Tag Archives: internet

Digital Money, Mobile Media, and the Consequences of Granularity

Nicholas Negroponte famously insisted that the dotcom boomers, “Move bits, not atoms.” Ignorant of the atom heavy human bodies, neuron dense brains, and physical hardware needed to make and move those little bits, Negroponte’s ideal did become real in the industrial sectors dependent upon communication and economic transaction. In the communication sector, atomic newspapers have been replaced by bitly news stories. In the transactional sector, coins are a nuisance, few carry dollars, and I just paid for a haircut with a credit card adaptor on the scissor-wielder’s Droid phone.

The human consequences of the bitification of atoms go far beyond my bourgeois consumption. This shift, or what is could simply be called digitalization, when paired with their very material transportation systems or networked communication technologies, combines to form a powerful force that impacts local and global democracies and economies.

What are the local and political economics of granularity in the space shared between the fiduciary and the communicative? To understand the emergent political economy of the practices and discourses unifying around mobile media and digital money we need a shared language around the issue of granularity. Continue reading

Hackers, Hippies, and the Techno-Spiritualities of Silicon Valley

I had the pleasure of hanging out with Dutch anthropologist Dorien Zandbergen (PhD, Anthropology, Leiden University) in Sweden in October at an ESF Research Conference and learning about her fascinating research into the convergence of new age spirituality and new media discourses in and around Silicon Valley. I loved the idea of a Dutch anthropologist studying me and my friends in the eco-chic Burning Man hipster scene so I asked her to riff off of a few questions for this blog. Zandbergen talked about liminality, technoscience, the California ideology, ‘multiplicit style,’ secularization, studying sideways, liberalism, internet culture, ‘pronoia’, open-endedness, emergence, the neoliberal ideal of the autonomous self, the confluence of hackers and hippies in San Francisco, the usual…

(AF) What is New Edge and how did you conduct your fieldwork?

(DZ) The term New Edge fuses the notions ‘New Age’ and ‘edgy’, as in ‘edgy technologies’. In the late 1980s, founder of the ‘cyberpunk’ magazine Mondo 2000, Ken Goffman, used the term to refer both to the overlaps and the incompatibilities between the spiritual worldview of ‘New Agers’ and the ‘geeky’ worldview of the scientists and hackers of the San Francisco Bay Area. Such interactions were articulated in the overlapping scenes of Virtual Reality development, electronic dance, computer hacking and cyberpunk fiction. I borrowed the term New Edge to study the genealogy of cultural cross-overs between – simply put – the ‘hippies’ and the ‘hackers’ of the Bay Area, beginning with the 1960s and tracing it to the current (2008) moment. Continue reading

American Democracy?

Many scholars, activists, pundits, and even a few politicians agree that American democracy is in trouble. Many reasons are given–the raw punch of money in elections, a distracted, apathetic, or misinformed population, the absence of civic education, the specter of blind patriotism, the penal threat and painful reality of police brutality. The signs of collapsing democracy are obvious: the debt ceiling debacle, the recent Supercommittee failure, Citizen United v Federal Elections Commission, a US Congress with 9% approval ratings. Our Occupy mobilizations, and our “deeply democratic” (Appadurai 2001) methodology of the General Assembly inspired as it is by the anthropological knowledge translated through our colleague David Graeber, are reactions to the failure of the present incarnation of American democracy while exclaiming our desire, voice to voice, for a more humane social democracy.

Non-fiction information, knowledge, and “the news” are essential for citizens to make wise decisions regarding the future of a democratic state. The right to media is a human right and a public resource for democratic communication. But the media is a finite resource, limited in radio, television, and the internet and limited by the amount of subjective mental bandwidth we can personally process. In the United States this media resource was allocated by the state to corporations. These America corporations were given the right and responsibility to use the “airwaves.” Part of the bargain the government struck with these companies was that they could make massive profits if they worked in the public interest by informing and educating the citizens. This responsibility they have slowly neglected and we are today left with fiction parading as fact on television news. Citizen involvement in this corporately consolidated public sphere was promised but subtly ignored. The abused or misused power of corporate media is a significant reason why democracy is failing.

