This is a pretty interesting idea. What would it entail taking arXiv as a role model?
What is arXiv?
Like SSRN, arXiv is a digital repository. They are both examples of Green OA — a type of open access where authors deposit versions of their work so that they can be accessed by readers for free. What version of an article makes it into the repository depends on which publisher you’re working with, but almost all of them allow authors to deposit the original submission: no peer review, no mark-up, no type setting. Others are more generous, a few even allow the post-print to be deposited. It just depends, if you want to go Green do some research on your publisher’s homepage or ask a company rep.
Green OA is frequently contrasted with Gold OA, where the author submits to a journal that makes the final product available to readers for free, examples include HAU and Cultural Anthropology. Again, there is great diversity among Gold OA publishers just as there is among Green repositories but we’re not getting into that here.
arXiv is Green OA, it is a pre-print repository but of a particular kind. If you’re at an elite or second tier R1 you probably already have access to a repository through your institution. However many of these institutional repositories (IRs) share a common problem, faculty participation is low. Some universities have attempted to address this with OA mandates, but this is not always sufficient to change faculty behavior. People are really busy, or maybe they don’t see the value in access. Perhaps they think someone else will do it for them, or are mistaken about their author’s rights. For whatever reason many people who can go Green choose not to.
The generally poor showings for institutional repositories has lead some in the digital libraries field to argue that IRs are not the way forward for Green OA. Instead they anticipate that disciplinary repositories (DRs), sometimes called subject repositories, will be more successful. Perhaps in our neoliberal world faculty are less tied to their institution than their discipline? Both SSRN and arXiv are DRs. Continue reading →
No, it’s not the title of a whimsical new Wes Anderson movie, it’s news of changes within the American Anthropological Association’s publishing program. Ed Liebow, the executive director of the AAA (i.e. the big boss) announced in early January that Schmid will be leaving the AAA to become the Director of Publishing at the Association for Psychological Science.
Social media was a-twitter (see what I did there?) today with an important statement about the future of anthropology publishing posted at both Cultural Anthropology and in the latest number of HAU. But what precisely is this post about? What are the broader politics that form its context, and what is its point?
The basic idea is this: We have long known that the American Anthropological Association is unable and/or unwilling to innovate on its own. Most of the developments in open access anthropology have happened outside of the AAAs structure. Sure, the AAA has tried various things such as a faux-open access journal and open access book reviews. But its core business model has been to throw in its lot with a large corporate publisher.
Our recent proposal to the AAA marks an important watershed in open access anthropology because it represents something new. Now, open access is not only growing outside of the AAA’s auspices, it is actually feeding back into the AAA itself. Instead of just going its own way, the open access community is now saying to the AAA: “You can’t develop a robust open access business model on your own. But what if we developed one for you? What if we could prove to you that there is a financially sustainable way for you to run your publishing unit? If we build it, will you come?”
My guess is that, no, the AAA will not endorse the model. The AAA has published American Anthropologist for over a hundred years, and their fundamental goal is to make sure that it continues for another hundred years. In the past couple of years the AAA has done a good job of building capacity, but it is still a conservative institution which is very risk averse.
But we can hope. And hopefully the cooperative proposal we have set out will receive lots of pushback from the AAA and people in the publishing industry to tell us that It Cannot Be Done, You Don’t Understand The Numbers, and so forth. This will only lead us to sharpen our argument, gather more data, and make an even stronger case. And — if you don’t mind my saying so — I think the open access movement deserves a lot of kudos of continuing to press its case with an institution that it very easily could have walked away from. In the end, the only way to test the business model is to actually try it, and I hope that someday we can prove to the AAA that our proposals are indeed feasible. If we do not, it will not be for lack of trying on our part.
When the Homo Naledi discovery was announced I was excited to see that the initial publication was in an open access journal, eLife. In fact to me this was a huge relief for, now that my adjunct teaching days are done and I am gainfully employed in the museum sector, I no longer have access to journals through a university library. (But, then again, I won’t have to rewrite my human evolution lecture. So there’s that.)
