When you think of scholarship you might think first of publications, articles and books, but that is just the final product. Yes it is polished through countless hours of research, writing, and responding to reviewers, however all that work is built on an even more time consuming foundation of collecting raw materials. In cultural anthropology this includes field notes, journals, marked up literature, audio recordings, transcripts, and maybe photographs and video. I think I even have a few 3-D objects squirreled away in banker’s boxes. Although we seldom refer to it as such all of this is “data,” it is information awaiting interpretation.
We take great pride in our finished products. Peer reviewed publications are still the coin of the realm. Our attitudes towards data in cultural anthropology are less clear. Are our data worth saving? What have you done with your data? How would you feel about sharing your data with others? Continue reading →
When Americans like myself say “anthropology” we usually mean “American anthropology” or — even worse — “American cultural anthropology”. But as the pretty much everyone in the world who is not American will tell you, there is a lot more to anthropology than just what Americans do. The World Council of Anthropological Associations is one of the key institutions seeking to raise the profile of the global anthropological scene. One of the key ways they do it is with their open-access journal Déjà Lu, which recently released its third issue. It’s great and you should read something in it now.
Déjà Lu is actually an anthology. Journals from around the planet select one article of their that they wish to feature, and contribute it to Déjà Lu, who then publishes it in open access format. The result is a scrumptious multilingual smorgasbord of anthropological treats.
American journals are heavily represented on Déjà Lu, since they are a large part of world anthropology. But there is a lot else on hand as well and the journal is a great way to discover new pieces to read, as well as new journals to follow, even if you are an ashamed monoglot like me. Suomen Antropologi usually keeps its content locked up pretty tight, but you can download Tim Ingold’s Westermark Lecture (like to PDF). SITES is a Pacific journal I’ve known about for a long time, but I would have missed it’s new issue on whakapapa if it wasn’t for Déjà Lu. And that’s really just the start.
Your interests are probably different than mine, so why don’t you go stroll over the Déjà Lu’s site and see what tickles your fancy?
One of the great things about running a well-established blog is that you can just cold-call interesting people and ask to interview them, and they’ll say yes. Verso Books has had a long history of publishing works which have has a tremendous impact in anthropology, and so I’d always tried to stay up to date with what the press was doing. When it began selling ebooks directly through its website and offering them at discounted prices through sales, I got curious about what their plan want to keep their independent, progressive press operating in an era of Reduced Everything. I was very lucky, therefore, to have a chance to speak to the managing director of Verso, Jacob Stevens, who talked with me about Verso’s plans and future directions.
I came away from this interview tremendously impressed with Stevens and Verso more generally. Stevens’s strategic vision is remarkably clear and focused on what the key commitments of progressive publishing should be. At the same time, he’s thought outside the box in many ways — looking to journal subscriptions as a model for direct sales of monographs, or taking the lessons of the music industry and applying them to publishing. I think you’ll really enjoy this interview and the light it sheds on Verso’s plans for the future, and the state of independent publishing today.
AG: Let’s start by talking about your Christmas sale. That seemed to be a pretty major statement by Verso. The discounts were incredibly steep and the selection was very good. Could you tell why you decided to do that sale, how successful it was, and its role in your publishing strategy?
JS: We initiated a redesign of the website in 2008, always with the aim of launching a strong direct sales channel. That finally came about in March last year, and we took three decisions to try and make sure that it was a success and that it was noticed. The first one was to bundle ebooks with print. The second one was to offer discounts, and the third was to offer free shipping. Essentially, we were competing with Amazon.
It can be a bit confusing navigating around JASO’s site, but it’s definitely worth your while. Their latest issue is on sexual harassment in the field, a topic that has been the topic of increasing attention in the blogosphere and and the discipline more widely. On this score, JASO couldn’t be more relevant to what’s going on in anthropology today.
As someone interested in the history of anthropology, however, it’s really in the back issues (over twenty five years of them) that JASO really shines. Here, the journal shows how a small group of people embarked on a shared project can create. The ups and downs of the department are recorded in every issue — book reviews show you what the department thought of the outside world, while obituaries help it mourn its own. I feel like a biography of Godfrey Lienhardt could be written out of just these back issues alone. It’s rich stuff to explore, and its all open access.
Ultimately, the quiet way JASO publishes its material may not result in a tremendous ‘impact’ of the sort that audit culture likes to see. But that’s ok. A quick look at the list of contributors make it clear that this journal is not just a platform for producing scholarship, it’s a platform for nurturing scholars and reproducing institutions.
