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<channel>
	<title>Savage Minds</title>
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	<link>http://savageminds.org</link>
	<description>Notes and Queries in Anthropology — A Group Blog</description>
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		<title>Savage Minds Around the Web</title>
		<link>http://savageminds.org/2010/02/08/savage-minds-around-the-web-51/</link>
		<comments>http://savageminds.org/2010/02/08/savage-minds-around-the-web-51/#comments</comments>
		<pubDate>Mon, 08 Feb 2010 21:22:17 +0000</pubDate>
		<dc:creator>jay sosa</dc:creator>
				<category><![CDATA[Around the Web]]></category>

		<guid isPermaLink="false">http://savageminds.org/?p=3183</guid>
		<description><![CDATA[	Third Quarter Review:  Hortense at jezebel.com took time out from the cheese balls and the nacho dip to file a report on the Superbowl 2010 commercials.  Complete with embedded clips, Hortense shows that this year&#8217;s batch is dedicated to selling emasculated men products that will help them win back their manhood.  
	Haiti [...]]]></description>
			<content:encoded><![CDATA[	<p><strong>Third Quarter Review: </strong> Hortense at <a href="jezebel.com">jezebel.com</a> took time out from the cheese balls and the nacho dip to file a report on the Superbowl 2010 commercials.  Complete with embedded clips, Hortense shows that this year&#8217;s batch is dedicated to <a href="http://jezebel.com/5466296/the-woes-of-bros-this-years-super-bowl-ads-are-filled-with-pathetic-men-and-the-women-who-ruined-them/gallery/?utm_source=feedburner&#038;utm_medium=feed&#038;utm_campaign=Feed%3A+jezebel%2Ffull+%28Jezebel%29">selling emasculated men products that will help them win back their manhood</a>.  <strong></strong></p>
	<p><strong>Haiti in Fragments: </strong> I just got tipped off about the blog on Social Text&#8217;s website.  Check out <a href="http://www.socialtextjournal.org/periscope/ayiti-kraze-haiti-in-fragments/">the collection of essays written last month</a> by various scholars on (re)considering Haiti, its exceptional history, and its place in a world system.</p>
	<p><strong>Development of Memory:</strong> English Professor Anne Trubek wrote a piece in the <a href="http://www.prospect.org/">American Prospect </a>on efforts to <a href="http://www.prospect.org/cs/articles?article=a_museum_of_ones_own">restore the adolescent home of Langston Hughes</a> as both a memorial to the author and an opportunity for redevelopment in a struggling Cleveland neighborhood.  But Trubek&#8217;s hesitancy, centered equally upon the difficulties of urban renewal and the politics of memory, propel her to look for other options.</p>
	<p><strong>Holding Immigration Suspect: </strong> Tony at <a href="http://www.ethnography.com/">ethnography.com</a> questions some new research making the rounds of the popular media and that argues that immigrants are more likely to engage in criminal activity than native-born people.  There is, he argues, <a href="http://www.ethnography.com/2010/02/the-connection-between-crime-and-immigration-a-complicated-but-not-conflicted-issue/?utm_source=feedburner&#038;utm_medium=feed&#038;utm_campaign=Feed%3A+ethnography%2FpnxL+%28Ethnography.com%29">a negative correlation and a much more complicated relationship</a> between immigration and crime.</p>
	<p><strong>Modern Trickery: </strong>Ok, there&#8217;s just too much good stuff on Social Text&#8217;s blog, and I need to get it out of my system.  Gabriella Coleman wrote a piece considering whether internet hackers could fulfill an archetypal position of the trickster.  <a href="http://www.socialtextjournal.org/blog/2010/02/hacker-and-troller-as-trickster.php">Check it out</a>.</p>
	<p><strong>Call to Unite: </strong>Michelle Thomas wrote in with the suggestion that anthropology grad students in programs across the U.S. (and beyond?) should have a central forum to write about funding.  She writes:<br />
<blockquote>I recently noticed that our discipline (anthropology) lacks a centralized site for grad students to discuss and commiserate over their experiences with funding. I thought perhaps you could at least draw attention to places where such conversations are happening, in the hopes that more information can be shared (and perhaps someone will even create such a centralized site for gathering information about grants and the review process in future years). In the meantime, here are the sites that I know of, and which I hope you will share with other anthropology grad students:<a href="http://forum.thegradcafe.com/forum/17-the-bank/" target="_blank"></a> <a href="http://forum.thegradcafe.com/forum/17-the-bank/" target="_blank"></a></blockquote><br />
<blockquote><a href="http://forum.thegradcafe.com/forum/17-the-bank/" target="_blank">http://forum.thegradcafe.com/forum/17-the-bank/</a> <a href="http://academicjobs.wikia.com/wiki/Humanities/Social_Sciences_Dissertation_Fellowships_2010-11" target="_blank">http://academicjobs.wikia.com/wiki/Humanities/Social_Sciences_Dissertation_Fellowships_2010-11</a> <a href="http://academicjobs.wikia.com/wiki/Dissertation_fellowships" target="_blank">http://academicjobs.wikia.com/wiki/Dissertation_fellowships</a> <a href="http://www.poliscijobrumors.com/" target="_blank">http://www.poliscijobrumors.com/</a>&#8212;> see: <a href="http://www.poliscijobrumors.com/topic.php?id=8749" target="_blank">http://www.poliscijobrumors.com/topic.php?id=874</a></blockquote><br />
Do you have something you want to include from around the web?  Write in the comments or <a href="mailto:%61%6E%74%68%72%6F%68%6F%6D%6F%40%67%6D%61%69%6C%2E%63%6F%6D">email</a>.</p>

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		<title>Receivership: Berkley Anthro or DDR?</title>
		<link>http://savageminds.org/2010/02/08/receivership-berkley-anthro-or-ddr/</link>
		<comments>http://savageminds.org/2010/02/08/receivership-berkley-anthro-or-ddr/#comments</comments>
		<pubDate>Mon, 08 Feb 2010 15:30:43 +0000</pubDate>
		<dc:creator>ckelty</dc:creator>
				<category><![CDATA[Briefly Noted]]></category>

		<guid isPermaLink="false">http://savageminds.org/?p=3181</guid>
		<description><![CDATA[	I haven&#8217;t been blogging about the crisis in the UC system, mostly because excellent blogging is going on elsewhere (see esp.  Chris Newfield and others at Remaking the University if you are interested).  But when it intersects with anthropology, it warrants our attention.  Paul Rabinow forwarded this tantalizing, if brief, note about [...]]]></description>
			<content:encoded><![CDATA[	<p>I haven&#8217;t been blogging about the crisis in the UC system, mostly because excellent blogging is going on elsewhere (see esp.  Chris Newfield and others at <a href="http://utotherescue.blogspot.com/">Remaking the University</a> if you are interested).  But when it intersects with anthropology, it warrants our attention.  Paul Rabinow forwarded this tantalizing, if brief, note about what&#8217;s going on in Berkeley&#8230; </p>
	<p><blockquote><a href="http://anthropology.berkeley.edu/">The Department of Anthropology</a> at UC Berkeley has been in a kind of unofficial receivership for a growing number of years now. The reason I can claim this is that we no longer choose our own chair (while this was always technically true, departmental wishes were traditionally respected and continue to be so in other departments). Not only don’t we get to choose, the results of recent polls have not been disclosed nor those of official votes. The results might be “disruptive” we were told by the chair appointed by the administration. Even the Karzai government goes through the charade of holding elections.</p>
	<p>We are now in a kind of Stasi-like moment at Berkeley where e-mail is monitored, lists of attendees to public meetings kept, warning messages sent afterwards, students threatened with expulsion but denied the most elementary protection such as having a lawyer present at their hearings. On the other hand, <a href="http://en.wikipedia.org/wiki/John_Yoo">John Yoo</a> is passionately defended as an example of academic freedom. </p>
	<p>Is this going on elsewhere? <br />
</blockquote></p>


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		<title>What is happening to the obsession with culture?</title>
		<link>http://savageminds.org/2010/02/08/what-is-happening-to-the-obsession-with-culture/</link>
		<comments>http://savageminds.org/2010/02/08/what-is-happening-to-the-obsession-with-culture/#comments</comments>
		<pubDate>Mon, 08 Feb 2010 11:40:31 +0000</pubDate>
		<dc:creator>Joana and Pal</dc:creator>
				<category><![CDATA[Culture Notes]]></category>
		<category><![CDATA[Huntingtion]]></category>
		<category><![CDATA[intercultural communication]]></category>
		<category><![CDATA[multiculturalism]]></category>

		<guid isPermaLink="false">http://savageminds.org/?p=3184</guid>
		<description><![CDATA[	In our previous post, we suggested that, in &#8220;the development field,&#8221; culture talk may already look different from the time we wrote Seeing Culture Everywhere, and that the kind of para-ethnographic approach we argue for is gaining ground. What about the rest of the areas of public and corporate policy we cover in the book?
	Huntingtonianism [...]]]></description>
			<content:encoded><![CDATA[	<p>In our previous post, we suggested that, in &#8220;the development field,&#8221; culture talk may already look different from the time we wrote<em> Seeing Culture Everywhere</em>, and that the kind of para-ethnographic approach we argue for is gaining ground. What about the rest of the areas of public and corporate policy we cover in the book?</p>
	<p><strong>Huntingtonianism still rules in IR<br />
<span style="font-weight: normal;">In international relations, there is little evidence of cultural determinism becoming less popular at the level of explanations, although with the shifts in U.S. foreign policy rhetoric and the fatigue that has set in regarding Iraq and Afghanistan, the emphasis is more on solving day-to-day issues. In China, the local version of &#8220;Asian values,&#8221; centred on Confucianism, is doing better than ever and is increasingly infused into writings on foreign policy, although it is curiously combined with universalistic claims that suggest a new world system usually signified with the word tianxia, &#8220;all under heaven,&#8221; understood to mean a kind of non-Westphalian system vaguely reminiscent of tributary relations. (More on this in a forthcoming post.) Ethnic explanations of the &#8220;ancient hatreds&#8221; kind also appear to remain the most popular in armed internal conflicts.</span></strong></p>
	<p><strong>From multiculturalism to interconfessionalism<br />
<span style="font-weight: normal;">The trends we describe in the way most Western states&#8212;including Western Europe and Australia&#8212;manage diversity continue, too. There remains a tension between the ongoing and increasingly stringent attempts to wrench rights and obligations away from previously designated ethnic &#8220;communities&#8221; and drag them back onto individuals through all kinds of &#8220;integration courses,&#8221; citizenship exams and bans on headscarves or arranged marriages, on the one hand, and the promotion of &#8220;interfaith dialogue,&#8221; with officially recognized religious leaders, on the other. Many of the problematic aspects of multiculturalist policies are now resurfacing in the form of interconfessionalist policies. We are looking forward to the findings of Thijl Sunier, Pál&#8217;s colleague, who is beginning a multi-country ethnography of Muslim organizational leadership.</span></strong></p>
	<p>Nor does the proliferation of &#8220;intercultural communication&#8221; trainings show any signs of abating, and Geert Hofstede&#8217;s &#8220;<a href="http://www.geert-hofstede.com/" target="_blank">cultural dimensions</a>&#8221; still rule the seas. We must confess that IC is an area that we particularly enjoyed lampooning; it was a pleasure, for instance, to quote from Brendan McSweeney&#8217;s brilliant piece in which he scrutinizes Hofstede&#8217;s assertion that Freud&#8217;s theories had to do with Austrian culture&#8217;s &#8220;combination of a very low power distance with a fairly high uncertainty avoidance,&#8221; which means that &#8220;there is no powerful superior who takes away one&#8217;s uncertainties.&#8221; McSweeney points out that Adolf Hitler and Leopold von Sacher-Masoch, both Austrians of Freud&#8217;s generation, were rather keen on submitting to powerful superiors, although in different ways.</p>
	<p><strong>The Rat and the Rabbit<br />
<span style="font-weight: normal;">And finally, the battle for the group ownership of &#8220;native culture&#8221; continues. The inclusion of two bronze heads looted from the Summer Palace in Peking in last year&#8217;s <a href="http://chinasaysno.wordpress.com/2009/02/22/students-call-for-boycott-of-christies/" target="_blank">auction</a> of the Yves Saint Laurent &#8211; Pierre Berge collection triggered both official and popular protests in China, which had earlier been relatively subdued about claiming artifacts back from foreign museums. Later in the year, a Chinese archaeologist sponsored by a liquor company organised a <a href="http://chinasaysno.wordpress.com/2009/12/18/lost-heritage-expedition-to-western-museums/" target="_blank">high-profile tour</a> of Western museums to take stock of art looted from the Summer Palace. On another front, the New York Times recently (23-24 January) reported that a performance by world ice dance champions Oksana Domnina and Maxim Shabalin at the European Championships that employed Australian Aborigine motives in outfits and music was condemned by the New South Wales Aboriginal Council as another instance of &#8220;stealing Aboriginal culture.&#8221;</span></strong></p>
	<p><strong>From culture to class, wealth and work?<br />
<span style="font-weight: normal;">All that said, we do have the impression, that the world&#8217;s mind has been taken off culture to some extent. The perceived (and perhaps real) crisis of &#8220;neoliberal&#8221; economics means a renewed attention to class, wealth, and work as generators of conflict and common interest. This attention is not always well-conceived and can be downright sinister; it can also resurrect earlier generalizations about group culture, this time linked to money. But it does perhaps generate a welcome opportunity for micro-level studies of powerful institutions.</span></strong></p>

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		<title>Culture in Development</title>
		<link>http://savageminds.org/2010/02/05/culture-in-development/</link>
		<comments>http://savageminds.org/2010/02/05/culture-in-development/#comments</comments>
		<pubDate>Fri, 05 Feb 2010 07:18:02 +0000</pubDate>
		<dc:creator>Joana and Pal</dc:creator>
				<category><![CDATA[Briefly Noted]]></category>
		<category><![CDATA[Chinese aid]]></category>
		<category><![CDATA[Development]]></category>
		<category><![CDATA[Haiti]]></category>
		<category><![CDATA[Lawrence Harrison]]></category>
		<category><![CDATA[Michael Walton]]></category>
		<category><![CDATA[Vijayendra Rao]]></category>

