), I would shut the doors of my childhood bedroom at my parents’ house in the forested suburbs of Vilnius, Lithuania, where I was fortunate to spend my research leave, and would sit at my large desk, facing the barren trees outside, until noontime. I did it every day of the week for several months during a long and cold winter. The manuscript was complete and sent off to my editor on the eve of spring.

The bollard-style border wall between Nogales, Arizona and Nogales, Sonora. Photo by Ieva Jusionyte.
The bollard-style border wall between Nogales, Arizona and Nogales, Sonora. Photo by Ieva Jusionyte.

But during fieldwork keeping a regular writing routine has been difficult. The topic of our research inevitably shapes how, where and what we write, and my study of fire and rescue services under heightened border security is no exception. Often I spend the entire day on shift with the crew at the fire station, riding along with them to the scenes of emergencies. Other days there is training, community events, long drives to do interviews at more remote fire districts. Having a background in both journalism and in anthropology affects how I go about conducting research. Instead of dividing my time into chunks for doing fieldwork and writing up fieldnotes, I tend to pursue the story as far as it takes me before I finally sit down to reflect on the new material. I think of it as combining the in-depth view of an anthropologist with the fervor of an investigative journalist. It can be exhausting. Continue reading

The Privacy Paradox: IRBs in an Era of NSA Mass Surveillance

[This invited post was written by Daniel O’Maley, who recently graduated with a PhD in cultural anthropology from Vanderbilt University. His research focuses on the global Internet freedom movement and the link between digital technology and new forms of democratic participation. You can read more about him and his research here]

Increasingly, our lives are mediated by the Internet and other digital technologies. For anthropologists like myself, this presents new opportunities for research, but the digitization, exchange, and storage of personal data also generate new privacy concerns for our participants. During my research on Brazilian Internet freedom activists, I learned about both the potentials of the Internet, as well as the way that digital technology can, and is, being abused to violate civil liberties. What I call the “privacy paradox,” refers to the situation in which the U.S. government at once defends research participants’ privacy through Institutional Review Boards (IRBs) while it simultaneously violates their privacy on a massive, global scale through mass surveillance national security apparatus.

The privacy paradox become apparent to me in July 2013, just a month after the Snowden leaks that exposed NSA mass surveillance, when I sat down to interview a high-level official of a Brazilian IT firm. Before the interview, I detailed the measures I was taking to ensure that his personal data would be protected and I explained that this was required by Vanderbilt’s IRB per U.S. law. Upon hearing this, the IT official looked at me incredulously. Over the previous two months the front pages of newspapers had been plastered with articles detailing U.S. government surveillance projects with codenames like PRISM, XKeyscore, and Stellar Wind that used the global telecommunications infrastructure to collect personal data on people around the world. My interviewee was well-versed in issues of privacy in the digital age, so to hear me state that the U.S. government was concerned with his privacy was laughable.

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Pseudonyms 2.0: How Can We Hide Participants’ Identities When They’re on Pinterest?

It has been standard practice in anthropology to change the names of the people and places we analyze, but recently scholars have been questioning the necessity and even possibility of keeping participants anonymous, especially when they already have a social media presence. In this post, I share what I did to anonymize my research site and participants, and I do my best to start a discussion about the broader issue of anonymization now that detective work can be as simple as plugging a few search terms into Google.

When anthropologist Cathy Small enrolled as an undergraduate in her own university ten years ago to do the fieldwork that resulted in My Freshman Year: What a Professor Learned by Becoming a Student (2005), she knew that she wanted to protect the identities of her participants and institution by referring to them using pseudonyms. She called herself “Rebekah Nathan” (an excellent choice of pseudonym if you ask me) and Northern Arizona University “AnyU” (a play on its initials, NAU).

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To Fieldwork, To Write

[Savage Minds is pleased to run this essay by guest author Kim Fortun as part of our Writers’ Workshop series. Fortun is Professor of Science and Technology Studies at Rensselaer Polytechnic Institute. She is the author of Advocacy After Bhopal: Environmentalism, Disaster, New Global Orders (University of Chicago Press 2001), former co-editor of Cultural Anthropology, and is now playing a lead role in the development of the Platform for Experimental, Collaborative Ethnography.]

 

Sometimes, to do fieldwork is to write. This was the way first fieldwork went for me, in the years in the early 1990s when I was working in Bhopal India, at the site of the “world’s worst industrial disaster,” resulting from a massive release of toxic chemicals over a sleeping city. The devastation was horrific, but debatable from the outset. Dead people and animals were strewn across the city, rows of the dead covered in white sheets paved hospital courtyards. The sounds of coughing and grief were overwhelming, and unforgettable.  Disaster was blatant and flagrant, yet it was still was a struggle to account for in words and politics.

It was years later I was told and read about the sounds and sights of Bhopal in the days just after December 3, 1984. Journalists, activists, academics, poets, and many who were tangles of all these helped with the accounting. Stories about the plight of gas victims were also, always, stories about cover-up and denial. Even the basics – the numbers of dead, the number exposed, the number injured – were (and remain) in dispute.   At the 30th anniversary of the gas leak in 2014, activists were still mobilizing to revise the death record. Continue reading