Go dig around the site — it’s a rich enough archive that I’m sure there’s something there to tickle your fancy or to underwrite a teachable class example.
The following is based upon a conversation about the implications of Open Access that Jeremy Trombley and I have been having over the course of the past few weeks. Please do add your own thoughts below. Jeremy blogs at Struggleforever.
Ryan Anderson: So I just finished grad school, and I’m focusing on publishing some articles. I remember a while back you mentioned that you want to commit to publishing all Open Access (OA) articles, and I am right there with you. I think it’s important to push OA forward through our own work. Have you started looking into this?
Jeremy Trombley: OA is always in my mind, but I haven’t had the opportunity to publish too much yet so it hasn’t been a major issue. I have one co-authored with my advisor in a journal called Estuaries and Coasts, which has the option of publishing OA. But now I’m in the process of writing three(!) articles, and I’m thinking about where to publish them — if I ever get around to finishing them.
So that’s where I’m at, I guess. I think it’s a real challenge as a grad student trying to get publications so that I can get noticed so that I can maybe — if the stars align, and I pick the right lotto numbers, and my I Ching comes out well — get a job when I graduate. At the same time, I’m increasingly wondering if I should even bother with academia or focus on learning skills that might be useful in the “real world” — which I want to do anyway, but it’s hard to balance with all the writing, reading, etc. I have to do otherwise.
RA: I hear that. I spent so much time with anthropologies and Savage Minds during graduate school that I didn’t make much time for publishing in journals. Continue reading →
Movie trailers have been around for decades, and part of the fun of going to the cinema was always the sneak peaks of upcoming movies. With the proliferation of digital software like iMovie, and the ease of uploading just about anything to YouTube, the trailer has migrated from the world of movies over to the book industry. Trade presses regularly create book trailers to promote their new releases even while some authors bemoan the fact that they must now push their written texts using visual media. In her 2013 New Yorker article, “The Awkward Art of Book Trailers,” Rachel Arons recognizes that although book trailers “are often dismal,” there exist instances of genuine creativity.
Below is a list of open access English language cultural anthropology titles with general information about the journal’s policies and website for authors to consider when choosing a venue to publish their work. If you would like to learn more about the various Creative Commons licenses, check this link. Journal titles with some missing descriptive data have been contacted and updates will be ongoing as they respond. Note that the inclusive dates after the title are meant to describe what is available to read freely online, which may or may not represent the true life of the journal.
For a more comprehensive listing of titles, including multidisciplinary journals of interest to cultural anthropologists, see this earlier post. My plan is to update this post with those additional titles in the spring semester.
Africa Spectrum, 2009-2014
Affiliation/ Sponsor: GERMAN INSTITUTE OF GLOBAL AND AREA STUDIES
Scope: “current issues in political, social and economic life; culture; and development in sub-Saharan Africa”
Peer review: YES
Author fee: NO
Social network buttons: NO
Persistent ID for articles: URN
View open metadata: YES
Data preservation: Hamburg University Press & German National Library
I’m starting a research project on open access publishing in anthropology, specifically on the kinds of metadata different venues use to make their material findable by users. Along the way I’ve collected a running list of English language titles of interest to cultural anthropologists. The original list was started by anthropologi.info but it had a number of broken links and also included moribund journals I am excluding from my research. The anthropologi.info link also lists a number of multilingual journals that I haven’t gotten to yet but am working on currently.
In the meantime, check these out. The following titles have been updated at least once since 2013. Parenthetical notes are included to describe the titles if necessary.
I recently went a conference where I had a chance to meet Nikolas Rose recently. I’m always interested to meet Famous Professors to see how they do it — what unique combination of personality traits got them, well frankly, tenure. Isn’t that something every academic should start keeping track of?
I’m pleased to say that Rose’s success –as far as I can tell — is due to his genuine pleasantness and keen desire to keep his nose down in the weeds and keep producing substantive ethnographic/historical work. Its always a pleasure to meet someone who has managed to become a success without turning into an bad person or cutting themselves loose from the lived reality we are supposed to be studying.
I recently did a peer review for American Anthropologist, and was surprised (and delighted) to receive a note for them thanking me for my work and telling me that decision the editor made regarding the manuscript and — this is the new part — attaching all the feedback all the other peer reviewers gave the article as well. I’m familiar with this model, which is widely used in the biosciences, and I think it is great . Peer review is central to what we do but we rarely teach it to our graduate students, and the process itself is wrapped in a secrecy which makes learning on the job difficult.