One day at work I decided to abstain from my usual time wasting behaviors of Facebook and reading the comments section of the Washington Post, and instead invest my downtime in reading the Naledi piece. Look at me! I’m reading an article for fun! Truly this is one of the most liberating experiences of being outside the academy: now I read scholarship for pleasure.
I was proud of myself for making it all the way to the end, feeling like I got it. Okay, so I skimmed over some of the anatomy stuff, but not all of it. Nothing I can’t handle with a dictionary nearby. With no one to impress with my studiousness except my fellow librarians (who are all, of course, very studious), I looked forward to sharing a bottle of wine with my wife (a biologist and “real” scientist) and telling her all about the findings. We frequently have animated discussions about human evolution, so it came as a surprise when she didn’t want to talk about Homo Naledi rather what grabbed her attention first was that the authors had chosen to go OA.
Jessica has established herself an open access skeptic in our previous kitchen conversations, which unfolded something like…
Her: So where did they publish? Didn’t you say it was the cover of Nature?
Me: No. Cover of National Geographic. Lee Berger had a NGS Explorer grant.
Her: Where then? Science?
Me: No, they went open access. Something called eLife.
Earlier this summer here at the Savage Minds editorial offices, we had a temporary informational mishap that led some of our staff to believe that the mega-publisher Elsevier had purchased Academia.edu and, possibly, the rights to all of our first born children. This insider intelligence had us all on the edges of our figurative seats for about 11 tension-ridden minutes.*
In the end, the intel turned out to be incorrect and we all let out a collective sigh of status-quo-preserving relief. For a minute there we thought we might have to get all up in arms and start checking the oil in our X-Wing fighters and such to fight the big Open Access battle of the century. No need. Stand down folks, stand down.
But the false alarm got me thinking of the time that Elsevier issued more than 2,000 take-down notices to authors who had illegally posted articles on Academia.edu. This was back in 2013. Remember that? You might not. But. It. happened. That was the time that a bunch of scholars get all bent out of shape at the Big Evil Publisher that had committed the dastardly act of exercising its legal rights! The nerve! The gall! What right does that Big Evil Publisher have over work that authors freely and willingly gave away via signed author agreements? I mean, seriously, what those publishers are doing is an outrage. Right? Who has the time to read the author agreements? Is there even any text on those agreements? Who reads any fine print these days? Continue reading →
When you think of scholarship you might think first of publications, articles and books, but that is just the final product. Yes it is polished through countless hours of research, writing, and responding to reviewers, however all that work is built on an even more time consuming foundation of collecting raw materials. In cultural anthropology this includes field notes, journals, marked up literature, audio recordings, transcripts, and maybe photographs and video. I think I even have a few 3-D objects squirreled away in banker’s boxes. Although we seldom refer to it as such all of this is “data,” it is information awaiting interpretation.
We take great pride in our finished products. Peer reviewed publications are still the coin of the realm. Our attitudes towards data in cultural anthropology are less clear. Are our data worth saving? What have you done with your data? How would you feel about sharing your data with others? Continue reading →
When Americans like myself say “anthropology” we usually mean “American anthropology” or — even worse — “American cultural anthropology”. But as the pretty much everyone in the world who is not American will tell you, there is a lot more to anthropology than just what Americans do. The World Council of Anthropological Associations is one of the key institutions seeking to raise the profile of the global anthropological scene. One of the key ways they do it is with their open-access journal Déjà Lu, which recently released its third issue. It’s great and you should read something in it now.
Déjà Lu is actually an anthology. Journals from around the planet select one article of their that they wish to feature, and contribute it to Déjà Lu, who then publishes it in open access format. The result is a scrumptious multilingual smorgasbord of anthropological treats.
American journals are heavily represented on Déjà Lu, since they are a large part of world anthropology. But there is a lot else on hand as well and the journal is a great way to discover new pieces to read, as well as new journals to follow, even if you are an ashamed monoglot like me. Suomen Antropologi usually keeps its content locked up pretty tight, but you can download Tim Ingold’s Westermark Lecture (like to PDF). SITES is a Pacific journal I’ve known about for a long time, but I would have missed it’s new issue on whakapapa if it wasn’t for Déjà Lu. And that’s really just the start.
