Category Archives: Invited post

Sochi: Ethnic Cleansing, Genocide, and Putin’s Olympics

(Savage Minds is pleased to run this essay by guest author Elizabeth Cullen Dunnanthropologist and professor of Geography and International Affairs at the University of Colorado, Boulder. She is author of Privatizing Poland: Baby Food, Big Business, and the Remaking of Labor, and currently is writing a book about international humanitarianism and internal displacements in the Republic of Georgia.) 

This week, athletes from all over the world are in Sochi, a small town on the Black Sea, to participate in the XXII Olympic Games. While the skaters stay close to the coast, skiers are in Krasnaya Polyana, a site high in the North Caucasus. The games are an exciting display of athleticism and dedication. But I am not watching, because the games are the pet project of Vladimir Putin, who is responsible for ethnically cleansing more than 26,000 people in the South Caucasus. Having done more than 16 months of fieldwork with these victims of ethnic cleansing, the thought of watching the Games and celebrating the Russian dominance of the Caucasus is profoundly disheartening. Continue reading

On Unreliable Narrators

(Savage Minds is pleased to run this essay by guest blogger Sienna R. Craig as part of our Writers’ Workshop series. Sienna is Associate Professor of Anthropology at Dartmouth College. In addition to her 2012 book Healing Elements: Efficacy and the Social Ecologies of Tibetan Medicine, she is also author of the lush ethnographic memoir Horses Like Lightning: A Story of Passage Through the Himalayas.)

The idea of a decision is a decision.

We build arguments around impermanence

But are not the sort of people to admit

To inconstancies.

—Tsering Wangmo Dhompa, from In the Absent Everyday

I have been thinking a lot about the idea of the “unreliable narrator” these days, and what it might mean for us ethnographers, careful raconteurs of others’ stories, intertwined as they are with our own. The idea of the unreliable narrator emerges in literature, theatre, and film as a tool of craft that plays with senses of credibility or believability, sometimes to trick the reader or the audience, other times to push the boundaries of a genre or challenge the cognitive strategies a reader might employ to make sense of the story she is being told. Although unreliable narrators may materialize through a third person frame, they are most commonly first person renderings. In the most facile sense, an unreliable narrator is biased, makes mistakes, lacks self-awareness, tells lies not of substance but of form. The device can also be used in a revelatory vein: to twist an expected ending, to demand that readers reconsider a point of view, to leave an audience wondering. Like our anthropological propensity to classify, literary theorists have done the same for the interlocutors of our imaginations. Types of unreliable narrators include the Madman, the Clown, and the Naif, to name a few. Others posit that the unreliable narrator as a device is best understood to fall along a spectrum of fallibility, beginning with the contours of trust and ending with specters of capriciousness (Olson 2003). This is the shape of a character as she defies the expectations of a reader, who then may well pass judgment on this scripted self. Continue reading

Week 3: Savage Minds Writing Group Check-In

Week 3? How is that already possible? We have somehow collectively arrived at week three of our ten week writing group. One-third of the way through! We kicked off this week with writing insights from Kirin Narayan (“Ethnographic Writing with Kirin Narayan: An Interview”). Much of what she had to said coursed through my writing mind this week: on trying to merge what you have to write with what you want to write; on the theoretical and ethical importance of portraying people in their complexity; and her answer in its entirety to my question “Why ethnography?” She replied:

For the discipline of paying attention; for learning from others; for becoming more responsibly aware of inequalities; for better understanding the social forces causing suffering and how people might somehow yet find hope; and most generally, for being perpetually pulled beyond the limits of one’s own taken-for-granted world.

Amen. Continue reading

Reader Letter: Ontology and the anthropological butter knife

[The following is an anonymous reader letter I received in response to some of the recent discussions about anthropology & the ontological turn.]

I don’t get the ontological turn, to be honest.  Oh, I get it intellectually, this struggle to understand how we can understand the other yet also incorporate that into our philosophy, and to open up our thinking beyond just a mentalese version of culture (rules, symbols, etc.).  We’re material beings, we’re agents, the world is a material place, other people think differently than we do… You think that would all be common sense at this point for anthropologists, rather than a big existential crisis all over again.

Oh, I do think the ontological turn is doing interesting intellectual work; I like theory after all, and this is a struggle on the sociocultural side, a bit of an identity crisis about the loss of culture and the expansion of ethnography to just about everywhere.  But I also see it as doing a fair amount of disciplining work, of promoting a high-intellectual agenda, of saying there’s serious stuff going on, and that’s what really matters.

It would be simpler to say, philosophers, we love you, you’re really smart, well trained, good at debate.  But you’re also royally screwed, and experimental philosophy, that won’t really save you.  And then just to claim philosophy as our own.  I’ve often thought that, that anthropology is really an empirical, grounded philosophy, an investigation of how people think and act based on what they actually do and say.  It’s like going back to the Greek philosophers.  But we’re not doing that.  Rather, the new ontologists are trying to act daring enough to claim that ground, but really don’t seem well-versed enough to get into that fight. Continue reading

Week 2: Savage Minds Writing Group Check-In

Here we are again: Friday! How was your week? Did you sink into a good groove, or did you more write-in-place as is sometimes the case? My writing this week was helped by Gina Athena Ulysse’s post Writing Anthropology and Such, or “Once More, with Feeling.” She gave us so much to think with as well as to feel and to allow without apology. Writing from the gut? Check. Writing without permission from others? Check. Writing with an awareness of the constraints of position and category? Check. Writing anyway? Check!

