Tag Archives: Theory

Anthropological “isms,” post and otherwise.

What We’re Teaching This Semester: Ethnographic Theory

What courses do professors teach and why? Who determines what students need to know? In my department we teach a combination of required courses and elective courses at both the undergraduate and graduate level. At the graduate level, I regularly teach a semester of our year-long introductory theory course, and other times I teach seminars focused on more narrow topics either in one of my specialties or an exploratory course. This semester I am teaching the latter: a new graduate seminar in ethnographic theory. In the spirit of our not-quite-official Savage Minds series on teaching, I offer some thoughts here on why and how I am teaching ethnographic theory this semester.

Right now, where is intellectual energy in cultural anthropology? This seminar is designed to ask and answer this question through looking at scholarship from the last several years organized around the concept of ethnographic theory. Our overall prompt is dual, both the call for a ‘return’ to ethnographic theory in the now four-year old journal HAU: Journal of Ethnographic Theory and recent reflections in Cultural Anthropology on the current anthropological moment twenty-five years after Writing Culture. On the syllabus, I wrote the following introduction to the course which is officially titled “Ethnographic Theory: On Philosophy, Method, and Writing:”

What is the ethnographic? How do we practice and write ethnography? In this seminar, we will look beyond ethnography as method to consider the ethnographic as theory. Ethnographic knowledge is both epistemology and ontology, a way of knowing and a way of being. It is experiential, embodied, and empathetic, and is the foundation of field efforts to arrive at—as Clifford Geertz so famously stated in 1974—how people collectively explain themselves…to themselves. It is through ethnography that we can get to “where true life and real lives meet.” Ethnography is excessive and it is messy, but so is life. Our goal in ethnographic research is to get to this excess and messiness, to the lived expectations, complexities, contradictions, and possibilities of any given cultural group. In this seminar, we will explore ethnographic theory through reading in three areas: political subjectivity, ethnographies of the suffering subject, and the ontological turn Continue reading

Ethnographers as Writers: Theory and Data – Part II

So I’m staring at some fieldnotes and trying to sort out the best way to blend my theoretical analysis with my ethnographic data. Where to start? How to find the right balance? Once again, I decided to contact fellow ethnographers to gather insights about their writing processes. Sociologist Olga Shevchenko also struggles with what parts of her fieldnotes to include:

I almost never know in advance which parts of the field notes will go into the text, because it takes me some time, and a lot of writing, to figure out what it is exactly that I am going to argue! With interviews, it’s different. There are some turns of phrase that seem to leap off the page, and these are usually those that capture experience in a fresh or complex way. I also tend to notice when a turn of phase, or a metaphor emerges more than once. When I heard a third person compare their everyday life with living on a volcano, I knew it was going to be in the book in a major way. But it also got me thinking about what this metaphor accomplished, which sent me right back to the field notes. When I can’t find a place in the text for an evocative image or turn of phrase that I hear from a respondent, this causes me great torments!

Coding your fieldnotes the old fashioned way
Coding your fieldnotes the old fashioned way

Like Olga, I now spend a lot of time reading my fieldnotes and deciding what material I want to include before I figure out my core argument, a process sometimes called “grounded theory,” a way of incorporating theoretical insights that emerge organically from the fieldwork. I also search for great quotes or turns of phrase that capture something about the everyday experience of my informants.

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Ethnographers as Writers: Theory and Data – Part I

There's nothing more intimidating than a blank page.
There’s nothing more intimidating than a blank page.

Every ethnographer must find a balance between theory and data. Our fieldwork and our specific case studies render our work original, but this work fails to be scholarly if it lacks dialogue with larger theoretical concerns. When writing the dissertation the literature review section remains de rigueur, but most acquisitions editors demand that this section be exorcised from the eventual book manuscript. This means that the theoretical insights inspired by your participant observation must somehow be woven into the final text so as to elucidate your original ideas without burying the reader under an avalanche of information about what other scholars, studying other cases, have said before you.

The task of integrating theory proves difficult for even the most experienced ethnographers, and different scholars maintain varying opinions on its importance. In a 1999 article, anthropologist Ruth Behar argues that theory for theory’s sake undermines the potential vibrancy of ethnographic writing:

What I do find tiresome is the habit of using whatever theory happens to be fashionable…as a substitute for really engaging the tough questions posed by those whom we encounter on our journeys as ethnographers. When ethnographers working in far corners of the globe are all citing the same two pages from the work of the latest trendy theorist, without reflecting on the politics of how that theory travels, you can be sure they have killed the life in their ethnography.

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What archaeologists do: Research Design and the Media Archaeology Drive Project (MAD-P)

For the past two weeks, Colleen Morgan and I have been outlining the background to an actual “media archaeology” project wherein we extend the intellectual and methodological toolkit of archaeology into the study of media objects (especially, digital media objects). The impetus for this project is outlined here, and the theoretical context here. Having set up the framework, we delve now into our actual research programme, which we affectionately refer to as MAD-P: the Media Archaeology Drive Project.