Your interests are probably different than mine, so why don’t you go stroll over the Déjà Lu’s site and see what tickles your fancy?
One of the great things about running a well-established blog is that you can just cold-call interesting people and ask to interview them, and they’ll say yes. Verso Books has had a long history of publishing works which have has a tremendous impact in anthropology, and so I’d always tried to stay up to date with what the press was doing. When it began selling ebooks directly through its website and offering them at discounted prices through sales, I got curious about what their plan want to keep their independent, progressive press operating in an era of Reduced Everything. I was very lucky, therefore, to have a chance to speak to the managing director of Verso, Jacob Stevens, who talked with me about Verso’s plans and future directions.
I came away from this interview tremendously impressed with Stevens and Verso more generally. Stevens’s strategic vision is remarkably clear and focused on what the key commitments of progressive publishing should be. At the same time, he’s thought outside the box in many ways — looking to journal subscriptions as a model for direct sales of monographs, or taking the lessons of the music industry and applying them to publishing. I think you’ll really enjoy this interview and the light it sheds on Verso’s plans for the future, and the state of independent publishing today.
AG: Let’s start by talking about your Christmas sale. That seemed to be a pretty major statement by Verso. The discounts were incredibly steep and the selection was very good. Could you tell why you decided to do that sale, how successful it was, and its role in your publishing strategy?
JS: We initiated a redesign of the website in 2008, always with the aim of launching a strong direct sales channel. That finally came about in March last year, and we took three decisions to try and make sure that it was a success and that it was noticed. The first one was to bundle ebooks with print. The second one was to offer discounts, and the third was to offer free shipping. Essentially, we were competing with Amazon.
It can be a bit confusing navigating around JASO’s site, but it’s definitely worth your while. Their latest issue is on sexual harassment in the field, a topic that has been the topic of increasing attention in the blogosphere and and the discipline more widely. On this score, JASO couldn’t be more relevant to what’s going on in anthropology today.
As someone interested in the history of anthropology, however, it’s really in the back issues (over twenty five years of them) that JASO really shines. Here, the journal shows how a small group of people embarked on a shared project can create. The ups and downs of the department are recorded in every issue — book reviews show you what the department thought of the outside world, while obituaries help it mourn its own. I feel like a biography of Godfrey Lienhardt could be written out of just these back issues alone. It’s rich stuff to explore, and its all open access.
Ultimately, the quiet way JASO publishes its material may not result in a tremendous ‘impact’ of the sort that audit culture likes to see. But that’s ok. A quick look at the list of contributors make it clear that this journal is not just a platform for producing scholarship, it’s a platform for nurturing scholars and reproducing institutions.
Go dig around the site — it’s a rich enough archive that I’m sure there’s something there to tickle your fancy or to underwrite a teachable class example.
The following is based upon a conversation about the implications of Open Access that Jeremy Trombley and I have been having over the course of the past few weeks. Please do add your own thoughts below. Jeremy blogs at Struggleforever.
Ryan Anderson: So I just finished grad school, and I’m focusing on publishing some articles. I remember a while back you mentioned that you want to commit to publishing all Open Access (OA) articles, and I am right there with you. I think it’s important to push OA forward through our own work. Have you started looking into this?
Jeremy Trombley: OA is always in my mind, but I haven’t had the opportunity to publish too much yet so it hasn’t been a major issue. I have one co-authored with my advisor in a journal called Estuaries and Coasts, which has the option of publishing OA. But now I’m in the process of writing three(!) articles, and I’m thinking about where to publish them — if I ever get around to finishing them.