Deep Democracy or Digital Democracy?
Deep Democracy or Digital Democracy? Dr. West arrested on October 21, 2011.

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Television for the 99% & Reverse Media Imperialism

It is no surprise that American television news networks that consistently cover the Occupy Movement in detail tend to be liberal or progressive in political persuasion. Current TV’s Countdown with Keith Olbermann, Free Speech TV’s Democracy Now!, Russia Today’s The Big Picture with Thom Hartmann, and Al Jazeera English all spend considerable amounts of their valuable time bringing the voices of Occupy to televisions in America. Similar funding strategies and political intentions unify these four networks. Each receives cultural, political, or economic support from various national governments. With this communication power, these networks proceed to critique American capitalism and imperialism through direct discursive confrontation or through emphasizing resistance movements such as Occupy. I run the risk of sounding a little conservative by posing it but my question is: what is the cultural meaning of the presence of state-based, anti-capitalism television and internet video? From the successes in Wisconsin, to Wikileaks, Anonymous, and Occupy Wall Street we are living in a golden era for progressive television and internet video.

Buffalaxing in Reverse in Taiwan

According to the Urban Dictonary “buffalaxing” is a term which comes from a YouTube user named Buffalax who is famous for writing fake English lyrics to foreign songs which (to an English speaker who doesn’t understand the original language) sound like they could be the actual lyrics to the song. You can find this kind of thing by searching YouTube for “buffalax” or for “misheard lyrics.” Some of these are funnier than others, and many are simply offensive. The reason I bring it up is that buffalaxing is very popular in Taiwan, and I wanted to share a new music video which has some fun with this meme. But first some context…

Let’s start with two of the more famous songs which have been given misheard Chinese lyrics. The first is “Golimar” from the Telugu movie “Donga“:

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The Public Sphere of Occupy Wall Street

I keep returning to the public sphere as Habermas originally described it as I think about progressive political movements of today: Occupy Wall Street and its global dimensions, Anonymous and its more theatrical and political wing LulzSec, and progressive and independent cable television news network Current. Internet activism, television news punditry, and street-based social movements each work together implicitly or explicitly to constitute a larger public sphere. As scholars we need to resist the temptation of excluding one form of resistance as being inconsequential to social justice or to analysis and instead see all three as working together in a media ecology.

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Forget Steve Jobs

I can’t stand this tech bubble blowing hagiography that has gone down since Jobs’s retirement as Apple’s CEO. Tech rag Gigaom founder Om Malik found out and cried: “It is incredibly hard for me to write right now. To me, like many of you, it is an incredibly emotional moment. I cannot look at Twitter, and through the mist in my eyes, I am having a tough time focusing on the screen of this computer.” Wired just an hour ago posted an article consisting of fawning billionaires dreamily revisiting touching Him. Come on Om, just take my hand, you can look at Twitter! So much for the illusion of journalist impartiality. Malik’s sentiment is serious though. He is one of the many who’ve gotten rich on selling the illusion of Jobs as a visionary auteur. Silicon Valley, ever the retailers of vaporware–technology that facilitates experiences we neither need nor want nor, often, come to market–needs fantasy as much as Hollywood need the illusion of celebrity to prop ups its market domination in the selling of stardust.
Jobs is an excellent example of the way a social imaginaire comes into form through corporate performance. Philosopher Charles Taylor calls social imaginaires “the way people ‘imagine’ their social surroundings, and this is often…carried in images, stories, and legends.” This notion goes back to Sahlins’s “charter myths,” B. Anderson’s “imagined communities,” and Ortner’s “serious games.” Social imaginaires are internalized and form a range of practical responses not unlike Bourdieu’s “habitus.” Anthropologists are good at recognizing the mental hardware that drive action. This may be a product of our emphasis on para-biological motivation (“culture”) as well as our methodologies. Look at the emphasis on narrative in the works of Richard Sennet and Paul Rabinow, both investigating the new economies of technology through subjective stories about work and its meaning.