As our aim here is to model good practice, and to benefit from the collective intelligence of Savage Minds, we present below the project research design for constructive critique. In brief, we’ve excavated a found hard drive, and while in the next post we’ll document for you our process, our written and photographic records (stay tuned for a Harris Matrix), and our interpretative outputs, here we detail the nature of our field site and field method, ethical engagement with our excavation, and sustainability/access to our data.

Colleen is the principle author of this research design, and it’s important for me to say that I’ve learned much through my collaboration with her. As someone who has spent the past 10 years outside of the excavation trench, it was very meaningful for me to jump back in—using single context recording no less!—with Colleen as my guide. Here is the project whose results you’ll see reported over the next week on Savage Minds… Continue reading

What archaeologists do: Between archaeology and media archaeology

Archaeologists and antiquarians have been innovators, assemblers, critical interrogators, and remakers of media and media technologies for at least 500 years. Their outputs have been drawn into broader programmes of social theorising about modes of engagement, and they are often pioneers in the application of new media. While there are many people studying and broadcasting about these issues today – including a growing number of excellent blogs that deal directly or indirectly with the topic: see Digital Dirt|Virtual Pasts, Anarchaeologist, Prehistories, Archaeology and Material Culture, All Things Archaeological, Digging Deeper, Reimagining the Past, Rust Belt Anthro, in addition to some of the sites I highlighted in my last post), there still seems to be a conspicuous need to point out that this is not an uninterrogated subject matter.

There are a series of factors that I think contribute to this predicament wherein archaeology is simultaneously recognised as both highly and hardly theorised in terms of its mediation. I’ve discussed it elsewhere, but media studies tend to be relegated to the last chapter of archaeological textbooks, to little more than a single sentence of acknowledgement in other manuscripts, or to a discussion curtailed around only a few select modes of mass communication (i.e., film, television, the web). Where it does have presence, it’s often collapsed into a focus on “the public”, generating analysis that gravitates around popular culture alone.

But this situation is contradictory and fundamentally nonsensical.

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The Trouble with Teaching (and a call for help)

This week, I embark on my 12th year as an adjunct at the College of Southern Nevada (formerly the Community College of Southern Nevada, which I much prefer — they changed the name in a bid to sound classier). For the last 11 years, I’ve taught intro-level anthropology, even as my career shifted from academia into the museum world.

Teaching is a choice for me. I have a full-time job, a MORE than full-time job, running the Burlesque Hall of Fame, and much of what little spare time I have left is spent as a caretaker for my father (who suffers from Alzheimer’s) and maintaining some kind of social life, but when I can pick up a class, I do. I enjoy the classroom experience, and if you’ve ever worked at a community college, you know how rewarding it can be.

My classes are typically full of very bright, hopeful young people (along with a scattering of returning students and retirees) who have been terribly served by the educational system. Many of them are minorities and/or from poor families, which means not only has their K-12 education been abysmally bad (on purpose, I’d argue), but so has the rest of their lives during their developmental years. Continue reading

“Divorce your theory” A conversation with Paul Farmer (part one)

 (This guest post comes from Ståle Wig. Ståle has recently completed a research based MA in Social Anthropology at the University of Oslo, with a thesis on development workers in Lesotho. He is affiliated at the Center for Development and the Environment, and teaches a class in Science Outreach and Journalism at the University of Oslo.)

Paul Farmer was never an orthodox anthropologist. As an undergraduate I remember reading his article, An Anthropology of Structural Violence. It took me by surprise.

Not because I was unaccustomed to scholars arguing that we need to link the ethnographically visible to history and political economy – or, in Farmer’s words, “the interpretive project of modern anthropology to a historical understanding of the large scale social and economic structures in which affliction is embedded”. No, my class had already read Sidney Mintz. It was somewhat fascinating to read an anthropologist who at the same time was a doctor committed to heal the sick in his ethnographic surroundings. But that’s not really what got me, either.  Continue reading

On taking ontological turns

I didn’t make it to the AAA 2013 meetings.  I heard the news though: ontology is the next big thing.  I’m not sure what to make of this.  I am all for getting your theory on, but so far I haven’t heard anything from this latest ontological craze that’s really hit home.  Maybe I’m not paying enough attention.  Maybe I’m not reading the right stuff.  Or, perhaps after several years of being subjected to high doses of academic theory-talk, I have overdosed and now have some sort of weird allergy to anything that remotely resembles jargon.  In that case I just need some Benadryl and everything should be in order shortly.

I did read a post over on Allegra by Isaac Morrison about this whole “ontological turn” thing that makes some good points.  Here’s how it starts: Continue reading

Empathy: A Companionate Redux

I thought I would kick off the last morning of the year by chiming in on the comments to Dr.LibertyBell’s very generative second post on empathy here at SM.  But I seemed to have found the post and comments so generative, that I now find myself rounding off the last afternoon of the year by posting this companionate redux instead.

On the Particularity of the Empathetic Subject

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Empathy: A Short Conceptual History and An Anthropological Question

Savage Minds welcomes guest blogger LINDSAY A BELL

In my first post, I proposed that anthropology might be particularly well suited to thinking through the concept of empathy. In North America, “empathy” has come to be a prominent term across the caring arts. In areas ranging from self-help to health care, empathy seems to be something that can and should be cultivated. In 2006, President Obama declared that an “empathy deficit” was more pressing than a federal budgetary deficit. The scale of this claim reflects an increasingly popular view of empathy as producer of solutions to large, complex issues. In his 2010 bestseller Empathic Civilization, American social theorist Jeremy Rifkin argued that “global empathic consciousness” could restore a global economy and solve climate change.

