Tag Archives: methods

Writing in and from the Field

[Savage Minds is pleased to run this essay by guest author Ieva Jusionyte as part of our Writers’ Workshop series. Ieva is Assistant Professor of Anthropology and Latin American Studies at the University of Florida. She is the author of Savage Frontier: Making News and Security on the Argentine Border (University of California Press, 2015). Ieva is currently conducting fieldwork for a new project about emergency services on the U.S.-Mexico border, funded by NSF and the Wenner-Gren Foundation.]

This morning, as I am sitting down to write this blog entry in my rental apartment in Nogales, I peer through the window: The sun has illuminated the dark brown border wall that coils over the hilly landscape and reminds me of the spiked back of a stegosaurus. Six months ago I arrived in Southern Arizona to begin fieldwork with firefighters and paramedics for a new ethnographic project about emergency responders on both sides of the line, as the international boundary which abruptly separates Mexico and the United States is locally called. Though ethnographic fieldwork takes many forms – I am conducting interviews, participating in the daily activities at the firehouse, volunteering at a first aid station for migrants, teaching prehospital emergency care at a local fire district, and engaging with the first responder communities in Arizona and Sonora in multiple other ways – my primary activity continues to be writing.

I have always been a morning writer. When I was working on the manuscript of my first book, Savage Frontier: Making News and Security on the Argentine Border (University of California Press 2015), I would shut the doors of my childhood bedroom at my parents’ house in the forested suburbs of Vilnius, Lithuania, where I was fortunate to spend my research leave, and would sit at my large desk, facing the barren trees outside, until noontime. I did it every day of the week for several months during a long and cold winter. The manuscript was complete and sent off to my editor on the eve of spring.

The bollard-style border wall between Nogales, Arizona and Nogales, Sonora. Photo by Ieva Jusionyte.
The bollard-style border wall between Nogales, Arizona and Nogales, Sonora. Photo by Ieva Jusionyte.

But during fieldwork keeping a regular writing routine has been difficult. The topic of our research inevitably shapes how, where and what we write, and my study of fire and rescue services under heightened border security is no exception. Often I spend the entire day on shift with the crew at the fire station, riding along with them to the scenes of emergencies. Other days there is training, community events, long drives to do interviews at more remote fire districts. Having a background in both journalism and in anthropology affects how I go about conducting research. Instead of dividing my time into chunks for doing fieldwork and writing up fieldnotes, I tend to pursue the story as far as it takes me before I finally sit down to reflect on the new material. I think of it as combining the in-depth view of an anthropologist with the fervor of an investigative journalist. It can be exhausting. Continue reading

Anonymity, Ethnography, and Alice Goffman: Welcome, journalists

I think I’ve written and thrown away three separate posts on the Alice Goffman debate trying to find something to say that people will find interesting. I personally don’t find the case to be very interesting, or to speak to core issues of what ethnography is or should be. In my opinion, the takeaway is: Goffman wrote a remarkable book at a remarkably young age, like all books it has some problems, and it is bearing an absolutely incredible amount of scrutiny fairly well. She did hard fieldwork and had to make hard choices writing her ethnography, and some people disagree with those choices. But that’s not an interesting theoretical problem. That’s just life.

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Abbott’s “Digital Paper”: the best book about research EVAR

As a graduate student at the University of Chicago, I occasionally sang with Andrew Abbott in choir — he was the bass in suspenders. It was only after moving halfway around the world that I began reading his work. I quickly became a fan. Abbott is one of the most thoughtful people writing today about what specialist knowledge is, and how we produce it. A historical sociologist with strong quantitative skills, he’s produced books on the history of academic disciplines and the dynamics of their formation and professionalization. But he’s also produced practical pieces about how students and professors develop ideas, and how to have new ones. There’s also an ‘applied’ dimension to his work — he produced the report on the University of Chicago’s library which made the bold move to double down on physical book purchases in what was supposed to be a digital future.

Abbott’s latest book, Digital Paper, continues this focus on the sociology of knowledge production by providing us with a “library methods” book: a ‘how to do fieldwork’ book, but for people who do library research. Andrew Abbott writing a book on how to do research? I was destined to like this book before I opened it up. But having read it now, and with a critical (if biased) eye, I can honestly say that every student, professor, and intellectual needs to read it. It’s a superb ‘how to’ guide about writing a long research paper or thesis. But it’s more than that. It’s an entire theory of how scholars pursue scholarship. It’s a memoir of Abbott’s own research. It’s a pessimistic and slightly misanthropic ode to a quiet world of well-ordered card catalogs destroyed by the garish vulgarity of online databases. It’s an epigrammatic summary of a career’s worth of knowledge. It is — yes, I really mean this — life-affirming. It improved my own ability to do research. Everyone needs to read it. You need to read it.

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anthropology + design: laura forlano.

[This post is part of a series featuring interviews with designers reflecting on anthropology and design. This is our final post!]

LAURA FORLANO. writer and design researcher.

 

WHAT I DO.

I’m an ethnographic time traveler. For much of the last 10 years, I’ve been studying the ways in which the use of communication technology enables emergent socio-cultural practices around working and living in cities. For example, I’m interested in peer-to-peer networking, bottom-up organizing, co-located online collaboration, user-driven social innovation and open source urbanism, to name just a few. I’ve watched teens use mobile phones in Tokyo, observed activists building Wi-Fi networks on rooftops in Berlin, interviewed freelancers in Starbucks cafes in New York, watched doctors use computers in operating rooms, tested iPhone applications for navigating college campuses, visited design studios in Barcelona, and hung out with hackers in Budapest.

写真

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anthropology + design: kat jungnickel.

[This post is part of a series featuring interviews with designers reflecting on anthropology and design.]

KAT JUNGNICKEL. ethnographer. maker.

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ANTHROPOLOGY + DESIGN.

I’ve always made a bit of a mess. I’ve splashed around darkrooms, attempted to stitch interdisciplinary collaborations, and knit a research blog. I’ve hosted exhibitions, printed ‘zines and folded origami-inspired data boxes. I regularly collaborate with colleagues to build and perform dubiously welded “Enquiry Machines,” and I’m currently sewing a range of new Victorian women’s cycle wear as a means of thinking about public space, mobility, and gender. Continue reading