		<guid isPermaLink="false">http://savageminds.org/?p=3178</guid>
		<description><![CDATA[	This was supposed to be the title of one of the chapters in Seeing Culture Everywhere, except in the final proof it somehow got reduced to just “Culture,” which in a way is a more striking title. The chapter describes two types of “culture talk” in the world of development professionals: one, exemplified by Lawrence [...]]]></description>
			<content:encoded><![CDATA[	<p>This was supposed to be the title of one of the chapters in <em>Seeing Culture Everywhere</em>, except in the final proof it somehow got reduced to just “Culture,” which in a way is a more striking title. The chapter describes two types of “culture talk” in the world of development professionals: one, exemplified by Lawrence Harrison’s <a href="http://www.amazon.com/Culture-Matters-Values-Shape-Progress/dp/0465031765" target="_blank">Culture Matters: How Values Shape Human Progress</a>, that sees certain national cultures as development-prone and others as development-resistant, and another, reflected in Vijayendra Rao and Michael Walton’s excellent <a href="http://www.cultureandpublicaction.org/" target="_blank">Culture and Public Action</a>, that takes a bottom-up ethnographic approach and emphasizes the need for understanding local cultural mechanisms while refraining from general statements. The former is a close relative of Samuel Huntington’s views, except that where Huntington is consistent (cultures cannot be changed so don’t tamper with them) Harrison is not (cultures cannot be changed, but sometimes they can, so keep trying). Of course, this tension between the idea of a national culture and the idea of individual self-realisation in spite of it goes all the back to  the Enlightenment.</p>
	<p><strong>Exporting Paternalism<br />
<span style="font-weight: normal;">A few weeks ago <a href="http://savageminds.org/2010/01/15/david-brooks-worse-than-pat-robertson/" target="_blank">Kerim blogged</a> about David Brooks’ <em>New York Times</em> opinion piece on Haiti, which is squarely in the Harrisonian mold: we need to go in and change their culture so they can develop. He (erroneously, we think) quotes Huntington in his support, but at least, contrary to Huntington’s infamous comparison between South Korea and Ghana (they were at the same level of development in 1960), Brooks’ argument compares Haiti to places like Barbados and the Dominican Republic, which means he operates with more specific cultural categories (which implicitly include political and social history) than Huntington’s “civilizations”.</span></strong></p>
	<p>But what we found remarkable in <a href="http://www.nytimes.com/2010/01/15/opinion/15brooks.html" target="_blank">Brooks’ article</a> was something else:<br />
<blockquote>it’s time to promote locally led paternalism. In this country, we first tried to tackle poverty by throwing money at it, just as we did abroad. Then we tried microcommunity efforts, just as we did abroad. But the programs that really work involve intrusive paternalism.</p>
	<p>These programs, like the Harlem Children’s Zone and the No Excuses schools, are led by people who figure they don’t understand all the factors that have contributed to poverty, but they don’t care. They are going to replace parts of the local culture with a highly demanding, highly intensive culture of achievement — involving everything from new child-rearing practices to stricter schools to better job performance. It’s time to take that approach abroad, too.</blockquote><br />
Wait a minute. Sure, Brooks is a conservative commentator, but still – what? A piece in the <em>New York Times</em> advocating promoting locally led paternalism and exporting paternalism abroad?</p>
	<p>How is this different from <a href="http://mqvu.wordpress.com/" target="_blank">what China is doing in poor countries</a> – for which it gets all kinds of flak, none more than from U.S. conservatives?</p>
	<p>China’s emergence in the development/aid field – its Eximbank is now a larger lender than the World Bank – is beginning to impact approaches in the whole field. In China, there is little patience for the kind of participatory development approach that has recently been so popular in the West (but is widely criticised as <a href="http://www.amazon.com/Cultivating-Development-Ethnography-Practice-Anthropology/dp/0745317987" target="_blank">failed</a>) and endless faith in ‘60s-style, highly interventionist development projects that combine large-scale infrastructural development with instilling a “modern work culture,” bodily discipline and all. (China is often described as differing from the West in its lack of a missionary agenda, but this is hardly true for Chinese investors; they are very like so many Henry Fords.) And this approach has appeal. People, at least some people, in Africa and Southeast Asia feel like the hopes for development that existed in the ‘60s and ‘70s have been given back to them.</p>
	<p>So where does that leave “culture” in development? Our hunch is that its place has already shifted since we wrote Seeing Culture Everywhere. On the one hand, there is China and David Brooks. On the other, there is a new trend in “development thinking” around the World Bank and elsewhere (like Narayan. Pritchett and Kapoor’s <a href="http://web.worldbank.org/WBSITE/EXTERNAL/TOPICS/EXTPOVERTY/EXTMOVOUTPOV/0,,contentMDK:20780967~pagePK:210058~piPK:210062~theSitePK:2104396,00.html" target="_blank">Moving out of Poverty</a> and Jessica Cohen and William Easterly’s <a href="http://www.amazon.com/What-Works-Development-Thinking-Small/dp/0815702825" target="_blank">What Works in Development)</a> that seem to abandon the term altogether and focus on micro-scale interventions – rightly, we believe.</p>

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		<title>Anthropology Journalism HOWTO</title>
		<link>http://savageminds.org/2010/02/04/anthropology-journalism-howto/</link>
		<comments>http://savageminds.org/2010/02/04/anthropology-journalism-howto/#comments</comments>
		<pubDate>Thu, 04 Feb 2010 06:05:37 +0000</pubDate>
		<dc:creator>ckelty</dc:creator>
				<category><![CDATA[How To]]></category>
		<category><![CDATA[In the Press]]></category>
		<category><![CDATA[Public Anthropology]]></category>
		<category><![CDATA[dissemination]]></category>

		<guid isPermaLink="false">http://savageminds.org/?p=3174</guid>
		<description><![CDATA[	It&#8217;s like public anthropology week here at SM! Joana and Pal are writing fascinating stuff about engaging beyond academia.  And just to keep the discussion going, I wanted to re-post a comment offered by Brian P (science journalist) which is like a HOWTO for anthropology journalism.  I hope he doesn&#8217;t mind my shameless [...]]]></description>
			<content:encoded><![CDATA[	<p>It&#8217;s like public anthropology week here at SM! Joana and Pal are writing fascinating stuff about engaging beyond academia.  And just to keep the discussion going, I wanted to re-post a <a href="http://savageminds.org/2010/01/26/3145/#comment-628192">comment offered by Brian P</a> (science journalist) which is like a HOWTO for anthropology journalism.  I hope he doesn&#8217;t mind my shameless re-purposing, but it&#8217;s some truly excellent stuff.  AAA publicity folks, please take note.  My comments are interleaved.</p>
	<p><blockquote> If the field wants more attention from the press, here are some ideas:</p>
	<p>1) Hire good science writers to write and distribute press releases. Believe me, there are plenty of quality science writers looking for work. Journals could easily pay a few of them to write press releases on the top two or three papers per issue. Current Anthropology does this and I’m grateful for the service. Not many journalists (probably almost zero) read the primary anthro journals, let alone secondary journals in the field. We need to be led to the fountain.</blockquote></p>
	<ul>
		<li>&#8220;good science writers&#8221; might include all those anthropology MAs and PhDs who didn&#8217;t end up going into academia for whatever reason.  There are a lot of people on this blog alone who just enjoy keeping up with anthropology and who might have the skills to do just this.  unfortunately, the part about hiring them seems pretty unlikely.  Editors of AAA journals aren&#8217;t even paid, to say nothing of science writers.  So this task falls to us (see #4 below) and if I were editor of a journal, I would make it a priority to find people willing to do this task on a volunteer basis&#8212;or maybe for a free subscription if they happen to be unaffiliated?  If Current Anthropology can do it, why can&#8217;t the AAA?
<blockquote>
2) Post those press releases on Eurekalert.org, which is run by AAAS, and on other services science reporters scan for news, such as Newswise.</blockquote>
		<li>this seems like a no-brainer.  But upon looking, the only alerts are from Current Anthropology.  In order to post an alert you need to be a &#8220;public information officer&#8221; for an organization of some kind.  Does the AAA even have a &#8220;Public Information Officer&#8221;? A subscription to Eurekalert?  I might be willing to renew my membership to the AAA if I knew some of the money went to hiring science writers to promote our research on sites like Eurekalert.
<blockquote>3) When preparing press releases, try to relate the work to current events. Make it relevant.</blockquote>
		<li>I would return here again to my point about temporality.  Anthropologists work slowly, but that can be an advantage.  It means that a longer term sense of what counts as &#8220;relevant&#8221; and how to connect current problems that seem new to long-standing structural and cultural transformations is a great way to do exactly what Brian suggests.  Just because our work analyzes a time and period that is now outside of the current news-cycle attention span does not mean that it cannot be made relevant to what&#8217;s going on today.   Figuring out how to stake this claim is intellectually challenging work, not just publicity pandering.
<blockquote>
4) If you have the aptitude and inclination to write for a popular audience, DO. Write and submit opinion pieces for national newspapers, Nature, Scientific American, and Science. We read these. New Scientist and Scientific American and Scientific American Mind run articles written by researchers (usually they are heavily edited). It’s cheap labor for magazines to do this, and more and more of them are probably heading in that direction.</blockquote>
		<li>I&#8217;m not sure I fully agree with this one.  On the one hand, those who can and want to should, and will.  On the other hand, maybe it only means talking with someone who does like to write for a popular audience about current research, or sending alerts to those who do like to write such things. If I got an email box full of eurekalerts about recent research in cultural anthro, I might read some and write about some on SM.  As it stands, I just have an email box full of requests to review such research, which means I can&#8217;t write about it, even if it&#8217;s interesting.  I&#8217;d be happy to trade in half my peer review requests for &#8220;publicize it&#8221; requests.  The fact that very few of the leading lights of cultural anthropology deign to do exactly such a thing cannot be good for our business.
<blockquote>
– Prepare for some disappointment. Yes, some journalists will get it wrong. Sometimes you won’t like our pithy language or our need to strip away the caveats and get to the heart of the issue. Well, that’s the price of admission.</blockquote>
		<li>well said, sir brian.  Indeed, if obscurity and widespread public ignorance of anthropology is what we want, we&#8217;ve already got that in spades, so we can feel free to ignore these suggestions and happily avoid any disappointment.
<blockquote>
– Let me say it again. FIND WAYS TO MAKE YOUR WORK RELEVANT. What does it tell us about something happening now that’s important to large groups of people? What currency does the work have? I once wrote about some studies of infanticide in baboons – and the researcher was willing to draw inferences about human behavior from his work. That made the work newsworthy and interesting.</blockquote>
		<li>and let me say it again: cultural anthropology has a different temporality than journalism, even though they often cover very similar topics.  So the art of &#8220;making it relevant&#8221; is also the art of seeing cultural change and significance at different scales, connecting the just-forgotten with the all-too-present.  A lot of what cultural anthropology has to offer is the re-framing of persistently polarized debates.  Ours is not a logic of discovery, but one of assertion and reorientation.  </li>
	</ul>

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		<title>Writing Together</title>
		<link>http://savageminds.org/2010/02/02/writing-together/</link>
		<comments>http://savageminds.org/2010/02/02/writing-together/#comments</comments>
		<pubDate>Tue, 02 Feb 2010 22:19:20 +0000</pubDate>
		<dc:creator>Joana and Pal</dc:creator>
				<category><![CDATA[Public Anthropology]]></category>
		<category><![CDATA[co-authorship]]></category>
		<category><![CDATA[popularizing anthropology]]></category>

		<guid isPermaLink="false">http://savageminds.org/?p=3172</guid>
		<description><![CDATA[	We’d like to take this opportunity to reflect on authorship in anthropology. The overwhelming majority of anthropology books are written by a single author. This is understandable if you look at the conventions of fieldwork, as well as the hiring processes of universities, for which co-authored works weigh far less than single-authored ones. Yet to us, [...]]]></description>
			<content:encoded><![CDATA[	<p>We’d like to take this opportunity to reflect on authorship in anthropology. The overwhelming majority of anthropology books are written by a single author. This is understandable if you look at the conventions of fieldwork, as well as the hiring processes of universities, for which co-authored works weigh far less than single-authored ones. Yet to us, this seems a real pity, as our experience has been that co-authorship has a number of great advantages.</p>
	<p><strong>Increased productivity<br />
<span style="font-weight: normal;">Although we both have very different careers – Pál being a full-time <a href="http://www.fsw.vu.nl/en/departments/social-and-cultural-anthropology/staff/nyiri/index.asp" target="_blank">university professor</a> and Joana being a „free-lance anthropolgist“ and running an <a href="www.betterplace.org" target="_blank">internet start-up</a> – we have (in addition to many single-authored works) over the last 10 years written dozens of articles and three books together, as well as devised e-learning courses and workshops. One of the reasons for our large output has been that we were able to cover very different audiences in a few strokes. Not only has nearly all our writing been published in both German and English, we also wrote up different versions, one academic, the other targeting a general audience.</span></strong></p>
	<p>With different audiences in mind and living in different social spheres we had access to a large pool of research ideas, thus Pál made us study the <a href="http://condor.depaul.edu/~rrotenbe/aeer/v20n2/Nyiri.pdf" target="_blank">lifeworlds of Soviet theoretical physicists</a> and Chinese migrants in Eastern Europe and <a href="http://www.brandeins.de/archiv/magazin/alles-wahr/artikel/unerwuenscht-aber-wertvoll.html" target="_blank">Italy</a>, whereas Joana got us into the <a href="http://www.espacestemps.net/document1545.html" target="_blank">comparative study of mass tourism</a> and pushed our exploration of the pervasive uses of culture outside of anthropology, which would eventually lead to <em>Maxikulti</em> and <em>Seeing Culture Everywhere</em>. Pál was sceptical at first – is this academic enough? Is this interesting enough? – but never regretted having been persuaded. Not all of our ventures ended up in serious research or writing – trips to a monastery in Serbia and to a Mennonite farm in Belize yielded only <a href="http://www.brandeins.de/archiv/magazin/krisengebiet/artikel/zur-lage-der-kleinsten-wirtschaftlichen-einheit-dem-menschen-eine-mennonitin-in-beliz.html" target="_blank">titbits</a> and a trip to the Turkish coast to study Russian tourists, only a car accident. But they were all fun.</p>
	<p><strong>Reaching a larger audience<br />
<span style="font-weight: normal;">With access to different networks, we published in academic journals such as <em><a href="http://www.journals.uchicago.edu/doi/abs/10.1086/512989?cookieSet=1&#038;journalCode=ca" target="_blank">Current Anthropology</a> <span style="font-style: normal;">and  <em><a href="http://www.joanabreidenbach.de/files/altairoad_471_1.pdf" target="_blank">Development and Change</a>,<span style="font-style: normal;"> as well as in mainstream German newspapers and magazines, such as business monthly <em><a href="http://www.brandeins.de/archiv/magazin/schoen-ist-gut/artikel/chinesen-in-budapest-der-alltag-im-globalen-dorf.html" target="_blank">brand eins</a>, <span style="font-style: normal;"><em>Geo</em> and <em>Frankfurter Allgemeine Zeitung</em>. Writing together also counterbalances our weaknesses: Pál‘s tendency to write too densely and Joana‘s inclination to overgeneralize.</span></em></span></em></span></em></span></strong></p>
	<p><strong> </strong></p>
	<p><strong> </strong></p>
	<p><strong>How do you write a book together?<br />
<span style="font-weight: normal;">Many people ask: „How does writing together actually work?“ Except for a short while, when Pál was at the Institute of Advanced Study in Berlin, we have never lived in the same city. Instead we have met in dozens of different countries. When Pál is doing fieldwork, Joana might join him for a few days to get the feel for the place necessary to write about it. We also travelled to many places together, from Central America via Eastern Europe to Russia and China, doing „fieldwork light“ along the way.</span></strong></p>
	<p>When our writing is not based on detailed fieldwork by Pál, we usually devise an outline together. Then it is Joana’s task to collect and aggregate the relevant theses and case studies, as she – as a generalist&#8212;has a better overview of relevant anthropological material. After this we meet (in Budapest, Sydney, Nice,  Berlin or Luang Prabang to name just a few of the places) for two or three weeks of intensive writing, both sitting in front of one laptop, with Joana often proposing a general structure of the argument and Pál argueing against or refining it and coming up with the final formulations. Back in our respective homes Joana starts the first revision, sending it back to Pál for a final edit. Thus it is a real joint venture and we feel that very few, if any of our output could have been written by one of us a alone.</p>
	<p>And last but not least, one of the main rewards for co-authorship is the fun and inspiration we get from working together.</p>

