[This post is part of a series featuring interviews with designers reflecting on anthropology and design.]
KAT JUNGNICKEL. ethnographer. maker.
ANTHROPOLOGY + DESIGN.
I’ve always made a bit of a mess. I’ve splashed around darkrooms, attempted to stitch interdisciplinary collaborations, and knit a research blog. I’ve hosted exhibitions, printed ‘zines and folded origami-inspired data boxes. I regularly collaborate with colleagues to build and perform dubiously welded “Enquiry Machines,” and I’m currently sewing a range of new Victorian women’s cycle wear as a means of thinking about public space, mobility, and gender.
[This post is part of a two-week series featuring interviews with designers reflecting on anthropology and design.]
ANNE GALLOWAY. designer. ethnographer. archaeologist.
ANTHROPOLOGY + DESIGN.
My sense of anthropology is very materialist so I think it made a lot of sense for me to gravitate towards design. I originally trained as an archaeologist and did ethnographic fieldwork on Andean textile production, so I’ve always been interested in the things that people make. Of course, as anthropologists we’re taught the importance of context and I think that bringing anthropology and design together really stresses contextual meanings. For me, the most interesting connection between anthropology and design can be found in how each practice enhances the other. Anthropology provides a kind of thick description that contextualises design processes and products, and design offers anthropology creative means of exploring and representing what it means to be human. I also enjoy the explicit combination of thinking, doing, and making—of blurring boundaries between analytical and creative practice, between rational and emotional experience.
Sometimes, in design, we talk about research about, for, and through design—and I think that anthropology is well suited to contribute to each endeavour. As we know, ethnography (including material, visual, and discursive culture) can tell us a lot about the roles of design in everyday life. Ethnography also provides us with valuable information that can be used to design “better” things—or to design nothing at all. And although research through design is perhaps less obviously related to anthropology, I think that every kind of anthropological research could create and employ objects and images with as much nuance as we’ve come to use words.
Savage Minds welcomes guest blogger, Rachel Carmen Ceasar.
Chances are you know nothing about design.
So when I was introduced to designer Laura Forlano at the Society for Social Studies of Science meeting in Sunny San Diego last fall, my interest in what design could do for anthropology–and vice-versa–was piqued.
For the next two weeks, I will be running a short series that features interviews with design researchers, ethnographic hackers, and field work makers with their take on anthropology and design. For the first interview, we will be talking with design researcher and ethnographer Nicolas Nova (that’s his toolkit in the photo above).
Rachel Carmen Ceasar (@rceasara) is a doctoral candidate in the Joint Medical Anthropology Program at UC Berkeley and UC San Francisco (California, USA). She writes about the subjective and scientific stakes in exhuming mass graves from the Spanish Civil War and dictatorship in Spain today.
[Savage Minds welcomes guest blogger, Jane Eva Baxter]
Yesterday, the media widely reported the discovery of 850,000 (or so) year old footprints at the British seaside village of Happisburgh. This media coverage coincided with the publication of an article in the open access, peer reviewed journal PLoS ONE, and the announcement that the footprints will be featured as part of an upcoming exhibition called, “Britain: One Million Years of the Human Story” at the Natural History Museum in London. While the AP story can be found through your media outlet of choice, you also can read a bit about the find through the British Museum blog by curator Nicholas Ashton, who was involved with the project.