Anthropologist Chris Kelty, influenced by Taylor, carried the imaginaire into the world of technology with his notion of the “moral-technical imaginaire” which is a cultural situated and persuasive moral philosophy attached to the use of both open and proprietary systems. Patrice Flichy in his book Internet Imaginaire uses the work of Paul Ricœur to show how utopian and ideological discourse are two poles of a technological imaginaire. The original euphoria of a technology is utopian, as that fades, the imaginaire is mobilized to hide or mask the ideological and dominating potential of the technological assemblage. More recently, sociologist Thomas Streeter, discusses how “romantic” imaginaires of ruggedly individual hackers, inventors, countercultural tramps, and psychedelic engineers helped to encourage the federal funding and venture capital that built the infrastructure of the internet. Finally, the most accessible of these accounts of internet imaginaires is the work of Vincent Mosco who simply refers to the myth of technological transcendence with the idea of the “digital sublime.” The transhumanist movement is ripe for such an analysis.
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Seeing Like a Social Network

paris-urban-form_crop-e

Fabric of Paris

In James Scott’s book Seeing Like a State, he compares the rise of surnames to the layout of Baron Haussmann’s Paris, with its wide boulevards designed (in part) for easier crowd control, to the rise of surnames. Both serve to make that which is legible only to local citizens more easily seen from the bird’s-eye view of the state.

The invention of permanent, inherited patronyms was, after the administrative simplification of nature (for example, the forest) and space (for example, land tenure), the last step in establishing the necessary preconditions of modern statecraft. In almost every case it was a state project, designed to allow officials to identify, unambiguously, the majority of its citizens. When successful, it went far to create a legible people. Tax and tithe rolls, property rolls, conscription lists, censuses, and property deeds recognized in law were inconceivable without some means of fixing an individual’s identity and linking him or her to a kin group. Campaigns to assign permanent patronyms have typically taken place, as one might expect, in the context of a state’s exertions to put its fiscal system on a sounder and more lucrative footing. Fearing, with good reason, that an effort to enumerate and register them could be a prelude to some new tax burden or conscription, local officials and the population at large often resisted such campaigns.

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Eco-Chic Burning Man Hipsters

That curious identity politic that mixes neo-primitive fashion, ecological coolness, spiritual openness, upper middle class ambition, multiculturalism, and conscious consumerism can be coalesced under the moniker eco-chic–an elite contradictory expression of social justice and neoliberalism. It will be explored in the conference EcoChic: Connecting Ethical, Sustainable and Elite Consumption, put on by the European Science Foundation in October. The conference organizers see this expressive culture accurately in its rich contradictions. Eco-chic “is both the product of and a move against globalization processes. It is a set of practices, an ideological frame and a marketing strategy.” If you’ve spent anytime in Shoreditch, Haight, Williamsburg, or Silverlake you’ve got some experience with these hip, trendy elites. Ramesh calls them “Burning Man Hipsters.” I’ve been studying new media producers in America and eco-chic describes an important cultural incarnation of these knowledge producer’s value set. As far as anthropology is concerned, meta-categories such as eco-chic, liberalism, or transhumanism that cross cultural boundaries while remaining bound by class, challenge our discipline to revisit totalizing notions such as “culture” and “tribe.”