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		<title>How to write an anthropology book that people will read?</title>
		<link>http://savageminds.org/2010/02/01/how-to-write-an-anthropology-book-that-people-will-read/</link>
		<comments>http://savageminds.org/2010/02/01/how-to-write-an-anthropology-book-that-people-will-read/#comments</comments>
		<pubDate>Mon, 01 Feb 2010 21:53:37 +0000</pubDate>
		<dc:creator>Joana and Pal</dc:creator>
				<category><![CDATA[Briefly Noted]]></category>

		<guid isPermaLink="false">http://savageminds.org/?p=3169</guid>
		<description><![CDATA[	Many thanks to Kerim and Alex for inviting us to Savage Minds to share our experiences writing Seeing Culture Everywhere, a book that explicitly targets a general audience. Over the next two weeks we’ll be writing both about the pervasive use of the concept „culture“ in a broad range of global, national and interpersonal settings, [...]]]></description>
			<content:encoded><![CDATA[	<p>Many thanks to Kerim and Alex for inviting us to <em>Savage Minds</em> to share our experiences writing <a href="http://www.washington.edu/uwpress/search/books/BRESEE.html" target="_blank">Seeing </a><em><a href="http://www.washington.edu/uwpress/search/books/BRESEE.html" target="_blank">Culture Everywhere</a></em>, a book that explicitly targets a general audience. Over the next two weeks we’ll be writing both about the pervasive use of the concept „culture“ in a broad range of global, national and interpersonal settings, as well as about the challenges and successes we encountered in our effort to popularize anthropological perspectives in two settings, Germany and the US.</p>
	<p>Our involvement with the „culture of cultures“, as Marshall Sahlins has called it, dates in Joanas case back to her anthropology studies at Berkeley in 1989/90, where she also participated in some intercultural communication trainings and was struck by the complete disconnect between the way „culture“ was used in the anthropology discourse on the one hand and workshops organised for the employees of multinational companies on the other.</p>
	<p>After teaming up with Pál, who was at the time researching Chinese migrants in Hungary, we decided to introduce our anthropological perspective into the German management scene and published (in 2001) an article in a leading management journal, critizicing the „intercultural communication industry“ (ICI) for perpetuating reductive views of cultural difference that were based on false premises and, rather than helping bridge cultural misunderstandings, often amplified them.</p>
	<p><strong>Where is the alternative?<br />
<span style="font-weight: normal; ">The article created quite a stir within the German “IC community.” But one reason why intercultural „experts“, as well as books such as Samuel Huntington’s <em>Clash of Civilizations</em>, were so successful was that they were offering very hands-on advice, whereas we as anthropologists had just been able to deconstruct simplistic notions of cultural differences without offering alternative visions that were as clear and accessible. A growing number of anthropologists&#8212;among them Thomas Hylland  Eriksen and Ulf Hannerz&#8212;had recognized this as an urgent problem and called for anthropologists to find their way back to the coffee table (our term, not theirs).</span></strong></p>
	<p><strong>Finding a publisher<br />
<span style="font-weight: normal; ">With two chapters written, we started thinking about publishers. After some tentative questions addressed to famous colleagues who published bestsellers and not getting encouraging answers, we realized we didn’t know how to find a commercial publisher in English – even though this had been our aim. So we gave up and turned to the University of Washington Press, where Pál had good experiences publishing an earlier book. Fortunately (and a bit surprisingly, considering we were not targeting an academic readership), they were interested. </span></strong></p>
	<p><strong><span style="font-weight: normal; ">Meanwhile, we approached Joana’s literary agent in Germany and almost immediately received an offer (and an advance) from Campus, a well-known mainstream German publishing house. We weren’t used to this kind of speed: we signed the contract in the summer of 2007 and the book came out in time for the Leipzig Book Fair in March 2008.</span></strong></p>
	<p>Dealing with commercial publishing was a new experience – especially for Pál. A few weeks into our contract, Joana received a phone call from a very agitated editor: She had just received news that the „price winning“ German author, Ilija Trojanow, was about to publish a <a href="http://www.randomhouse.de/book/edition.jsp?edi=252177" target="_blank">book</a> also dealing with „culture“ and arguing against a Huntingtonian determinism. We were told that our  topic had thus been taken and the public certainly wouldn’t buy a book about a similar topic a few months later.</p>
	<p><strong>A completely new storyline<br />
<span style="font-weight: normal; ">The editor now wanted a much „lighter“ and shorter version, in which the whole story line was changed. Pál bristled at this, but thanks to Joana, who had had positive experiences with popular presses before, we persevered and ended up with a manuscript less than half the original length. The positive side is that we had a very constructive exchange with the editor and were forced to concentrate on the main messages we wanted to convey and to be as clear as possible.</span></strong></p>
	<p><strong>Fighting about titles<br />
<span style="font-weight: normal;">The original English title of the book was going to be “Because It’s Their Culture!” The editor would not have it and in a brainstorming session with marketing reps came up instead with a title we hated. After dozens of rejected counterproposals, we gave in to another title we found embarrassing at best and misleading at worst: <em><a href="http://www.campus.de/sachbuch/politik/Maxikulti.85630.html" target="_blank">Maxikulti. Der Kampf der Kulturen ist das Problem – zeigt die Wirtschaft uns die Lösung?</a> <span style="font-style: normal;">(Maxikulti. The clash of civilizations is the problem – can business show us the solution?) The last part of the subtitle was supposed to resonate with managers&#8212;Campus‘ core clientele&#8212;and could be vaguely justified by the fact that our last chapter presents the use of ethnography in corporate settings as an alternative to the generally prevalent abstract notions of culture.</span></em></span></strong></p>
	<p><strong><span style="font-weight: normal;"><em><span style="font-style: normal;">Meanwhile, we received a very positive initial response from UWP. But it took another 20 months until we finally, in November 2009, held a first copy of <em>Seeing Culture Everywhere</em> in our hands. Working with UWP was smooth: constructive comments on the book‘s substance and no conflict about titles.</span></em></span></strong></p>
	<p><strong>Did we succeed?<br />
<span style="font-weight: normal;">While <em>Seeing Culture Everywhere</em> was a success at the AAA book exhibit, it is too early to say anything about its reach and impact. We are very curious to find out whether we have managed to reach a broader readership than professional anthropologists, the „converted.“ Yes, we would love to get reviewed in the NYRB!</span></strong></p>
	<p>The results of the German book are already in. Unfortunaltely, ingratiating ourselves with „the general reader“ didn’t pay off. The book received a number of positive reviews in <a href="http://www.faz.net/s/RubC17179D529AB4E2BBEDB095D7C41F468/Doc~EB9DBFDC4E6BE45C3A324B883D47AAA14~ATpl~Ecommon~Scontent.html  " target="_blank">major German newspapers</a> and <a href="http://www.domradio.de/aktuell/artikel_40030.html" target="_blank">radio interviews</a> and was toured through <a href="http://www.immer-schoen-sachlich.de/verstehen-und-verschleiern-ergebnisse-der-veranstaltungen-in-essen-und-koln/" target="_blank">bookstores</a> and <a href="http://www.ph-ludwigsburg.de/127.html?&#038;no_cache=1&#038;tx_ttnews%5BpS%5D=1236886430&#038;tx_ttnews%5Btt_news%5D=1140&#038;tx_ttnews%5BbackPid%5D=128&#038;cHash=c474f5e6f2  " target="_blank">universities</a> but still sold badly (We don’t have the current figures, but in the first year only a fraction of the minimally envisioned 4 – 5 thousand copies were sold).</p>
	<p>Perhaps the most positive outcome so far is that, through constant arguments with each other and the publisher about the level of nuance needed in order to write such a book, we realised that what we, as anthropologists, deem accessible and relevant, may be cryptic and marginal to the public at large.</p>
	<p>Calls to write for a broader audience are regularly made and debated among anthropologists (we recall a post by Lisa Wynn on <em>Culture Matters</em>). It is clear that such writing is done more often and more successfully in some places (notably Scandinavia) than in others. We would be interested in hearing about other experiences with such publications.</p>
	<p><em>Joana Breidenbach (Berlin), Pál Nyíri (Amsterdam)</em></p>

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		<title>Please welcome guest bloggers Joana Breidenbach and Nyiri Pal</title>
		<link>http://savageminds.org/2010/02/01/please-welcome-guest-bloggers-joana-breidenbach-and-nyiri-pal/</link>
		<comments>http://savageminds.org/2010/02/01/please-welcome-guest-bloggers-joana-breidenbach-and-nyiri-pal/#comments</comments>
		<pubDate>Mon, 01 Feb 2010 19:06:25 +0000</pubDate>
		<dc:creator>Rex</dc:creator>
				<category><![CDATA[Site News]]></category>

		<guid isPermaLink="false">http://savageminds.org/?p=3164</guid>
		<description><![CDATA[	Please welcome two new guest bloggers, Joana Breidenbach and Nyiri Pal!
	Joana Breidenbach obtained her PhD in Cultural Anthropology in Munich in 1994.  Since 1992 she has written many books and articles on cultural globalisation, tourism and migration, including Tanz der Kulturen (The Dance of Cultures, with Ina Zukrigl, Munich: Kunstmann, 1998), a book that played [...]]]></description>
			<content:encoded><![CDATA[	<p>Please welcome two new guest bloggers, Joana Breidenbach and Nyiri Pal!</p>
	<p>Joana Breidenbach obtained her PhD in Cultural Anthropology in Munich in 1994.  Since 1992 she has written many books and articles on cultural globalisation, tourism and migration, including <em>Tanz der Kulturen</em> (The Dance of Cultures, with Ina Zukrigl, Munich: Kunstmann, 1998), a book that played a major role in introducing the issue of cultural globalisation into German public debates. She has been a columnist for the German business monthly <em>brand eins</em> and has published in journals as diverse as <em>GEO</em> and <em>Current Anthropology</em>. In 2007, she co-founded betterplace.org, an online market place for social initiative, where she heads the betterplaceLAB. She lives with her husband and two children in Berlin.</p>
	<p>Nyíri Pál studied in Hungary, the U.S. and Russia. Most of his research has been on Chinese migration overseas; recently, he has been interested in contemporary Chinese &#8216;concessions&#8217; overseas. He is Professor of Global History from an Anthropological Perspective at the Vrije Universiteit, Amsterdam. His most recent book, <em>Mobility and Cultural Authority in Contemporary China</em>, is coming out this spring from the University of Washington Press.</p>
	<p><em>Seeing Culture Everywhere</em> was written as a plea against the cultural determinism that is so common in today&#8217;s public debates, with the non-anthropologist reader in mind. The book traces the emergence of &#8216;culturalism&#8217; (group cultural difference as an explanatory and normative paradigm) from international relations to the nation-state&#8217;s management of diversity and down to corporate trainings, suggesting reasons for the pervasiveness of this approach and advocating its replacement with an ethnographic perspective and practice.</p>
	<p>I look forward to reading their posts and bid them a warm welcome!</p>

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		<title>Buy this Book (Irony included free of charge).</title>
		<link>http://savageminds.org/2010/01/29/buy-this-boo/</link>
		<comments>http://savageminds.org/2010/01/29/buy-this-boo/#comments</comments>
		<pubDate>Fri, 29 Jan 2010 22:21:45 +0000</pubDate>
		<dc:creator>ckelty</dc:creator>
				<category><![CDATA[Briefly Noted]]></category>

		<guid isPermaLink="false">http://savageminds.org/?p=3159</guid>
		<description><![CDATA[	