The Allure of Footprints
This discovery has generated a good deal of enthusiasm among the general public. As some small measure of this excitement, I can report six students in my World Prehistory course (of 40 students) emailed me with links to news coverage about the find in a single day. This is not typical, and such news sharing is not required or even necessarily encouraged as part of the course. Archaeologist Clive Gamble, quoted in the AP article, explains why this discovery has such a popular appeal. “This is the closest we’ve got to seeing the people,” he told the AP. “When I heard about it, it was like hearing the first line of [William Blake's hymn] ‘Jerusalem’ — ‘And did those feet, in ancient time, walk upon England’s mountains green?’ Well, they walked upon its muddy estuary.” Continue reading
[Savage Minds welcomes guest blogger Jane Eva Baxter]
This past year, I had two conference experiences that offered me a chance to reflect on what it means to be an anthropologist/archaeologist in the 21st century. These experiences allowed me to consider the dynamic shifts in anthropological inquiry that move us beyond historical visions of and for the discipline. Simultaneously, these encounters got me thinking about identities within anthropology, and how we connect, disconnect, and reconnect to the particular cultures of our own subfields. Perhaps most interesting, was the realization that boundaries of practice are shifting with a different pace and rhythm than our own identities as anthropologists, or archeologists, or linguists, or… In other words, these experiences gave me an opportunity to reflect upon a very active set of incongruities around traditional characterizations and boundaries of practice, the realities of what we actually do now as members of a particular anthropological subfield, and the ways we choose to identify ourselves within the incredible diversity of anthropology/anthropologists today. Continue reading
[Savage Minds welcomes guest blogger, JANE EVA BAXTER]
November’s AAA meetings are a distant memory after a season of holidays, finals, grading, and course preparation for round two of the academic year. Before they slip away completely, I wanted to share some thoughts about assigning 30 anthropology seniors the task of writing a brief ethnography based on time spent at the AAA annual meetings. That’s right- a small contingent of undergraduate ethnographers was among you. They may have handed you your conference program at registration, sat next to you in a session, or been at the next table at Kitty O’Shea’s or Starbucks. So think back, while you were busy conferencing you were being observed, perhaps were engaged in casual conversation, and certainly were studied thoughtfully by students in a senior capstone seminar trying to learn what it really means to be an anthropologist in 2013.
Teaching “The Anthropological Life” Using the AAA Meetings
The anthropology senior seminar at DePaul is titled, “The Anthropological Life” and is a course designed to help students simultaneously reflect on four years of education, and contemplate the transition from life in school to life without school. Each faculty member who teaches the course takes a different approach, but I’ve always embraced the seminar as an opportunity for students to connect with anthropologists working in a variety of vocational capacities. Usually, this means in a ten week quarter I invite four guest anthropologists from outside academe to come to campus, give a public lecture, have dinner with our seniors, and then have the seniors interview them for about 90 minutes where they can talk about their “anthropological life.”
My two main goals for the course are really quite simple. First, I want students to recognize that anthropology is not a particular vocation, but rather a way of engaging the world. I ask them: How do people with anthropological training see the world differently from those without such training? What are the core values of the discipline and how do those values become actualized in the daily practice of lived lives? Second, I want students to reflect actively on their own “anthropological lives” and consider how anthropology will shape their future regardless of their career or life path. In many forms we engage question such as: What does anthropology mean in the context of your life? How has anthropology shaped who you are as a person and how do you see anthropology shaping your future?
The AAA coming to town was a pretty remarkable opportunity in the context of this course. Where else could students gain so much exposure to contemporary anthropology so efficiently? And so, for the 2013 permutation of the course, it was decided to substitute a guest speaker with a somewhat structured encounter with the AAA meeting that would result in a very brief piece of ethnographic writing.
“Anthropology,” James Peacock said in a 1995 address at the annual meetings of the American Anthropological Association, “boasts brilliant observers, cultural critics, writers, and creators, yet few if any of us have produced books that we (not to mention others) crave to read, films that we crave to see, or music that we crave to hear.” Eighteen years have passed since Peacock spoke these words. So, have anthropologists today heeded his call? Are the crucial issues of our time receiving public reflection from anthropologists, if not in books, then in popular media? What are some of the obstacles that prevent us from doing so more often?
(Savage Minds is pleased to run this guest column from Kevin Karpiak. Kevin is Assistant Professor in the Department of Sociology, Anthropology and Criminology at Eastern Michigan University. His work focuses on policing as a useful nexus for exploring questions in both political anthropology and the anthropology of morality. He is currently completing a manuscript based on his dissertation research (UC Berkeley 2009), entitled The Police Against Itself: refiguring French liberalism after the social, which provides an ethnographic account of the ethical work undertaken by police officers, administrators, educators and citizens as they experiment with new forms of sociality “after the social moment” in France. He also maintains both apersonal blog and a group blog on the Anthropology of Policing. -R)
Over the past year and a half, I’ve been exploring the tragedy involving George Zimmerman and Trayvon Martin in a course I teach entitled “Policing in Society.” My goal is to use the event as a concrete opportunity that can give students practical experience in using the tools we learn in class for conceptualizing “police,” “society,” and their relationship. An added benefit is that it allows students to form and articulate their own positions in regards to such issues.