This week’s SMOPS is an edited version of Kroeber’s “A History of the Personality of Anthropology,” a piece which Kroeber wrote very late in his life. In it, Kroeber lays down his vision of anthropology’s unique outlook. In one striking passage, he describes anthropology as a ‘changeling’ discipline. Changelings are, in European folklore, elf or fairy children who are brought up by human parents who are unaware of their child’s true nature. The child of natural science on the one hand and the humanities on the other, Kroeber sees anthropology as ill at ease in its adopted home of the social science.
This paper is worthwhile because it conveys in a few short pages some of the fundamental instincts of American cultural anthropology. It will be useful for teachers who need a text to use as the basis for a lecture on anthropology’s outlook. Of course, the piece itself could also simply be assigned. Anthropologists from other national traditions will benefit from this thumbnail sketch of the American outlook, as will non-anthropologists looking for a nontechnical explanation of how anthropologists look at the world.
Savage Minds Occasional Paper #3: The History of the Personality of Anthropology by Alfred Kroeber, edited and with an introduction by Alex Golub
(This guest post comes from Matt Watson, a visiting assistant professor in the Department of Sociology, Anthropology, and Social Work at Texas Tech University. He’s developing these ideas in a book manuscript titled Reading Latour’s Cosmopolitics: Ontology, Ecology, Love. Descriptions of his research and publications are available at www.matthewcwatson.org. Feel free to send thoughts, corrections, objections, specific compliments, or notes (love or ransom) to email@example.com. -R )
As Rex recently pointed out, Durkheim’s elder and rival Gabriel Tarde is experiencing a “reinvention” or “revival” at the hands of Bruno Latour and assorted posthumanist authors. They’re studiously reworking Tarde’s ambitious argument that invention, imitation, and opposition are the elementary forms of social life (human, animal, and other). Of these three elements, Tarde most thoroughly explored imitation. A now-established trope among neo-Tardians is that Durkheim’s success in securing sociology’s autonomy as a discipline relegated Tarde’s “microsociology” (as Gilles Deleuze called it) to the margins of the human sciences. Contributors to the edited volume, The Social after Gabriel Tarde, assert that anthropologists haven’t worked through Tarde’s ideas. The editor, Matei Candea, states, “Until recently…Tarde was almost entirely absent from anthropology, with the notable exception of the works of Eduardo Viveiros de Castro.” It might come as a surprise, then, that in 1964 Margaret Mead could write, “Since Tarde’s original publication, the idea of imitation has been worked to the bone.” What on Earth could Mead have meant? Wasn’t Tarde forgotten?
The short answer is no.