Some scholars write contributions, some adjust the record, some revise it.  And some scholars write definitive (and effing long) works.  Adrian Johns is one of those scholars.  I don&#8217;t get as excited about academic books these days as I once did when I spent a lot of time loitering in bookstores (not [...]]]></description>
			<content:encoded><![CDATA[	<p><a href="http://www.press.uchicago.edu/presssite/metadata.epl?mode=synopsis&#38;bookkey=2005340"><img src="http://images.indiebound.com/188/401/9780226401188.jpg" alt="Piracy by Adrian Johns" align="right" /><br />
</a><br />
Some scholars write contributions, some adjust the record, some revise it.  And some scholars write definitive (and effing long) works.  Adrian Johns is one of those scholars.  I don&#8217;t get as excited about academic books these days as I once did when I spent a lot of time loitering in bookstores (not unrelated issue), but I&#8217;m so incredibly excited to have this book in the world I just can&#8217;t resist getting all swoony about it.  You should too.  </p>

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		<title>Concerned Anthropologists&#8217; Letter to Washington</title>
		<link>http://savageminds.org/2010/01/28/concerned-anthropologists-letter-to-washington/</link>
		<comments>http://savageminds.org/2010/01/28/concerned-anthropologists-letter-to-washington/#comments</comments>
		<pubDate>Thu, 28 Jan 2010 20:15:29 +0000</pubDate>
		<dc:creator>jay sosa</dc:creator>
				<category><![CDATA[Anthropology at war]]></category>

		<guid isPermaLink="false">http://savageminds.org/?p=3150</guid>
		<description><![CDATA[	The Network of Concerned Anthropologists (NCA) is collecting signatures for a collective letter opposing Congress&#8217;s potential plan to expand the Human Terrain System Program.
	This is what NCA wrote on their website:
 Congress is currently evaluating and considering the expansion of the Pentagon&#8217;s Human Terrain System (HTS) program, in which anthropologists have been recruited to assist [...]]]></description>
			<content:encoded><![CDATA[	<p>The <a href="http://concerned.anthropologists.googlepages.com/">Network of Concerned Anthropologists (NCA) </a>is collecting signatures for a collective letter opposing Congress&#8217;s potential plan to expand the Human Terrain System Program.</p>
	<p>This is what NCA wrote on their <a href="http://concerned.anthropologists.googlepages.com/">website</a>:<br />
<blockquote><span style="font-size: 12pt; line-height: 115%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;"> Congress is currently evaluating and considering the expansion of the Pentagon&#8217;s Human Terrain System (HTS) program, in which anthropologists have been recruited to assist with counterinsurgency operations in Afghanistan and Iraq.  Please join us in expressing our firm opposition to the program and any expansion by agreeing to add your signature to the <a href="http://concerned.anthropologists.googlepages.com/AnthropologistsStatementonHTS2.pdf">&#8220;Anthropologists&#8217; Statement on the Human Terrain System Program.&#8221;</a> </span></p>
	<p>Modeled after a well-publicized 2008 statement written by economists to oppose the Bush administration&#8217;s first TARP program, this statement aims to clearly and concisely state the factual grounds for our opposition. Unlike our previous year-long effort to compile signatures for the Network of Concerned Anthropologists&#8217; &#8220;Pledge of Non- participation in Counterinsurgency,&#8221; we want to collect the signatures of as many professional anthropologists as possible <em>as soon as possible </em><span>so that our voice can be heard in the debate about HTS</span>.<br />
<div style="text-align: left;"><span style="font-size: 12pt; line-height: 115%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; color: black;">To add your name to the statement, please EMAIL your NAME, TITLE, and AFFILIATION to <span id="emob-ABUHZNAGREENVA@TZNVY.PBZ-80">NOHUMANTERRAIN {at} GMAIL(.)COM</span><script type="text/javascript">
    var mailNode = document.getElementById('emob-ABUHZNAGREENVA@TZNVY.PBZ-80');
    var linkNode = document.createElement('a');
    linkNode.setAttribute('href', "mailto:%4E%4F%48%55%4D%41%4E%54%45%52%52%41%49%4E%40%47%4D%41%49%4C%2E%43%4F%4D");
    tNode = document.createTextNode("NOHUMANTERRAIN {at} GMAIL(.)COM");
    linkNode.appendChild(tNode);
    linkNode.setAttribute('id', "emob-ABUHZNAGREENVA@TZNVY.PBZ-80");
    mailNode.parentNode.replaceChild(linkNode, mailNode);
</script>.  Include the subject line &#8220;Anthropologists&#8217; Statement.&#8221;</span> <span style="font-size: 12pt; line-height: 115%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; color: black;"> </span> <span style="font-size: 12pt; line-height: 115%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; color: black;"> Please encourage other professional anthropologists to sign as well.<span> </span>Thank you very much for your support!</span></div></blockquote><br />
Read on for a draft of the letter:<span id="more-3150"></span><br />
<div style="text-align: left;"><br />
<p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center; line-height: normal;" align="center"><span style="font-size: 12pt; line-height: 115%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; color: black;"> </span><strong><span style="font-size: 12pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;">ANTHROPOLOGISTS’ STATEMENT </span></strong></p><br />
<p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center; line-height: normal;" align="center"><strong><span style="font-size: 12pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;">ON THE HUMAN TERRAIN SYSTEM PROGRAM</span></strong></p><br />
<p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;" align="center"><strong><span style="font-size: 12pt; line-height: 115%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;"> </span></strong></p><br />
<p class="MsoNormal" style="margin-bottom: 0.0001pt;"><strong><span style="font-size: 12pt; line-height: 115%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;">To the Speaker of the House of Representatives, the President pro tempore of the Senate, and the Chairs and Ranking Members of the House and Senate Armed Services and Appropriations Committees: </span></strong><span style="font-size: 12pt; line-height: 115%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;"> </span></p><br />
<p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span style="font-size: 12pt; line-height: 115%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;"> </span></p><br />
<p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span style="font-size: 12pt; line-height: 115%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;">We, the undersigned anthropologists, want to express to Congress our profound opposition to the Human Terrain System (HTS) program and its proposed expansion.  We are heartened and encouraged by the Pentagon’s interest in expanding its cultural knowledge, and we believe that anthropologists have an important role to play in shaping military and foreign policy.  However, we believe that the HTS program is an inappropriate and ineffective use of anthropological and other social science expertise for the following reasons:</span></p><br />
<p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span style="font-size: 12pt; line-height: 115%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;"> 1) <span style="text-decoration: underline;">There is no evidence that HTS is effective</span>.  There is no evidence, as some supporters have claimed, that the program saves lives.  In fact, a special commission of the American Anthropological Association (AAA)—the largest professional anthropology society in the US—concluded in December 2009 that “there exist no publicly available independent evaluations of the effects of HTS&#8217;s activities, either positive or negative. Whether, or how, HTS might reduce conflict, in short, has yet to be evaluated.”</span></p><br />
<p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span style="font-size: 12pt; line-height: 115%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;"> 2) <span style="text-decoration: underline;">HTS is dangerous and reckless</span>.  To date, three embedded social scientists assigned to Human Terrain Teams have been killed in theaters of war. According to the journal <em>Nature</em>, “some scientists who have joined the program have complained about inadequate training,” while some military personnel reportedly complain that protecting Human Terrain Team members puts the lives of their soldiers at risk. </span></p><br />
<p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span style="font-size: 12pt; line-height: 115%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;"> 3) <span style="text-decoration: underline;">HTS wastes taxpayer money</span>.  In addition to its human costs, HTS has been costly.  According to one report, approximately $250 million has been allocated to HTS since its creation in 2006.</span></p><br />
<p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span style="font-size: 12pt; line-height: 115%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;"> 4) <span style="text-decoration: underline;">HTS is unethical for anthropologists and other social scientists</span>.  In 2007, the Executive Board of the AAA determined HTS to be “an unacceptable application of anthropological expertise.”  Last December, the AAA commission found that HTS “can no longer be considered a legitimate professional exercise of anthropology” given the incompatibility of HTS with disciplinary ethics and practice.  Like medical doctors, anthropologists are ethically bound to do no harm.  Supporting counterinsurgency operations clearly violates this code.  Moreover, the HTS program violates scientific and federal research standards mandating informed consent by research subjects. </span></p><br />
<p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span style="font-size: 12pt; line-height: 115%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;"> For these reasons, we ask Congress to halt further appropriations to the HTS program, to cancel plans for expansion of the program, and to carefully consider alternative courses of action for securing peace in Afghanistan, Iraq, and beyond.</span></p><br />
<p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span style="font-size: 12pt; line-height: 115%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;"> </span></p><br />
<p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span style="font-size: 12pt; line-height: 115%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;">Signed,</span></p></p>
	<p></div></p>

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		<title>Why is there no Anthropology Journalism?</title>
		<link>http://savageminds.org/2010/01/26/3145/</link>
		<comments>http://savageminds.org/2010/01/26/3145/#comments</comments>
		<pubDate>Wed, 27 Jan 2010 04:24:14 +0000</pubDate>
		<dc:creator>ckelty</dc:creator>
				<category><![CDATA[AAA]]></category>
		<category><![CDATA[Public Anthropology]]></category>
		<category><![CDATA[dissemination]]></category>

		<guid isPermaLink="false">http://savageminds.org/?p=3145</guid>
		<description><![CDATA[	I feel like I hear a lot these days about anthropology&#8217;s need to be more engaged, more accessible, more readable and more relevant.  There are obviously many different motives behind these concerns, from seeking attention to raising the prestige of the discipline to creating a public anthropology to being true to the concerns and [...]]]></description>
			<content:encoded><![CDATA[	<p>I feel like I hear a lot these days about anthropology&#8217;s need to be more engaged, more accessible, more readable and more relevant.  There are obviously many different motives behind these concerns, from seeking attention to raising the prestige of the discipline to creating a public anthropology to being true to the concerns and needs of our subjects and collaborators. </p>
	<p>But one thing I don&#8217;t hear people say is that we need more &#8220;Anthropology Journalism.&#8221; I mean that primarily on analogy with (or as a subset of) science journalism.  It is a very rare experience to open up the Tuesday NY Times and see an article about <a href="http://topics.nytimes.com/top/news/science/topics/archaeology_and_anthropology/index.html?scp=1-spot&#38;sq=anthropology&#38;st=cse">recent research in anthropology</a>&#8212;to say nothing of rags like scientific american, Wired, Discover or the New Scientist.  Of all the &#8220;news alerts&#8221; I get, or the RSS feeds I browse from journalistic outlets, few to none ever report new findings, controversies, or questions coming out of the discipline.  And I get more news alerts and RSS feeds than I could possibly read in ten lifetimes.</p>
	<p>Two qualifiers: first, I mean linguistic and cultural anthropology specifically.  Archaeology gets some love, though usually only when the findings are narrativized in a story of human origins or change, or when something truly rare is discovered.  Biological anthropology gets perhaps a bit less love than archaeology, though certainly more than cultural or linguistic, and only when it is clearly identified with another discipline (evolutionary psychology, behavioral ecology, evolutionary theory, etc).  Jared Diamond, it appears, gets the rest of the attention.  </p>
	<p>Second, it&#8217;s not a total lack.  A few weeks back the NY Times magazine ran a story about the <a href="http://www.nytimes.com/2010/01/10/magazine/10psyche-t.html">Americanization of global mental illness</a>.  That article had everything good and bad about science journalism going for it: it reported on recent research, digested it and used to to paint a compelling picture, but it also took liberties with the subtlety of the claims to make an overly broad argument in order to be provocative, and to sell more copies of the journalist&#8217;s book.  A few years back, Dan Everett got a <a href="http://www.newyorker.com/reporting/2007/04/16/070416fa_fact_colapinto">full profile</a> in the New Yorker.   Tracy Kidder recently <a href="http://www.tracykidder.com/books/mountains/">devoted a whole book</a> to Paul Farmer (though interestingly the publicity only refers to him as a doctor, not an anthropologist).  And speaking of Haiti, I&#8217;ve heard more anthropologists interviewed in the last two weeks than in the whole of 2009.  But basically there is no anthropology journalism to speak of.  Why not?</p>
	<p>There are a few arguments that are always used to explain why there may be science journalism but no anthropology journalism.  The harshest of these is that there is simply no interesting (or objective, or reliable, or novel) anthropology to report on.  The argument has a Glenn Beck feel to it, suggesting as it does the decline of western civilization and values and the destruction of all that is Good and Right by the scourge of French philosophy, postmodernism and dissolute tenured radicals.   Whatever.</p>
	<p>Slightly less annoying is the frequent argument that our writing is inaccessible, jargon-laden, pretentious, or needlessly over-written.  This argument fails on the simple grounds that most scientific papers are totally inaccessible to a general audience.  Science journalism by journalists trained in science is absolutely essential to communicating what the vast majority of things scientists and engineers are up to today.  I won&#8217;t defend the wealth of bad writing in anthropology, but nor will I defend it in psychology or chemistry or engineering.  Have you read a conference paper in computer science lately? Not only is it likely to be totally inscrutable to you non-computer scientists, but it is also very likely to be extremely poorly written, badly punctuated, and generally abusive of the English language&#8212;though very prettily formatted using LaTeX </p>
	<p>So let me propose three reasons that people don&#8217;t usually seem to offer for why there is no anthropology journalism:<span id="more-3145"></span></p>
	<p>1) because there isn&#8217;t as much anthropology as there is science to report on.</p>
	<p>This strikes me as a basic difference.  The simple volume of papers and reports published in most natural science and engineering disciplines absolutely dwarfs the number in anthropology.  Each year at the annual neuroscience conference in san diego there are over 20,000 posters and papers. There are less than 8K anthropologists in the AAA total.  It seems entirely likely to me that anthropology is being swamped by other information.  However, the proportion in science reporting doesn&#8217;t seem to mirror the distribution of disciplines in universities, nor the number of students working on PhDs.  Certainly it reflects the relative wealth and prestige of some sciences over others. And compared against the <em>humanities</em> generally, instead of the sciences, the argument makes somewhat less sense.  There isn&#8217;t much &#8220;humanities&#8221; journalism (Chronicle of Higher Ed notwithstanding) either, but the amount of reporting on the arts, history, literature or music that draws on scholarly work also dwarfs the reporting that draws on anthropology to explain culture.</p>
	<p>2) because journalists already do what anthropologists do, only better.</p>
	<p>How many of us have not had the experience of reading a really quality piece of investigative journalism in which the journalist has done her homework, traveled to the right places, talked to the right people, and basically explained a phenomenon in terms that suggest there is nothing much more to say?  All kinds of things that graduate applicants write in their statements of purpose are likely to appear the following month or year in a magazine or newspaper, artfully done and reaching a far larger audience.  Kudos to the journalists who pull this off.  But that&#8217;s never the end of the story.  Three weeks later, anthropologists are still puzzling over the significance of the phenomena reported on, and 5 years later are publishing articles that I think generally do a better job of explaining, rather than reporting, the causes, effects and long historical twists and turns of cultural phenomena.  Journalists tend to move on.  The temporality of anthropological research far from matches that of journalists, just as it is far slower than many of our colleagues in the natural sciences and engineering.  Changing that temporality might require a different approach.. and this, I think, is the third reason for a lack of anthropology journalism:</p>
	<p>3) because anthropologists do not report on their research.</p>
	<p>Cultural anthropologists have no tradition of publishing articles that simply describe their ongoing or recent research in brief but detailed, relatively standardized forms.  Instead, the journal article in cultural anthropology is a mini-book, replete with complex forms of argument and narrative, rich, detailed description and a complete list of references in the literature.  Whereas many scientists write a synthetic review article of research in their field once every couple of years, sub-fields of anthropology get one per decade, if that.  Whereas a brief article reporting some results in science looks like &#8220;findings,&#8221; a brief article by an anthropologist describing a bit or recent fieldwork looks paltry and insubstantial.  </p>
	<p>One result of this is that I honestly have no idea what the vast majority of my colleagues in anthropology are working on until well after they are done doing it, and this is a real failure when it comes to making anthropological research appear fresh.  If I were king, or Bill Davis, I would require every researching anthropologist to publish a paragraph describing ongoing research in a AAA publication at least once a year.  Such a resource, if done correctly and made freely available would of its own accord change the dynamics of attention to the discipline by outsiders.  </p>
	<p>3a) because anthropologists&#8217; scholarly societies do not report on their research</p>
	<p>A corollary to this reason is that the AAA leadership, editors of journals, and staff of the AAA have done little to innovate these forms of scholarly communication in the last 100 years, to say nothing of the last 10, when they have done nothing more than resist such innovation, sometimes on principle (preserving a tradition of scholarly production focused on monographs, books and critical distance, I suppose), sometimes out of fear and anxiety about the very sustainability of the scholarly enterprise.  Contrast this with the aggressive (and to be sure, questionable) shift in the sciences towards models of open access, publicity hounding, interaction with journalists, and repackaging of research in a range of scholarly forms (think Freakonomics).  Perhaps in the long run, the traditionalism of the AAA will defend us against the craven onslaught of pecuniary interest and cozy complicity with neo-liberal capitalism.  But it will be a lonely 21st century.</p>
	<p>The most poignant part of the lack of an anthropology journalism for me is that there are lots of things anthropologists know and understand about the world that few others know.  I never feel like I understand what&#8217;s happening in the world when I listen to NPR, however good their reporting.  Sometimes I feel a bit more informed by a New Yorker or Atlantic article.  But I always walk away from quality anthropology with a sense that my brain has been rewired and that I now know better why things are happening the way they are&#8230; surely journalism can amplify that effect rather than dampen it?</p>