Eco-chic, like many other socio-cultural manifestations of neoliberalism is rife with contradiction. The fundamental contradiction being that it is a social justice movement within consumer capitalism. The producers of eco-chic goods and experiences are structured by capitalism’s profit motive. Likewise consumers of eco-chic goods and experiences are motivated by ideals that try to transcend or correct the ecological or deleterious human impacts of capitalism. Thus both producer and consumer of eco-chic are caught in a contradiction between their social justice drives and their suspension in the logic of neoliberalism. Eco chic events such as Burning Man and television networks such as Al Gore’s Current TV also express the fundamental contradiction between the social and the entrepreneurial in social entrepreneurialism. How do the contradictions within eco-chic represent themselves in American West Coast’s cultural expressions such as Burning Man and Current TV? Continue reading

Netroots, America, and Progressivism

Honestly, I did not know what a “progressive” really was until working the videocamera for Free Speech TV at the 2011 Netroots Nation conference in Minneapolis lat month. I thought a progressive was just another name for a Democrat or a liberal. I was wrong.

It is corny to admit it but what I discovered was a worldview and mode of political action that aligned with my own belief system as a person and an anthropologist. The core concept of progressivism is progress–that culture changes through time because of the actions of vision-driven groups and individuals. Now, how much agency individuals actually have to enact cultural change is a hotly debated topic in both political and academic circles but few disagree that “a small group of thoughtful people could change the world. Indeed, it’s the only thing that ever has” as it was that activist anthropologist, Margaret Mead, who said that most famous of hummus container quotes.

Progressive philosophy is aligned with the base theory of cultural anthropology, that is: culture is not a static or conservative thing that we need to stabilize at some nostalgic and unrealistic moment but rather a dynamic process. Progressives want to direct that process towards a more inclusive future. Progressives are not hung-up on retaining or reverting to an antique sense of ethnic, gendered, or national purity. They don’t romanticize some false sense of the securities of 1950s Americana. However, as I will describe below, The American Dream as a concept was a focal point for progressives at Netroots Nation this year. Continue reading

Information Imperialism?

By the end of the year the US State department will spend $70 million on stealth communications technologies to enable activists to communicate beyond the reach of dictators according to a recent NYT article. Prototypes include a suitcase capable of quickly blanketing a region with a free wifi network, bluetooth devices that can silently share data, software that protects the anonymity of Chinese users, independent cellphone networks in Afghanistan, and underground buried cell phones on the border of North Korea for desperate phone calls to “freedom.” These are political tools deployed to promote the agenda of one nation over that of another. How should we address information imperialism? The use of networked communications tools to subvert so-called regimes exposes a proclivity for digital intervention that likely also includes digital literacy projects to provoke revolutionary actions, propaganda campaigns to make celebrities out of bloggers, and covert code warfare. Let’s review the spectrum of information interventions to ascertain the ways and hows of information imperialism. Continue reading

Regarding Japan Part 2: Affective Loops and Toxic Tastings

Eleven weeks have passed since the earthquake and tsunami hit northeastern Japan.  Although bodies are still being found amidst the wreckage, the rest of the world has long since moved on.   The media waves of shock, horror, heroism, heartbreak, and heart-warm continue to push and pull us through a relentless series of events: from Libya to Tuscaloosa, Kate and William to Bin Laden, Donald Trump to Strauss-Kahn.

The affective loop is dizzying as it moves us between distant places and local homes, political upheavals and natural disasters, raging storms and individual stories, the serious and the absurd. Unable to catch my breath between blows or steady myself according to some sense of scale, I feel like so much has happened since the tsunami struck. And yet, I don’t know what to make of any of it.  Are we just bracing ourselves for the next thing?

In an April article entitled “The Half-life of Disaster” Brian Massumi discusses how this media cycle leads us into a perpetual state of foreboding that brings together natural, economic and political threat perception in a configuration that fuels what Naomi Klein termed “disaster capitalism”. The horror is never resolved or replaced; rather, it is archived, infinitely accessible over the Internet.  Cast into the web of other events, the unendurable tragedy of a particular event dissipates, or as Massumi says, “it decays”.  In today’s catastrophic mediashpere, observes Massumi, the half-life of disaster is at most two weeks. Continue reading

@_Capitalism_

I wasn’t so sure that it reflexively understood what it was doing with the whole global bio-political-cash-techno-domination thing–so it is an honor to finally hear from @capitalism_ itself on Twitter! Here @_capitalism describes its Twitterverse suchly:

“This is my house, this is where I speak my thoughts, this is where I brutalize the masses.”