At times peer review is like some sort of kinky Victorian sex act that Foucault would dissect: secret, unmentionable, but totally central to our academic/libidinal economies. People speak of it in hushed tones, afraid of the terrible secrets that will be disclosed if their behavior ever became public. Opening it up like this will help increase the quality of peer review by making review more transparent. I think it will also encourage peer reviewers to not act like total assholes when they review pieces. Which, let’s be honest, is something that needs to be encouraged.
I was curious about how this change was made so I reached out to Michael Chibnik, the editor of AA, and asked him how it came about. Thanks to Mike for answering these questions so thoroughly. Continue reading →
A doomed genius taken before his time. One of the last line of ancient Roman noblemen revealing his secrets. Hidden writings once known only to an elite few, now revealed for all to see. It sounds so much like a Dan Brown novel that you mistake it for an April fools joke, but it’s not. There were so many fake announcements and releases on April first this year that one thing got lost in the shuffle: the actually really real release of the second monograph in HAU’s “Classics of Ethnographic Theory”, Rites and Annals: Between History and Anthropologyby Valerio Valeri. Valeri’s work deserves to be widely read today because of its own intrinsic quality, as well as for the kind of rigorous, sophisticated, and humanistic approach to anthropology it exemplifies. Valeri’s work combined ethnographic erudition with high-level theorizing, wrapped up with a sophisticated prose style and a commitment to scholarship that exploded American binaries of science versus the humanities, objectivity versus subjective expression. For that reason, the release of Rites and Annals gives us a chance not only to read Valeri’s work, but to think about how it fits into the current approaches our discipline is taking.
I have a suggestion for Copyright Week: Let’s ask the AAA to release their books and monographs into the public domain. After all, one of the easiest, most important, and least risky things the American Anthropological Association has ever done is to put into the public domain all of its journal articles published prior to 1964. By doing so, the AAA took our heritage as anthropologists and made it available to the world — exactly as it should be. The decision making behind this move was a little complicated (I can tell you about it later), but the decision making behind our next one doesn’t have to be. Let’s do the same for all the books and monographs the AAA hold copyright for — regardless of when they were published. Continue reading →
Anthropologists like to say that we cover the whole world, the entirety of human experience in all places and times. But that doesn’t always translate into global conversations about anthropology and its findings. Questions of access to published research often get in the way, as do language barriers. As we close 2013, we take an inside look at who is reading Savage Minds—this U.S.-based, English-language group anthropology blog.
Our #1 audience is in the U.S.A. While this is no surprise, the global list of readers does include some surprises, and offers a particularly situated view into who is reading anthropology around the world—from Argentina (#35 on our list) to Zambia (#113). Continue reading →
I recently became the Associate Editor of North American Dialogue (NAD). Part of the AAA Wiley-Blackwell basket of goodies, NAD is the peer reviewed journal of the Society for the Anthropology of North America (SANA). I was brought on to help with the journal’s “brand issues”; namely its recent conversion to a peer reviewed publication and its history as being, um, well CUNY-centric. I am pretty excited about working with SANA on NAD. As a relatively recent section of the AAA, SANA has done much in the way of establishing anthropologies of North America as politically and theoretically important. As the incoming Associate Editor, I am hoping to pick your savage minds about publishing, social media and related issues. In particular, for those of you whose work is North American (and we mean that as broadly as possible), what would you like to see from this publication? From the digital gurus in the crowd, I want to hear about how or if social media should be used to draw a broader public to scholarly work?
“The long, dark night of the end of history has to be grasped an enormous opportunity. The very oppressive pervasiveness of capitalist realism means that even glimmers of alternative political and economic possibilities can have a disproportionately great effect. The tiniest event can tear a hole in the grey curtain of reaction which has marked the horizons of possibility under capitalist realism. From a situation in which nothing can happen, suddenly anything is possible again.”
—Mark Fisher, Capitalist Realism
Sarah Kendzior’s interview from the summer over at PolicyMic started making rounds again on my facebook feed recently. If anything, it seems to resonate more now.
I spent this past Thanksgiving with a bunch of orphaned activists and grad students. At some point, I foolishly started asking people for advice on grad school, assuming I’d find similar sympathies with more perspective. But I was shocked: several people told me it wasn’t that bad, that they enjoyed it, that it was better than anything else they could be doing—and even that finding jobs wouldn’t be that much of a problem.