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		<title>Place Hacking</title>
		<link>http://savageminds.org/2010/01/20/place-hacking/</link>
		<comments>http://savageminds.org/2010/01/20/place-hacking/#comments</comments>
		<pubDate>Thu, 21 Jan 2010 01:43:53 +0000</pubDate>
		<dc:creator>Adam Fish</dc:creator>
				<category><![CDATA[Briefly Noted]]></category>
		<category><![CDATA[Ethnography]]></category>
		<category><![CDATA[Theory]]></category>
		<category><![CDATA[adam fish]]></category>
		<category><![CDATA[Archaeology]]></category>
		<category><![CDATA[bradley l garrett]]></category>
		<category><![CDATA[exploration]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[urban]]></category>
		<category><![CDATA[urbex]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://savageminds.org/?p=3115</guid>
		<description><![CDATA[	
 
I rapped with reformed archaeologist Bradley L. Garrett regarding his recent visual ethnographic fieldwork about urban exploration. Here&#8217;s what we talked about, all images are his.

 
You are making two types of anthropological cinema. The first is  what you are calling a video article, such as in Urban Explorers: Quests of Myth, Mystery and [...]]]></description>
			<content:encoded><![CDATA[	<p><div style="margin-top: 0px; margin-bottom: 0px;"><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Verdana, sans-serif;"><span style="font-size: medium;"> </span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Verdana, sans-serif;"><span style="font-size: medium;">I rapped with reformed archaeologist <a href="http://bradleygarrett.com/">Bradley L. Garrett</a> regarding his recent visual ethnographic fieldwork about urban exploration. Here&#8217;s what we talked about, all images are his.</span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Verdana, sans-serif;"><span style="font-size: medium;"><a href="http://bradleygarrett.files.wordpress.com/2010/01/dsc_4808.jpg?w=510&#038;h=767"><img class="alignnone" src="http://bradleygarrett.files.wordpress.com/2010/01/dsc_4808.jpg?w=510&#038;h=767" alt="" width="510" height="767" /></a></span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Verdana;"><span style="font-size: medium;"> </span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Verdana;"><span style="font-size: medium;">You are making two types of anthropological cinema. The first is  what you are calling a video article, such as in Urban Explorers: Quests of Myth, Mystery and Meaning, and the second is a participatory yet observational documentary on urban spelunking. The first are information-dense and interview-based, the second wandering handheld claustrophobia inducing visual documents. </span></span><span style="font-family: Verdana;"><span style="font-size: medium;"> </span></span><span style="font-family: Verdana;"><span style="font-size: medium;">I have to admit the first is as yet too theoretical and the second is almost unwatchable. How are you going to reconcile these two voices, drives, tendencies?</span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Verdana;"><span style="font-size: medium;"> </span></span></p></p>
	<p><p style="text-align: justify; margin: 0pt;"><a href="http://www.vimeo.com/5366045"><span style="color: #0000ff; font-family: Cochin;"><span style="text-decoration: underline;"><span style="font-size: medium;">Urban Explorers Quests for Myth, Mystery and Meaning</span></span></span></a><span style="font-family: Cochin;"><span style="font-size: medium;"> was picked up early</span></span><span style="font-family: Cochin;"><span style="font-size: medium;"> in it</span></span><span style="font-family: Cochin;"><span style="font-size: medium;">s production by the Blackwell journal </span></span><a href="http://www.blackwell-compass.com/subject/geography/"><span style="color: #0000ff; font-family: Cochin;"><span style="text-decoration: underline;"><span style="font-size: medium;">Geography Compass</span></span></span></a><span style="font-family: Cochin;"><span style="font-size: medium;"> and </span></span><span style="font-family: Cochin;"><span style="font-size: medium;">was constructed</span></span><span style="font-family: Cochin;"><span style="font-size: medium;"> as a sort of experiment in what visual geography could become</span></span><span style="font-family: Cochin;"><span style="font-size: medium;"> (maybe in relation to visual anthropology which has been far more successful)</span></span><span style="font-family: Cochin;"><span style="font-size: medium;">. Basically the idea is that it is</span></span><span style="font-family: Cochin;"><span style="font-size: medium;"> a film </span></span><span style="font-family: Cochin;"><em><span style="font-size: medium;">and</span></em></span><span style="font-family: Cochin;"><span style="font-size: medium;"> an academic article, so yes, blind peer reviewed</span></span><span style="font-family: Cochin;"><span style="font-size: medium;">,</span></span><span style="font-family: Cochin;"><span style="font-size: medium;"> properly referenced</span></span><span style="font-family: Cochin;"><span style="font-size: medium;"> and hopefully </span></span><span style="font-family: Cochin;"><span style="font-size: medium;">theoretical challenging, while at the same time using some visual techniques, such as cutaways, to get the message across in more visceral way.</span></span><span style="font-family: Cochin;"><span style="font-size: medium;"> The tendency with urban exploration, because it is such a bodily activity, is that it tends to get undertheorized and overachieved. So I wanted to really sink my claws into it on the first run and try to get the theoretical gears turning around the practice. I think working this way will, in the end, produce a more effective movement and more respect for the practice.
<a href='http://savageminds.org/2010/01/20/place-hacking/dsc_66001/' title='dsc_66001'><img width="150" height="150" src="http://savageminds.org/wp-content/image-upload/dsc_66001-150x150.jpg" class="attachment-thumbnail" alt="" title="dsc_66001" /></a>
<a href='http://savageminds.org/2010/01/20/place-hacking/dsc_50581/' title='dsc_50581'><img width="150" height="150" src="http://savageminds.org/wp-content/image-upload/dsc_50581-150x150.jpg" class="attachment-thumbnail" alt="" title="dsc_50581" /></a>
<a href='http://savageminds.org/2010/01/20/place-hacking/dsc_5043/' title='dsc_5043'><img width="150" height="150" src="http://savageminds.org/wp-content/image-upload/dsc_5043-150x150.jpg" class="attachment-thumbnail" alt="" title="dsc_5043" /></a>
<a href='http://savageminds.org/2010/01/20/place-hacking/dsc_5270/' title='dsc_5270'><img width="150" height="150" src="http://savageminds.org/wp-content/image-upload/dsc_5270-150x150.jpg" class="attachment-thumbnail" alt="" title="dsc_5270" /></a>
</p>
	<p></span></span><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;"> </span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;">In regard to your second thread there, I realized early on that when I was exploring I had little control over what I was shooting. When you are hiding from security, trying to get over a fence quickly or simply keeping yourself prepared to move fast should the need arise, you can’t have a huge camera on your shoulder and you can’t really shoot with much intention. In that way, it is a lot like citizen journalism in tough situations, shot when you can, however you can. So my footage is what it is, shitty, shaky handycam footage full of missed whispers and images of the back of people’s heads. But I think the nature of footage itself tells a story, it gives you a sense of how physically painful this work is; at times you can see the camera shaking with exhaustion and hear me panting, wrecked. The experience of exploration is sometimes nauseating and frustrating, why shouldn’t the record of it be as well?</span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;"> </span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;">As far as reconciling the two voices, I would love to be one of the few filmmakers out there that does not underestimate their audience. These voices are, in the end, the voices of ethnographic research and sometimes bridging the gap between research and life is difficult and painful. Think back to the classic ethnography </span></span><a href="http://www.amazon.com/Learning-Labor-Working-Class-Kids/dp/0231053576"><span style="color: #0000ff; font-family: Cochin;"><em><span style="text-decoration: underline;"><span style="font-size: medium;">Learning to Labour</span></span></em></span></a><span style="font-family: Cochin;"><span style="font-size: medium;"> where Willis breaks the book into two sections because he can’t reconcile those voices. It still ends up being an evocative tale, perhaps in part because of that admission.</span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;"> </span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;">Maybe the strain will give the film something unique, a schizophrenicness that people who live their work will understand. I want this film to be more than entertaining, I want to take viewers on these journeys with us. I want theatres full of cynical intellectuals, confused and inspired students, rogue surrealists who snuck in through the back door and explorers who interrupt the screening by climbing the rigging to protest their misrepresentation. I want the film to inspire thoughtful action and a refuse to water it down intellectually or take out that horrible, shaky vomit inducing footage to that end. Whether or not those two voices are melded well, I intend to be brave enough to admit that they exist.</span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Verdana;"><span style="font-size: medium;"> </span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Verdana;"><span style="font-size: medium;">I was most excited about your research as a spring-board for criticism of deindustrialization in late capitalism. You followed this thread in your MA in underwater archaeology as you looked at the colonial technoscience behind the building of gigantic riverwide dams and their negative impact on Native Americans of California and Washington State. But as an interpretive archaeologist in the traditions of Chris Tilley and Michael Shanks, You seem more concerned with the poetics of place, the subjectivities of memory and memory loss, and the experience of adventure and abandon in abandoned localities. How are you going to discuss the history of the development of these spaces in terms of globalization, late-capitalism, deindustrialization, etc?</span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Verdana;"><span style="font-size: medium;"> </span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;">I do think that </span></span><span style="font-family: Cochin;"><span style="font-size: medium;">UrbEx is a wonderful lens for deconstructing the motivations, extravagances and failures of capitalism. A few weeks ago, we took a road trip to Germany to do some urban exploration around Berlin. On the way back, we stopped in Hanover to camp in a ruin that was left behind by the Netherlands government, part of the </span></span><a href="http://en.wikipedia.org/wiki/Expo_2000"><span style="color: #0000ff; font-family: Cochin;"><span style="text-decoration: underline;"><span style="font-size: medium;">2000 World Fair</span></span></span></a><span style="font-family: Cochin;"><span style="font-size: medium;">. As we pull up to this derelict building, Winch, one of the explorers on this road trip, says to us “Funny isn’t it? The theme of the 2000 World Fair was ‘</span></span><span style="font-family: Cochin;"><span style="font-size: medium;">a new world arising’</span></span><span style="font-family: Cochin;"><span style="font-size: medium;">, and the only things left behind from it are a few derelict buildings (the other one being a giant yellow structure we dubbed the “Lithuanian Party Box”).</span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;"> </span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;">So yeah, I see the failures of capitalism and industrialization all on an almost daily basis and I’ve read some brilliant work that has tried to reason through those issues. A collapse of a building is also a collapse of corporate power structure, of industrial social systems. The failed company town stands vacant, profits drained from the mine, workers dismissed from their homes and lives as a result. We poke the corpse, probing the last remnant of life there, the underpaid security guards left behind to limit insurance lawsuits.<img class="alignnone" src="http://bradleygarrett.files.wordpress.com/2010/01/dsc_6794.jpg?w=510&#038;h=338" alt="" width="510" height="338" /></span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;"> </span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;">But, as you note, these are not the stories I go looking for necessarily. Geographers like </span></span><a href="http://www.amazon.com/Place-Out-Geography-Ideology-Transgression/dp/0816623899%3FSubscriptionId%3DAKIAJASE6HSSVXTNREYQ%26tag%3Dsmtfx1-20%26linkCode%3Dxm2%26camp%3D2025%26creative%3D165953%26creativeASIN%3D0816623899"><span style="color: #0000ff; font-family: Cochin;"><span style="text-decoration: underline;"><span style="font-size: medium;">Tim Cresswell</span></span></span></a><span style="font-family: Cochin;"><span style="font-size: medium;">, </span></span><a href="http://www.exeter.ac.uk/cornwall/academic_departments/geography/research/staff-and-research-profiles/caitlin_desilvey_publications.shtml"><span style="color: #0000ff; font-family: Cochin;"><span style="text-decoration: underline;"><span style="font-size: medium;">Caitlin DeSilvey</span></span></span></a><span style="font-family: Cochin;"><span style="font-size: medium;">, </span></span><a href="http://www.sci-eng.mmu.ac.uk/british_industrial_ruins/"><span style="color: #0000ff; font-family: Cochin;"><span style="text-decoration: underline;"><span style="font-size: medium;">Tim Edensor</span></span></span></a><span style="font-family: Cochin;"><span style="font-size: medium;">, even </span></span><a href="http://en.wikipedia.org/wiki/David_Harvey_%28geographer%29"><span style="color: #0000ff; font-family: Cochin;"><span style="text-decoration: underline;"><span style="font-size: medium;">David Harvey</span></span></span></a><span style="font-family: Cochin;"><span style="font-size: medium;"> and </span></span><a href="http://books.google.com/books?id=X_uVogLRjQsC&#038;pg=PA297&#038;lpg=PA297&#038;dq=doreen+massey+capitalism&#038;source=bl&#038;ots=UIAnTtR5sJ&#038;sig=HLhinKNcBGkd2if6ZFHryZKqjc0&#038;hl=en&#038;ei=H6FNS_vXMom60gTBuYGEDg&#038;sa=X&#038;oi=book_result&#038;ct=result&#038;resnum=1&#038;ved=0CAcQ6AEwAA#v=onepage&#038;q=&#038;f=false"><span style="color: #0000ff; font-family: Cochin;"><span style="text-decoration: underline;"><span style="font-size: medium;">Doreen Massey</span></span></span></a><span style="font-family: Cochin;"><span style="font-size: medium;"> have written those stories. The stories that I find really enticing are not in the grand narratives but in the fine details. And out comes the archaeologist in me. Going through peoples belongings left behind, old pictures and letters to the family, imaging what lives were like before the industry was picked apart by packets or resource extinction, driving it into bankruptcy or obsoletion.</span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;"> </span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;">Walking through derelict mental asylums here in London, imagining the patients pacing the halls, and then visualizing the day that the nurses came in and said, “You have to call someone, find somewhere to go, Thatcher closed us down”. The grand narratives are there yes, they are the script, but I want to know how everyday people were affected, I want to encounter those “other” stories, I want to see the props and the set, not the script. And I think that is best done through experience, walking where they walked, using our geographical, cultural and sociological imaginations. If you look back to my earlier work that you mentioned, you will see that this is what I have always done, working with the local to inform the global, not the other way around. Sustainable change always starts from everyday experience, not governmental policy or cultural norms, just look at the recent failure at </span></span><a href="http://blogs.euobserver.com/gardner/2009/12/19/eu-failure-in-the-cop-15-cop-out/"><span style="color: #0000ff; font-family: Cochin;"><span style="text-decoration: underline;"><span style="font-size: medium;">COP15</span></span></span></a><span style="font-family: Cochin;"><span style="font-size: medium;"> and compare it to what is happening in </span></span><a href="http://www.youtube.com/watch?v=JZ2urTPUGf0"><span style="color: #0000ff; font-family: Cochin;"><span style="text-decoration: underline;"><span style="font-size: medium;">Iran</span></span></span></a><span style="font-family: Cochin;"><span style="font-size: medium;"> at about the same time if you want an example of where real change begins. I like the idea of looking at the past to inform the present, not to increase our understanding of the past.</span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Verdana;"><span style="font-size: medium;"> </span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Verdana;"><span style="font-size: medium;">But apparently your informants do not do what they do for political reasons. They do not see their playful labor as a form of resistance. But isn&#8217;t one jobs of the anthropologist to aggregate the data and display the possible larger historical and cultural contexts for cultural activities? My argument would be, whether they like it or not their work has political implications.</span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Verdana;"><span style="font-size: medium;"> </span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;">Okay look, I read </span></span><a href="http://www.amazon.com/Practice-Everyday-Life-Michel-Certeau/dp/0520236998/ref=sr_1_1?ie=UTF8&#038;s=books&#038;qid=1263378948&#038;sr=8-1"><span style="color: #0000ff; font-family: Cochin;"><span style="text-decoration: underline;"><span style="font-size: medium;">de Certeau</span></span></span></a><span style="font-family: Cochin;"><span style="font-size: medium;"> too, I know that there are political implications in even the most seemingly mundane of practices. Most people, urban explorers included, would agree as well, but find it utterly stressful, and ultimately futile, to try and politicize this playful work every time we go out. So yes, I do see it as my job to be the one who looks past the experiences and starts drawing conclusions about our motivations, passions and actions, even though some of the people I work with find this frustrating. There are a lot of angles you could attempt to do that from.</span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;"> </span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;">One might be to look back to </span></span><a href="http://www.amazon.com/Thousand-Plateaus-Capitalism-Schizophrenia/dp/0816614024/ref=sr_1_1?ie=UTF8&#038;s=books&#038;qid=1263379250&#038;sr=1-1"><span style="color: #0000ff; font-family: Cochin;"><span style="text-decoration: underline;"><span style="font-size: medium;">Deleuze and Guattari</span></span></span></a><span style="font-family: Cochin;"><span style="font-size: medium;">, to their concept of </span></span><a href="http://christianhubert.com/writings/smooth_striated.html"><span style="color: #0000ff; font-family: Cochin;"><span style="text-decoration: underline;"><span style="font-size: medium;">smooth/striated</span></span></span></a><span style="font-family: Cochin;"><span style="font-size: medium;"> city space, to see urban exploration as a method of melding striations, collapsing the haptic and the optic, bringing deeper meaning to the spectacle. You could see this as a method of taking ourselves off the “grid”, at least temporarily, in an attempt to give ourselves the physical and mental space for freedom of expression. You could also tie this last idea into an existentialist narrative, something about the need to express our intrinsic freedoms, to prove to ourselves, and the world, that the control is in our hands, despite everyone’s constant moaning about how are basic freedoms are constantly being violated. You are the only one who can violate your freedom and we prove day after day that we can get into any place we want to, despite the omnipresence of CCTV, despite their mountains of barbed wire and signage warning of our impending doom should we cross the imaginary boundaries they have established. And we like the game, we don’t want them to stop trying. That is where the politics get really interesting, and where I want to focus most of my thesis. I often think about </span></span><a href="http://en.wikipedia.org/wiki/Friedrich_Nietzsche"><span style="color: #0000ff; font-family: Cochin;"><span style="text-decoration: underline;"><span style="font-size: medium;">Nietzsche</span></span></span></a><span style="font-family: Cochin;"><span style="font-size: medium;"> saying that the truly free spirited will not agitate for the rules to be dropped or even reformed, since it is only by breaking the rules that one realizes their power.</span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;"><img class="alignnone" src="http://bradleygarrett.files.wordpress.com/2010/01/dsc_66461.jpg?w=397&#038;h=260" alt="" width="397" height="263" /></span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;">You mentioned the illegality of the activity. In fact, we don’t break into anything. We find creative ways into buildings that allow us to subvert the illusion of spatial exclusion (much like the famous </span></span><a href="http://www.guardian.co.uk/society/2008/nov/07/mayfair-property-art-squat"><span style="color: #0000ff; font-family: Cochin;"><span style="text-decoration: underline;"><span style="font-size: medium;">London Mayfair squatters</span></span></span></a><span style="font-family: Cochin;"><span style="font-size: medium;"> or Da! Art collective that have been in the news recently). As a result, we are in fact breaking no law. Confrontations with security guards are hilarious when you render them inept through superior knowledge of the law they are supposedly paid to enforce, explaining to them calmly that you didn’t break or enter anything and if they touch you it will be considered assault, peacefully walking off site and dancing all the way home. There’s a tactic of the weak for de Certeau.</span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Verdana;"><span style="font-size: medium;"> </span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Verdana;"><span style="font-size: medium;">There is a tradition in anthropology to have key informants. It seems you have a few. There is also a tradition in anthropology of acknowledging the influence we have on our informants. But it also seems that your presence in the urban exploration culture has galvanized the culture itself. Your filmmaking inspired the culture to do more of their cultural thing. It frankly seems that you are creating this culture. The ad-fab adage: &#8216;make it to break it&#8217; applies I think in your case.</span></span></p></p>