So that’s where I’m at, I guess. I think it’s a real challenge as a grad student trying to get publications so that I can get noticed so that I can maybe — if the stars align, and I pick the right lotto numbers, and my I Ching comes out well — get a job when I graduate. At the same time, I’m increasingly wondering if I should even bother with academia or focus on learning skills that might be useful in the “real world” — which I want to do anyway, but it’s hard to balance with all the writing, reading, etc. I have to do otherwise.
RA: I hear that. I spent so much time with anthropologies and Savage Minds during graduate school that I didn’t make much time for publishing in journals. Continue reading →
Movie trailers have been around for decades, and part of the fun of going to the cinema was always the sneak peaks of upcoming movies. With the proliferation of digital software like iMovie, and the ease of uploading just about anything to YouTube, the trailer has migrated from the world of movies over to the book industry. Trade presses regularly create book trailers to promote their new releases even while some authors bemoan the fact that they must now push their written texts using visual media. In her 2013 New Yorker article, “The Awkward Art of Book Trailers,” Rachel Arons recognizes that although book trailers “are often dismal,” there exist instances of genuine creativity.
Below is a list of open access English language cultural anthropology titles with general information about the journal’s policies and website for authors to consider when choosing a venue to publish their work. If you would like to learn more about the various Creative Commons licenses, check this link. Journal titles with some missing descriptive data have been contacted and updates will be ongoing as they respond. Note that the inclusive dates after the title are meant to describe what is available to read freely online, which may or may not represent the true life of the journal.
For a more comprehensive listing of titles, including multidisciplinary journals of interest to cultural anthropologists, see this earlier post. My plan is to update this post with those additional titles in the spring semester.
Africa Spectrum, 2009-2014
Affiliation/ Sponsor: GERMAN INSTITUTE OF GLOBAL AND AREA STUDIES
Scope: “current issues in political, social and economic life; culture; and development in sub-Saharan Africa”
Peer review: YES
Author fee: NO
Social network buttons: NO
Persistent ID for articles: URN
View open metadata: YES
Data preservation: Hamburg University Press & German National Library
I’m starting a research project on open access publishing in anthropology, specifically on the kinds of metadata different venues use to make their material findable by users. Along the way I’ve collected a running list of English language titles of interest to cultural anthropologists. The original list was started by anthropologi.info but it had a number of broken links and also included moribund journals I am excluding from my research. The anthropologi.info link also lists a number of multilingual journals that I haven’t gotten to yet but am working on currently.
In the meantime, check these out. The following titles have been updated at least once since 2013. Parenthetical notes are included to describe the titles if necessary.
I recently went a conference where I had a chance to meet Nikolas Rose recently. I’m always interested to meet Famous Professors to see how they do it — what unique combination of personality traits got them, well frankly, tenure. Isn’t that something every academic should start keeping track of?
I’m pleased to say that Rose’s success –as far as I can tell — is due to his genuine pleasantness and keen desire to keep his nose down in the weeds and keep producing substantive ethnographic/historical work. Its always a pleasure to meet someone who has managed to become a success without turning into an bad person or cutting themselves loose from the lived reality we are supposed to be studying.
I recently did a peer review for American Anthropologist, and was surprised (and delighted) to receive a note for them thanking me for my work and telling me that decision the editor made regarding the manuscript and — this is the new part — attaching all the feedback all the other peer reviewers gave the article as well. I’m familiar with this model, which is widely used in the biosciences, and I think it is great . Peer review is central to what we do but we rarely teach it to our graduate students, and the process itself is wrapped in a secrecy which makes learning on the job difficult.
At times peer review is like some sort of kinky Victorian sex act that Foucault would dissect: secret, unmentionable, but totally central to our academic/libidinal economies. People speak of it in hushed tones, afraid of the terrible secrets that will be disclosed if their behavior ever became public. Opening it up like this will help increase the quality of peer review by making review more transparent. I think it will also encourage peer reviewers to not act like total assholes when they review pieces. Which, let’s be honest, is something that needs to be encouraged.
I was curious about how this change was made so I reached out to Michael Chibnik, the editor of AA, and asked him how it came about. Thanks to Mike for answering these questions so thoroughly. Continue reading →