In the great model of other revealers such as @MuammarLGaddafi, @OsamaInHell, and @BPGlobalPR–here is a representative sample of what @capitalism is thinking about today. Check out the transparency that can be achieve when grand narratives take it upon themselves to use the spiritual technology of the world wide web. No more investigative reporting, academic activism, or critical theory is necessary to interpret disaster capitalism. It is all right here! Zuckerberg is right, the world is becoming more transparent ‘cuz of the internets. Thanks Biz Stone and thank you @capitalism for coming clean with your intents!

_Capitalism_

Cash grabbing is an altruistic behaviors, grab that cash, put your consciousness on hold for another fifty years.  Continue reading

Regarding Japan: On the risks and responsibilities of engagement

The day after the earthquake and tsunami struck Japan’s northeast coast I received a well-intentioned facebook message from a friend I hadn’t spoken with in nearly a decade.  She was checking to see if I and those I care about in Japan were all right.   Although I responded graciously and positively, my own reluctance to participate in the twittering drama filled me with suspicion.  By writing to me, was she trying to claim a little piece of the action, a connection to the disaster?  Would she secretly prefer that I were directly affected so that she could share in the piquant pang of aftershock without having to suffer its enduring losses?

About a week later, as the scale of suffering in Japan became clearer, I became less concerned with everybody else’s questionable investments in the pain of others and more suspicious of my own hesitancy to engage emotionally.

Although I frowned and cried as solicited upon seeing the unavoidable photos of people staggering through muddy ruins, I wasn’t sure how to feel the rest of the time.  Brian Massumi’s claim that

“power is no longer fundamentally normative, like it was in its disciplinary forms—it’s affective”

suggests that stories and images circulate and infiltrate strategically. Even though, as de Certeau reminds us, readers aren’t fools and we employ tactics with which to play and navigate the web of discourse, we’re still stuck inside of it—and it inside of us.  Our critique of media, savvy avoidance of manipulation, and resistance to being told how to feel are themselves already the threads of discourses that have been woven into us.

Part of me wants to believe that some basic feeling for the suffering of others arises before all of this, that there’s a relational web prior and in excess to the discursive one—and that it’s woven more tightly.

But if the mass mediated means through which we gain access to others is always already shaping how we feel for those others, how can we feel without capitulating to the powers that traffic in affect? In the case of catastrophes, which seem to (fairly regularly) punctuate the passage of ordinary life with significance, how do we resist the meaning-making machines while still engaging meaningfully?
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Introducing Guest Blogger Eleanor King

In a series of forthcoming posts, my friend Eleanor King is going to reflect upon the tsunami in Japan and the use of social media in attempts to resist the ways in which catastrophes are taken out of time and spun according to particular political, economic, and social trajectories that in turn shape our modes for consuming images of disasters.

Please give her a Savage welcome!

This is how others describe her:

A third year graduate student in Cultural Anthropology, Eleanor came to the University of Iowa with an M. Div from Union Theological Seminary in New York.  Before landing in Iowa with her two cats, Eleanor worked a variety of non-profit jobs from facilitating social justice seminars at the Church Center for the United Nations to assisting elderly New York and displaced New Orleans jazz musicians through the Jazz Foundation of America.   Eleanor’s interests are diverse, but she continually returns to issues of ethnographic representation, technology, desire, the (gendered, racialized, sexualized) body, and new formulations of personhood and “life”. After writing her Master’s paper on voice, language ideology, and early film narration in Japan, Eleanor continues to explore the effects of new technological forms in Japan.  For her dissertation research she will be looking into the relationships, subjectivities and affects created between humans and machines, and the ethical implications of such encounters.