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Verdana, sans-serif;"><span style="font-size: medium;"><br />
</span></span><br />
<p style="text-align: justify; margin: 0pt;"><a href="http://www.28dayslater.co.uk/forums/"><span style="color: #0000ff; font-family: Cochin;"><span style="text-decoration: underline;"><span><span style="font-size: large;">28 Days Later</span></span></span></span></a><span style="font-family: Cochin;"><span><span style="font-size: large;">, The </span></span></span><a href="http://www.uer.ca/"><span style="color: #0000ff; font-family: Cochin;"><span style="text-decoration: underline;"><span><span style="font-size: large;">Urban Exploration Resource</span></span></span></span></a><span style="font-family: Cochin;"><span><span style="font-size: large;">, </span></span></span><a href="http://www.amazon.com/Access-All-Areas-Users-Exploration/dp/0973778709%3FSubscriptionId%3DAKIAJASE6HSSVXTNREYQ%26tag%3Dsmtfx1-20%26linkCode%3Dxm2%26camp%3D2025%26creative%3D165953%26creativeASIN%3D0973778709"><span style="color: #0000ff; font-family: Cochin;"><span style="text-decoration: underline;"><span><span style="font-size: large;">Ninjalicious</span></span></span></span></a><span style="font-family: Cochin;"><span><span style="font-size: large;"> and </span></span></span><a href="http://www.infiltration.org/"><span style="color: #0000ff; font-family: Cochin;"><span style="text-decoration: underline;"><span><span style="font-size: large;">Infiltration</span></span></span></span></a><span style="font-family: Cochin;"><span><span style="font-size: large;"> existed long before me. What appears to be the “creation” moment of UrbEx is actually just when it went global, with the help of the internet, like so many other movements. The community now consists of tens of thousands of people all over the globe, in countless internet forums, taking millions of pictures of abandoned places and infiltrated spaces every year. I mean, </span></span></span><a href="http://www.google.com/search?q=urban+exploration&#038;ie=utf-8&#038;oe=utf-8&#038;aq=t&#038;rls=org.mozilla:en-US:official&#038;client=firefox-a"><span style="color: #0000ff; font-family: Cochin;"><span style="text-decoration: underline;"><span><span style="font-size: large;">google urban exploration</span></span></span></span></a><span style="font-family: Cochin;"><span><span style="font-size: large;"> man, you get well over 2 million results. The thing about the movement, and what necessitates my going this deep into it, indeed getting lost in it over the course of my PhD, is that it is still, for the most part, a secret community. We have public forums, private forums, unlisted forums and a lot of people suspicious of technology altogether </span></span></span><span style="font-family: Cochin;"><span><span style="font-size: large;">that </span></span></span><span style="font-family: Cochin;"><span><span style="font-size: large;">not even online involved. Many of the most interesting places explored will never be publically aired; the people who did those explorations will want to keep it local. I think that is one of things that makes this community interesting, its specificity to place and dedication to the practice, without ego-driven expectation of reward. Unlike, ahem, people making ethnographic films.<img class="alignnone" src="http://bradleygarrett.files.wordpress.com/2010/01/dsc_5135.jpg?w=510&#038;h=338" alt="" width="510" height="338" /></span></span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Verdana;"><span><span style="font-size: large;"> </span></span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Verdana;"><span style="font-size: medium;">I want to think about serious games and the class of your urban exploring informants. From your documentaries I can see that your informants are all rather technologically-equipped Caucasians with enough leisure time to devote to this past time. The stakes for success or failure in this serious game are not life or death, but pleasure or pain. Now, I know that games are not just ludic past times but impact serious life. But how do you make me the reader or film viewer engage with your work without dismissing it as bourgeois tourism? It seems to me that you have to drop the phenomenology of loss, memory, and dereliction and maximize the issue of deindustrialization.</span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Verdana;"><span style="font-size: medium;"> </span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;">I have over 40 people involved in my research now, from a range of backgrounds. Women, working class people, people with corporate jobs, individuals from a range of ethnic and cultural backgrounds. When we travel, we meet explorers in every country we go to. This is not a class thing and it is not about leisure time, in fact the majority of the explorers I work with have full time jobs. They just choose to spend their weekends and time off of work exploring landscapes than sitting in front of a television or drinking at the pub. I respect them for that. And to be fair, they tell me I am the bourgeois tourist, the only one getting paid to this. I mean, what is more decadent than getting paid to theorize other people’s existence Adam?</span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;"> </span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;">The technology fetish though I won’t deny. Urban exploration seems to be inexorably attached to photography. I can think of a few reasons for this. One is that ruins are simply aesthetically pleasing in a way that takes time to digest. So we walk slowly, we take pictures and meditate on them. These places are also in a state of constant mutation, the natural state of order when human being are not there to regulate it, and since we do not want to impact places, photography becomes a means of halting the mutation. We can freeze it; though we have </span></span><span style="font-family: Cochin;"><span style="font-size: medium;">no intention</span></span><span style="font-family: Cochin;"><span style="font-size: medium;"> of stopping or slowing it’s mutation, we don’t want to arrest this decay. </span></span><span style="font-family: Cochin;"><span style="font-size: medium;">This slippage in these places</span></span><span style="font-family: Cochin;"><span style="font-size: medium;"> something we can grab, but not something we can hold in place. Thinking back to Shanks and Pearson, to </span></span><a href="http://metamedia.stanford.edu/~mshanks/theatrearchaeology/"><span style="color: #0000ff; font-family: Cochin;"><span style="text-decoration: underline;"><span style="font-size: medium;">archaeology as theatre</span></span></span></a><span style="font-family: Cochin;"><span style="font-size: medium;">, or to </span></span><a href="http://www.arch.ksu.edu/seamon/article_summary.htm"><span style="color: #0000ff; font-family: Cochin;"><span style="text-decoration: underline;"><span style="font-size: medium;">David Seamans place-ballets</span></span></span></a><span style="font-family: Cochin;"><span style="font-size: medium;">, we have the ability to lock ourselves into a physical courtship with place, a moment in time when</span></span><span style="font-family: Cochin;"><span style="font-size: medium;"> body and landscape intermingle. We are in love with the ugly girl in class, the places that was ignored until we pulled out the camera and told them to look sexy.</span></span> <span style="font-family: Cochin;"><span style="font-size: medium;">And I would argue that this excitement about encounters with the dereliction of the contemporary past is exactly what will get anthropologists to turn their </span></span><a href="http://www.bergpublishers.com/?tabid=5350"><span style="color: #0000ff; font-family: Cochin;"><span style="text-decoration: underline;"><span style="font-size: medium;">attention</span></span></span></a><span style="font-family: Cochin;"><span style="font-size: medium;"> to the industrial era, now largely ignored and under threat of physical erasure in the wake of “deindustialization”, urban “regeneration” and gentrification. </span></span><span style="font-family: Cochin;"><span style="font-size: medium;">Which leads me to my last point, one that it’s easy for an archaeologist to see – we are preserving points in time through photography and video. We are creating historic record.</span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;"> </span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;">I recently gave a paper at the </span></span><a href="http://www.dur.ac.uk/tag.2009/"><span style="color: #0000ff; font-family: Cochin;"><span style="text-decoration: underline;"><span style="font-size: medium;">Theoretical Archaeology </span></span></span><span style="color: #0000ff; font-family: Cochin;"><span style="text-decoration: underline;"><span style="font-size: medium;">Group</span></span></span></a><span style="font-family: Cochin;"><span style="font-size: medium;"> (TAG) conference in Durham in a session called </span></span><a style="color: #551a8b;" href="http://www.dur.ac.uk/tag.2009/sessions.html#Reanimating_Industrial_Spaces"><span style="color: #0000ff; font-family: Cochin;"><span style="text-decoration: underline;"><span style="font-size: medium;">reanimating industrial spaces</span></span></span></a><span style="font-family: Cochin;"><span style="font-size: medium;">. After my talk, one archaeologist mentioned that she used urban exploration forums frequently to collect information about a site’s passage through time. We are local historians, amateur archaeologists, bodhisattvas of a forgotten past. And we do a damn good job at it! That is not about class, it is about passion for place and a lust for unbridled experience. This is but one expression of prevalent human desire, see it in other urban subversions like skateboarding, parkour, flash mobs and graffiti.</span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;"> </span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;">Although I am going on a bit here, let me address your insistence on “deindustrialization”. We don’t want to deindustrialize anything. I love industry, I love industrial ruins. I love construction sites and archaeological ruins equally. I love capitalism and I love laughing at its failures. The same goes for communism. You want to see some real ruined landscapes? Go to a failed communist state; when we were in East Germany, we were almost in tears, there are more ruins than live buildings! The whole thing is like some sick cosmic joke and we are the punchline.<img class="alignnone" src="http://bradleygarrett.files.wordpress.com/2010/01/dsc_5247.jpg?w=510&#038;h=767" alt="" width="510" height="767" /></span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;"> </span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;">More seriously though, I am concerned that by treating the industrial era as a tainted age, we disrespect those who built and lived that age. Recognize that they were doing their best, just as we are. Again, step away from that big picture and put down that broad-stroke brush, find that those memories on the </span></span><span style="font-family: Cochin;"><span style="font-size: medium;">ground, the years spent on the factory floor, bring tears of joy as often as tears of sadness</span></span><span style="font-family: Cochin;"><span style="font-size: medium;">, just as they do for us. </span></span><span style="font-family: Cochin;"><span style="font-size: medium;">The</span></span><span style="font-family: Cochin;"><span style="font-size: medium;"> capitalistic plastic skins</span></span><span style="font-family: Cochin;"><span style="font-size: medium;"> on these architectural carcasses</span></span><span style="font-family: Cochin;"><span style="font-size: medium;"> begin to peel back</span></span><span style="font-family: Cochin;"><span style="font-size: medium;">, exposed to caustic elements,</span></span><span style="font-family: Cochin;"><span style="font-size: medium;"> to reveal a skeleton of rust, cogs, switches, dials, circuit boards and mouldy pieces of paper outlining modes of production, things to remember, forgotten Polaroids and birthday cards to the family. </span></span><span style="font-family: Cochin;"><span style="font-size: medium;">It’s all in there, a little package of life. </span></span><span style="font-family: Cochin;"><span style="font-size: medium;">And when we pass through these places, we tap into those stories</span></span><span style="font-family: Cochin;"><span style="font-size: medium;"> and weave them into our own. This is the embodied subjective.</span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;"> </span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;">I </span></span><span style="font-family: Cochin;"><span style="font-size: medium;">refused</span></span><span style="font-family: Cochin;"><span style="font-size: medium;"> to be ru</span></span><span style="font-family: Cochin;"><span style="font-size: medium;">led by fear; I will only be</span></span><span style="font-family: Cochin;"><span style="font-size: medium;"> motivated by positivity and freedom. This is not to say I want to overromanticize the past, but that I want to make the most out of this present that I can. Life should be more than deconstruction</span></span><span style="font-family: Cochin;"><span style="font-size: medium;"> and analysis. I can unpack my experiences and feeling about the practice, but more importantly, those experiences are creating, constructing and reinforcing brave personalities, free spirits, databases of knowledge and memory, a collective consciousness of ecstatic phenomenological wonder, of playful work that speaks volumes about culture.</span></span> <span style="font-family: Cochin;"><span style="font-size: medium;">Industrial ruins are decaying but they’re not dead, they are landscapes filled with possibilities of wondrous adventure, peripatetic playfulness and artistic potential.</span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Verdana;"><span style="font-size: medium;"> </span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Verdana;"><span style="font-size: medium;">If you fall down a Parisian catacomb tomorrow, never to be seen again, what will 1) scholarship miss 2) the non-academic world miss. Meaning: what is the big contribution of your work?</span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Verdana;"><span style="font-size: medium;"> </span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;">Look brother if I die and don’t finish these tales of urban exploration, here are the threads, please finish it for me! Urban exploration is about experience, expression, love and creation. It is a rare instance (especially in western society today) of human beings physically going out to challenge space, to challenge control, to assert their rights to place, their rights to the city, their rights to participate in the creation of historic narratives and cultural identities. This topic is </span></span><span style="font-family: Cochin;"><em><span style="font-size: medium;">vital</span></em></span><span style="font-family: Cochin;"><span style="font-size: medium;"> to our understanding of the contemporary human condition. It is so temporally and politically relevant that it threatens to implode under it’s own philosophical weight. Urban exploration is existentially reactionary, pushing against alienation, suppression, bureaucracy and overregulated existence. But it is also ecstatically playful, and by playfully pushing the boundaries of what is possible, by putting ourselves in potential danger to assert those rights, we live Hunter S. Thompson’s edgework. At play, at work, in danger, loving, bonding, challenging, and laughing, free and unrestrained, we are at our best. </span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;"> </span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;">What we are doing is not supposed to be possible. Most people on the anonymous city streets don’t have their gazes honed to see what we see. We are mutants, neo-sapiens. We declare that the idea of no limits to the human imagination is old news. Now we want to know the limits of human imagination physically manifested in resistance to social and cultural norms. We want to know how much bullshit we have been fed. And the sparks that come out of those clashes will give birth to new forms of being, new realms of experience. Those little beautiful demonic creations will live far longer than us.<img class="alignnone" src="http://bradleygarrett.files.wordpress.com/2010/01/dsc_4980.jpg?w=510&#038;h=338" alt="" width="510" height="338" /></span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;"> </span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;">Maps are an abstraction Adam, they are a utopic representation of nationalistic and ideological power structures which do not have a 1:1 ratio with the earth’s surface. Therefore, as </span></span><a href="http://www.hermetic.com/bey/"><span style="color: #0000ff; font-family: Cochin;"><span style="text-decoration: underline;"><span style="font-size: medium;">Hakim Bey</span></span></span></a><span style="font-family: Cochin;"><span style="font-size: medium;"> tells us, we have the opportunity to get into those cracks in the structure and to create Temporary Autonomous Zones of political, social and cultural insurrection. And I use that term consciously. We do not want revolution, we want to create alternative spectacles (following </span></span><a href="http://en.wikipedia.org/wiki/Guy_Debord"><span style="color: #0000ff; font-family: Cochin;"><span style="text-decoration: underline;"><span style="font-size: medium;">Debord</span></span></span></a><span style="font-family: Cochin;"><span style="font-size: medium;">) that are just as superfluous but that, none-the-less, cause re-analysis, confrontation and confusion. We want you to keep hitting the refresh button to see what happens next. If we are successful in realizing our personal visions, our spectacles are composed of more experience and less simulacra than those of the state, nation or culture but are just as stupid.</span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;"> </span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;">This is why I call us place hackers. We are the physical manifestation of the internet pirate. We are the TAZ. We have the corporeal skills of thieves amalgamated with minds molded by an internet ethos of taking what we want, when we want it. We don’t care if corporate control exists, but we assert our right to challenge or ignore it. Virtual hacking is cool but place hacking makes it core again, brachiating across scaffolding to get the shot on your Digital SLR that maximizes your flickr stats, raking in the google adsense cash and conforming to a </span></span><a href="http://libcom.org/library/introduction-zerowork-i"><span style="color: #0000ff; font-family: Cochin;"><span style="text-decoration: underline;"><span style="font-size: medium;">zerowork</span></span></span></a><span style="font-family: Cochin;"><span style="font-size: medium;"> ethos if we get pro at it. Sleep in ruins, sell your photos of disgusting shit to tourists. Rinse off in a petrol station sink and repeat. We are the nerds that finally walked away from their computers and we are behind that scaffolding covering the building you ignore everyday when you walk by it going to work, we just loved on that place like no one has in 20 years. We are psychotopological terrorists and we will shove that masterlock up your ass.</span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Verdana;"><span style="font-size: medium;"> </span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Verdana;"><span style="font-size: medium;">How could my interests in contemporary corporate space, networked virtual organization, and new media social activism interlace with your work?</span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;"> </span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Cochin;"><span style="font-size: medium;">I was talking to one of my project participants the other day </span></span><span style="font-family: Cochin;"><span style="font-size: medium;">w</span></span><span style="font-family: Cochin;"><span style="font-size: medium;">hile walking through a ruin that had closed down in </span></span><span style="font-family: Cochin;"><span style="font-size: medium;">2003, the “newest” I</span></span><span style="font-family: Cochin;"><span style="font-size: medium;"> had ever explored, about what will be explored from the information age. Will we find interest in exploring empty glass</span></span><span style="font-family: Cochin;"><span style="font-size: medium;"> postmodern</span></span><span style="font-family: Cochin;"><span style="font-size: medium;"> shells of low </span></span><span style="font-family: Cochin;"><span style="font-size: medium;">blue office carpet;</span></span> <span style="font-family: Cochin;"><span style="font-size: medium;">will we </span></span><span style="font-family: Cochin;"><span style="font-size: medium;">photo</span></span><span style="font-family: Cochin;"><span style="font-size: medium;">graph</span></span><span style="font-family: Cochin;"><span style="font-size: medium;"> the little marks in the carpet where the cubicle separators used to be</span></span><span style="font-family: Cochin;"><span style="font-size: medium;"> and get all giddy</span></span><span style="font-family: Cochin;"><span style="font-size: medium;">? </span></span><span style="font-family: Cochin;"><span style="font-size: medium;">Will we find old hard drives and hook them up marveling at the novelty of “cables” to see what was on them, infiltrating people’s left behind lives through virtual exploration? </span></span><span style="font-family: Cochin;"><span style="font-size: medium;">Perhaps. Certainly our children will find those places as weirdly exotic as we find the derelict art deco swimming pool. And so the torch will be passed, challenging them to find their own meaning in those remnants. I don’t know if the intersections between the past and the future have yet met in the present. Perhaps that is what we are looking for. Perhaps </span></span><span style="font-family: Cochin;"><span style="font-size: medium;">we could invoke that </span></span><span style="font-family: Cochin;"><span style="font-size: medium;">spectre</span></span><span style="font-family: Cochin;"><span style="font-size: medium;">.</span></span></p><br />
<p style="text-align: justify; margin: 0pt;"><span style="font-family: Verdana;"><span style="font-size: medium;"> </span></span></p>
	<p><p style="text-align: justify; margin: 0pt;"><span style="font-family: Verdana, 'Times New Roman', 'Bitstream Charter', Times, serif;"><span style="font-size: small;"><br />
</span></span></p>
	<p></div></p>