Last weeks’ commentators aptly pointed out that “empathy” has become a gloss for broader concerns. Its implementation from the perspective of those of you working with social workers, health care professionals and so on made it clear that institutionalized empathy is a downloading of problems onto already thinly stretched personnel. As a former pubic schoolteacher, I can agree that it is tempting to dismiss empathy as a smoke screen for troubles of our times. Yet, I keep coming back to anthropology’s shared principles with empathy—specifically perspective taking, withholding judgment, and dwelling with the people we work with. I am not arguing ‘for’ or ‘against’ empathy. Frankly, I am curious. What meanings has this term come to hold in the context of North America, and what very real kinds of ways of relating to Others has empathy been trying to capture but somehow can’t?  Puzzled by the empathy boom, I went to a good friend for insights. As an analytic philosopher specializing in emotions and emotion history, she had a lot to teach me about the crooked conceptual path of the term. She was so generous in sharing what she knows, I thought I’d share what I’d learned here. Continue reading

A Disempowering Rant

Welcome to the NHK

I usually try to avoid ranting about my pet-peeves, but I just gotta get this one off my chest: what’s up with leftist academics criticizing a theory for being “disempowering”? I don’t even know where to begin with such criticism. It is as if someone, upon learning of such a theory, would be so overwhelmed by the inevitability of domination that they simply give up trying to make the world a better place. Has this ever happened to someone? Really?!

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Anthropology, Empathy and the Other Regarding Emotions

Savage Minds welcomes guest blogger LINDSAY A BELL

In the last few weeks, social work scholar turned pop-psychology web superstar Brené Brown came out with a short animated video summarizing much of her writing on empathy. It opens by drawing a distinction between empathy and sympathy.  According to Brown, empathy fuels connection while sympathy drives disconnection. For those of you who are expert in the area of the anthropology of emotions, I am guessing it would be fairly easy to come up with cross-cultural scenarios that put this pop-psych in its place (and please do!). That sympathy has become the bad guy in US self-help genres isn’t all that surprising.  In psychology and analytic philosophy, empathy and sympathy are part of a larger cohort referred to as “other regarding emotions”. Debating the appropriateness of the other regarding emotions—from pity to compassion to sympathy to empathy—lends itself to prescriptive ways of being the world.  This short video presumes that we can know what will feel good to others. In this case empathy feels good, and sympathy feels bad.

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Ontology as the Major Theme of AAA 2013

Most attendees of the annual meetings in Chicago are, as one wag put it, exhAAAusted from all our conference going, and the dust is only now settling. As we look back on the conference, however, it is worth asking what actually happened there. Different people will have different answers to this question, but for me and the people in my scholarly network, the big answer is: ontology.

The term was not everywhere at the AAAs, but it was used consistently, ambitiously, audaciously, and almost totally unironically to offer anthropology something that it (supposedly) hasn’t had in a long time: A massive infusion of theory that will alter our paradigm, create a shift in the field that everyone will feel and which will orient future work, and that will allow us, once again, to ask big questions. To be honest, as someone who had been following ‘ontological anthropology’ for the past couple of years, I was sort of expecting it to not get much traction in the US. But the successful branding of the term and the cultural capital attached to it may prove me wrong yet.

In fact, there were just two major events with the world ontology in the title: the “Politics of Ontology” roundtable and the blowout “The Ontological Turn in French Philosophical Anthropology”. But these events were full of ‘stars’ and attracted plenty of attention.

Will this amount to anything? What is ontology anyway? Were there other themes that were more dominant in the conference? I don’t have any answers to these questions yet, but I hope to soon and will let you figure it out when I do. If you get there before me, then fire away in the comments section and we’ll see what people think.

Made in China: Notes from the CIA Gift Shop

What might an anthropology of the covert look like? I think of the covert as a particular type of secret, one grounded in deception and shadows, and populated by individuals pretending—in part—to be someone other than who they actually are. My current research project is about the CIA as agents of US empire during the Cold War. It is about being invisible, being undercover, and being a legitimate ethnographic subject rather than just a historical or political one. Yet, what sort of ethnography can be written about covert, undercover subjects? How does one humanize the CIA?

I’ve been turning this question over since October 2009 when I found myself at CIA Headquarters. Two weeks before, a mysterious envelope arrived in my on-campus mailbox in the Department of Anthropology at the University of Colorado. The return address read “CIA Fine Arts Commission.” I remember looking around the office to see if this was a joke. The CIA Fine Arts Commission? For real? The CIA had an art department? It didn’t help matters that the envelope looked sort of homemade, as if someone had printed the mailing and return addresses on a home laser printer. Perhaps they had. At any rate, I opened the envelope up in the main anthropology office, thinking it was somehow safer to open it there rather than alone back in my own office.

There was no explosion. Phew. Continue reading