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		<title>Public Participation in the Life Sciences</title>
		<link>http://savageminds.org/2010/01/18/public-participation-in-the-life-sciences/</link>
		<comments>http://savageminds.org/2010/01/18/public-participation-in-the-life-sciences/#comments</comments>
		<pubDate>Tue, 19 Jan 2010 04:25:55 +0000</pubDate>
		<dc:creator>ckelty</dc:creator>
				<category><![CDATA[experiments]]></category>
		<category><![CDATA[genetics]]></category>

		<guid isPermaLink="false">http://savageminds.org/?p=3103</guid>
		<description><![CDATA[	I&#8217;ve been spending the last month organizing a symposium at UCLA called &#8220;Outlaw Biology&#8221; on public participation in the life sciences.  There is much to say here about organizing a mini conference (on which see the recent post by G. Downey that Jay directed us to ), especially one that involves an active participatory [...]]]></description>
			<content:encoded><![CDATA[	<p>I&#8217;ve been spending the last month organizing a symposium at UCLA called &#8220;<a href="http://outlawbiology.net/">Outlaw Biology</a>&#8221; on public participation in the life sciences.  There is much to say here about organizing a mini conference (on which see the <a href="http://culturematters.wordpress.com/2010/01/02/thoughts-on-conference-organizing/?utm_source=feedburner&#38;utm_medium=feed&#38;utm_campaign=Feed%3A+wordpress%2Fculturematters+%28Culture+Matters%29">recent post</a> by G. Downey that Jay directed us to ), especially one that involves an active participatory component, especially when that involves doing biological experiments of some sort. <a href="http://savageminds.org/wp-content/image-upload/Postcard-front-small1.jpg"><img src="http://savageminds.org/wp-content/image-upload/Postcard-front-small1-211x300.jpg" alt="Outlaw Biology?" title="Outlaw Biology?" width="211" height="300" class="size-medium wp-image-3111" /></a> The whole goal of this symposium was to draw attention to the ways public participation is changing what the life sciences are (whether that means DIY Bio, recreational ancestry genetics, patient advocacy, or &#8216;open source science&#8217;).    But what I wanted to draw SM reader&#8217;s attention to is the strange way that &#8220;public participation&#8221; is changing too.  Publics are being &#8220;organization-ified&#8221; in new ways.  The easier it becomes to constitute new affinity groups, the more difficult it becomes to be an unaffiliated member of the public.  I blame FB and Twitter.  But I&#8217;m a curmudgeon.  Regardless&#8230; I&#8217;ve written <a href="http://outlawbiology.net/about/wtf/">an essay</a> about it and am curious what people think.</p>

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		<title>David Brooks: Worse than Pat Robertson?</title>
		<link>http://savageminds.org/2010/01/15/david-brooks-worse-than-pat-robertson/</link>
		<comments>http://savageminds.org/2010/01/15/david-brooks-worse-than-pat-robertson/#comments</comments>
		<pubDate>Fri, 15 Jan 2010 23:59:45 +0000</pubDate>
		<dc:creator>Kerim</dc:creator>
				<category><![CDATA[In the Press]]></category>

		<guid isPermaLink="false">http://savageminds.org/?p=3093</guid>
		<description><![CDATA[	Recently Pat Robertson got a lot of flack for saying Haiti&#8217;s history of suffering, including the recent earthquake, was due to a historical &#8220;pact with the devil.&#8221; But I don&#8217;t think anyone takes Pat Robertson seriously. I know many people, however, who do take NY Times columnist David Brooks seriously. So that is why I [...]]]></description>
			<content:encoded><![CDATA[	<p>Recently Pat Robertson got <a href="http://www.cbsnews.com/blogs/2010/01/15/politics/politicalhotsheet/entry6101136.shtml">a lot of flack</a> for saying Haiti&#8217;s history of suffering, including the recent earthquake, was due to a historical &#8220;pact with the devil.&#8221; But I don&#8217;t think anyone takes Pat Robertson seriously. I know many people, however, who do take NY Times columnist David Brooks seriously. So that is why I think <a href="http://www.nytimes.com/2010/01/15/opinion/15brooks.html">his comment</a> that &#8220;Haiti, like most of the world’s poorest nations, suffers from a complex web of progress-resistant cultural influences.&#8221;  is much more insidious. </p>
	<p>Brooks acknowledges that historical factors might be important, but quickly brushes them aside. </p>
<blockquote>Why is Haiti so poor? Well, it has a history of oppression, slavery and colonialism. But so does Barbados, and Barbados is doing pretty well. Haiti has endured ruthless dictators, corruption and foreign invasions. But so has the Dominican Republic, and the D.R. is in much better shape. Haiti and the Dominican Republic share the same island and the same basic environment, yet the border between the two societies offers one of the starkest contrasts on earth — with trees and progress on one side, and deforestation and poverty and early death on the other.</blockquote>
	<p>OK, but not all histories of &#8220;ruthless dictators, corruption and foreign invasions&#8221; are equal. Lets look a little at Haiti&#8217;s actual history. A good place to start is Gina Ulysse&#8217;s 2005 <a href="http://www.bombsite.com/issues/90/articles/2712">interview with Sibylle Fischer</a>, which highlights the specific racial dimension of Haiti&#8217;s history:</p>
<blockquote>Yes, this association with Public Enemy and <em>Fear of a Black Planet</em> is absolutely right. The greatest fear of the white elites in the slaveholding areas was a repetition of Haiti—of another black state.</blockquote>
	<p>She argues that some of the most virulent racism was found right next door, in the Dominican Republic. </p>
<blockquote>even today, anti-Haitian racism is endemic and the human rights situation of Haitian migrant workers on Dominican sugar plantations is appalling.</blockquote>
	<p>Or this recent article from <a href="http://www.timesonline.co.uk/tol/news/world/us_and_americas/article6281614.ece">the Times</a> (UK), which highlights the tremendous debt burden Haiti faced for much of its history:</p>
<blockquote>After a dramatic slave uprising that shook the western world, and 12 years of war, Haiti finally defeated Napoleon’s forces in 1804 and declared independence. But France demanded reparations: 150m francs, in gold… For Haiti, this debt did not signify the beginning of freedom, but the end of hope. Even after it was reduced to 60m francs in the 1830s, it was still far more than the war-ravaged country could afford. Haiti was the only country in which the ex-slaves themselves were expected to pay a foreign government for their liberty. <strong>By 1900, it was spending 80% of its national budget on repayments</strong>. … In 1947, Haiti finally paid off the original reparations, plus interest. Doing so left it destitute, corrupt, disastrously lacking in investment and politically volatile. Haiti was trapped in a downward spiral, from which it is still impossible to escape. It remains hopelessly in debt to this day.</blockquote>
	<p>What do you know, the Haitian&#8217;s did make a pact with the devil &#8211; France! I&#8217;m far from an expert on the region, but what little I do know leads me to think the combination of international racism towards the freed slaves and crushing foreign debt give Haiti a unique history that is not easily dismissed as identical to that of its neighbors. </p>
	<p>But this isn&#8217;t the first time that Brooks has argued for a kind of civilizational view of culture as psychology which can explain economic differences between nations. He&#8217;s been making similar arguments about Asians for a long time. There is a good debunking of these by <a href="http://languagelog.ldc.upenn.edu/nll/?p=1927">Language Log</a>. That link will take you to a page full of earlier Language Log posts trashing Brooks&#8217; often sloppy reading of the literature upon which he basis his claims. Please take some time to click on the links just so you can see how sloppy and misguided Brooks really is.</p>
	<p>UPDATE: Anthropology Works has a nice <a href="http://anthropologyworks.com/?p=1088">roundup of recent scholarship on Haitian culture and social change</a>.</p>
	<p>UPDATE:  Joshua Keating to Brooks: &#8220;<a href="http://blog.foreignpolicy.com/posts/2010/01/15/haiti_dont_ignore_the_politics">Don&#8217;t ignore the politics</a>.&#8221; </p>
<blockquote>Brooks&#8217; analysis also seems to assume that all dictators are created equal.</blockquote>
	<p>Also, Anthropologi.info is doing a great job of <a href="http://www.antropologi.info/blog/anthropology/2010/haiti-earthquake">tracking the ongoing discussion about Haiti</a>.</p>
	<p>UPDATE: In my rush to post this article I totally skipped over another egregious comment by David Brooks:</p>
<blockquote>There is the influence of the voodoo religion, which spreads the message that life is capricious and planning futile.</blockquote>
	<p>Fortunately, this has been taken up elsewhere: Razib at <a href="http://www.gnxp.com/blog/2010/01/after-fact.php">Gene Expression</a>, Jim Sleeper at <a href="http://tpmcafe.talkingpointsmemo.com/2010/01/15/whose_voodoo/">TPM Café</a>, and Jason Pitzl-Waters  at the Paganism blog <a href="http://wildhunt.org/blog/2010/01/its-all-voodoos-fault.html">The Wild Hunt</a>. Some of the <a href="http://community.nytimes.com/comments/www.nytimes.com/2010/01/15/opinion/15brooks.html">comments on the NY Times website</a> are worth reading as well.</p>
	<p>UPDATE: Sam Martinez has a<a href="http://anthropologyworks.com/?p=1100"> post on Anthropology Works</a>: </p>
<blockquote>Nothing matches up in Brooks’ linkage of Harlem and Port-au-Prince — the comparison is a total clunker — nothing matches up, that is, other than a discourse of veiled white supremacy designed to blame Blacks for whatever ill God and man throws their way and to provide a white-dominated state with a standing excuse for doing too little, too late.</blockquote>

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		<title>&#8216;Life at the Googleplex&#8217;: Corporate Culture, Transparency, and Propaganda</title>
		<link>http://savageminds.org/2010/01/15/life-at-the-googleplex-corporate-culture-transparency-and-propaganda/</link>
		<comments>http://savageminds.org/2010/01/15/life-at-the-googleplex-corporate-culture-transparency-and-propaganda/#comments</comments>
		<pubDate>Fri, 15 Jan 2010 19:51:41 +0000</pubDate>
		<dc:creator>Adam Fish</dc:creator>
				<category><![CDATA[Ethnography]]></category>
		<category><![CDATA[Field Reports]]></category>
		<category><![CDATA[Fieldwork]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Intellectual property]]></category>
		<category><![CDATA[Money]]></category>
		<category><![CDATA[Political Economy]]></category>
		<category><![CDATA[Politics, government, power]]></category>
		<category><![CDATA[Public Anthropology]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Visual Anthropology]]></category>

		<guid isPermaLink="false">http://savageminds.org/?p=3084</guid>
		<description><![CDATA[Even if new media corporations isn't your anthropological fetish, it is certain that some strangely useful video about your fieldsite or subject exists on Youtube and you are going to have to explain your justifications for using it in your research.  I invite us to co-develop these tools.]]></description>
			<content:encoded><![CDATA[	<p>How the hell am I going to get access to study these uber-elite media companies? In my desperation to find ethnographic facts about &#8216;corporate culture&#8217; at the new media conglomerated behemoths I am viewing these reflexive industrial videos Google and its subsidiary YouTube upload about themselves. What are these things? Part recruitment propaganda to solicit CVs from the world&#8217;s top engineers, part PR-campaign to provide proof of its post-China &#8216;do no evil&#8217; mantra, part braggadocios chest bump and back slap these videos must have some information that can provide evidence for the &#8216;real&#8217; internal values and dynamics that influence the 20,000 employees and the 100s of millions of networked people that use their digital tools daily.<br />
<div style="margin-top: 0px; margin-bottom: 0px;"><br />
<div style="margin-top: 0px; margin-bottom: 0px;"><span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: xx-small;"><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/eFeLKXbnxxg&#038;hl=en_US&#038;fs=1&#038;"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/eFeLKXbnxxg&#038;hl=en_US&#038;fs=1&#038;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></embed></object></span></span></div><br />
<div style="margin-top: 0px; margin-bottom: 0px;">But before I begin this bite-sized Youtube videothon I want to query if anthropological tools exist for such research. First, how would an anthropologist contextualize and categorize these videos? Reflexive, check. Industrial, check. Commercial, probably. They are not viewer-created but they have the amateur aesthetic. Textual studies of reflexive and industrial media and websites in anthropology is under-developed. In that historic genre, &#8216;ethnographic film,&#8217; there were calls for greater reflexivity. And there are ethnographic investigations into the social life of social media. Patricia Lang, danah boyd, Heather Horst, and Mimi Ito can be consulted for this. And I am sure that there are numerous anthropological studies of race/class/gender as exhibited on Youtube. <a href="http://pzacad.pitzer.edu/~ajuhasz/">Alexandra Juhasz</a> and Michael Wesch use YouTube as a pedagogical tech. But as far as I am aware, nobody has thought to look at how governments, corporations, and other institutions self-visualize a public persona. Secondly, who has analyzed the particular limitations and possibilities of this new platform for cultural expression? There is more cultural material on YouTube than in anywhere in the world. We must be able to incorporate this data.</div><br />
</div><br />
<div style="margin-top: 0px; margin-bottom: 0px;"><span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: xx-small;"><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/VzMPV3YEI_8&#038;hl=en_US&#038;fs=1&#038;"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/VzMPV3YEI_8&#038;hl=en_US&#038;fs=1&#038;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></embed></object></span></span></div><br />
<div style="margin-top: 0px; margin-bottom: 0px;"><br />
<div style="margin-top: 0px; margin-bottom: 0px;"></div><br />
<div style="margin-top: 0px; margin-bottom: 0px;">The first order of analysis would be to use a political economic widget to find out what they hope to get out of this video. Usually, saying something about increasing profit and consumption is enough here. The second order would be to use textual analysis to look for accidental data points. Start with the simple realization that you are seeing into the company, notice the use of space, of the personalization of cubicles, etc. Thirdly, mix these two approaches, political economy and cultural studies, to read the subtle cues and beyond the avowed interview revelations. Pretend you have ethnographic free-reign, knowing that would always be partial even with clearance. As partial and incomplete as these video documents are a conjunctive approach will be necessary. My girlfriend suggested to me that a corporation&#8217;s IPO documents are usually remarkably honest and revealing. Also high-tech investment firms/websites such as <a href="http://www.techcrunch.com/company-index/">Techcrunch</a> keep publically available data on acquisitions, investments, and other reflexive materials. Ken Auletta&#8217;s book, <a href="http://www.kenauletta.com/">Googled: The End of the World as we Know It</a>, is incredibly revealing about Google corporate culture but is based on only a few interviews with Page, Brin, and a number with CEO Eric Schmidt. My point is that much can be done with little if the right tools are used.</div><br />
</div><br />
<div style="margin-top: 0px; margin-bottom: 0px;"><br />
<div style="margin-top: 0px; margin-bottom: 0px;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/aOZhbOhEunY&#038;hl=en_US&#038;fs=1&#038;"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/aOZhbOhEunY&#038;hl=en_US&#038;fs=1&#038;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></embed></object></span></div><br />
<div style="margin-top: 0px; margin-bottom: 0px;"><br />
<div style="margin-top: 0px; margin-bottom: 0px;">The take-away nugget is that the internet provides tools and reasons for greater corporate transparency. Some corporations answer these calls to use the web to exhibit their tax records and to incorporate users/viewers/participants into internal and external regimes of governance and profit-generation. Other corporations expose their chain of production and distribution and how it misses layovers in child labor farms or despotic regimes and ecological disasters. This is all quite wonderful. But along with greater awareness and transparency is also greater capacity for manipulation of the veneer of transparency. So we must be vigilant in our textual readings of corporate transparency practices and perceive beyond the public persona to the numerous motives, values, and metrics for success that corporations deploy. We must figure out sophisticated techniques to study these powerful institutions. Textual study of the secondary and third order of values encoded in publically available online documents is one way. Even if new media corporations isn&#8217;t your anthropological fetish, it is certain that some strangely useful video about your fieldsite or subject exists on Youtube and you are going to have to explain your justifications for using it in your research.  I invite us to co-develop these tools.</div><br />
</div><br />
</div></p>

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