And she gave us this gem: “Decades ago, I realized that I am not a linear writer, but more of a quilt maker. I am content when I produce chunks. I have also learned to not berate myself if I can’t come up with anything. There are works by certain poets and art books near my desk (or in the moveable studio bag), which I need and reach for when words are not whirling out of my head as I face the screen.  As long as I am present in the space and in conversation with artists or even in silence, I now consider myself writing.”  Continue reading

Writing Anthropology and Such or “Once More, with Feeling”

(Savage Minds is pleased to run this guest column from Gina Athena Ulysse as the launch post of our new Writers’ Workshop series. Gina is an associate professor of anthropology at Wesleyan University. Born in Haiti, she has lived in the United States for the last thirty years. She is also a poet, performance artist and multi-media artist. Prof U, as her students call her, is the author of Downtown Ladies: Informal Commercial Importers, A Haitian Anthropologist and Self-Making in Jamaica (Chicago 2008). She recently completed Why Haiti Needs New Narratives, a collection of post-quake dispatches, essays and meditations written between 2010-2012. Currently, she is developing, VooDooDoll, What if Haiti Were a Woman, a performance-installation project. Most recently, her writing has been published in Gastronomica, Souls, and Transition.)

When I write, there’s a slight lag- a-whatever– space-between when words strung together into phrases or sentences are transmitted onto the page with fingers trained as intermediaries.  A right hand injury made me identify this pause as I became more conscious of various aspects and levels in my writing. Not being able to type gave me a new relationship to interludes in my process. Continue reading

Week 1: Savage Minds Writing Group Check-In

So…how did it go? How was the first week of writing? It’s time for our first weekly check-in. Please share your progress, accomplishments, and frustrations in the comment section below. If your first week was great, then fantastic and keep it up for week two. If your first week was somewhat rocky as (ahem) mine was, then work to find the energy and discipline to sink into a regular writing practice. Looking forward to hearing about everyone’s experience this week, and be sure to tune in on Monday for our first Writers’ Workshop guest author–Gina Athena Ulysse!

Is an NSF Grant Just another Fetish?

[This is an invited post by Tony Waters. Waters is a Professor of Sociology at California State University, Chico, and occasionally blogs at ethnography.com.  His application for a PhD program in Anthropology was rejected in 1988 because he was unable to put together the appropriate charms needed by the admissions committee at an unnamed western United States university.  In an attempt to please the gods of the tribe he has since offered up his first-born at the altar of an unnamed Anthropology PhD program in the eastern United States.]

I made a somewhat off-hand comment one of Ryan’s posts about graduate education.  I think I warned graduate students about “fetishizing” various types of grant sources like NSF, NIMH, Fulbright, and the various others sources of grad student funding which students compete to get.  This initially got me a deserved sharp rebuke from Ryan.  After all, who was I as a fully tenured, overpaid, and underworked full professor to complain about graduate stipend which (obviously) are few and far between?  Well that question is fair enough—but Ryan has also graciously offered me a chance to elaborate.

First my backstory.  One of the reasons I am not an anthropologist is that in 1988 after eight years working in Thailand and Tanzania mostly with refugees (which is what I wanted to study), I would need at least eight years to become an anthropologist.  In large part, it was explained to me that this was because (obviously) fieldwork is required for a doctorate in anthropology, you might need to try two or three times before success.  But never mind while waiting for the grant to come through you would need to work 2-3 years as a t.a. waiting to strike gold.  It was sonorously explained to me that to do field work, you would need pre-research visits, protocol visits, and finally what was in the early 1990s a $20,000 grant from Fulbright or NSF to buy your plane tickets, fly back to places you have already been, collect the data to do the field work.  The field work would then take another year or two to do the write-up, and so forth.

So I ended up in Sociology, and completed a PhD in 5-6 years, without fieldwork and wrote a dissertation based mainly in the library.  I also heard that I would never get a job unless I:

  • Could get a grant, preferably one via NSF or one of the other federal agents which pay “overhead.”
  • Curried favor with letter writers (i.e. they themselves) who controlled the job market via social networks.
  • Delivered multiple papers at conferences, preferably those organized by their networks.
  • Made a theoretical break-through in your dissertation, which they would sign off on. Continue reading

Media at the AAAs: Toward Greater Accessibility

[This is an invited post by Lavanya Murali Proctor. Lavanya is a linguistic and cultural anthropologist who believes that the academic class system is incompatible with the principles and ethics of anthropology, and therefore we can—and should—be at the frontlines of this battle. She lives online at @anthrocharya].

Many contingent faculty have noted that the AAAs are very expensive, and therefore exclude those who cannot afford to go—a fairly large number of anthropologists. At the Chicago meetings, I spoke to a few members of the AAA governance on this issue. They said that the AAA aims to increase accessibility broadly defined. This is no bad thing considering the meetings are inaccessible in a variety of ways to a variety of people, which problems anthropologists rehash every year (for example, unaffordable to adjuncts or hard to navigate for anthropologists with disabilities). The focus, in increasing accessibility, is on media and technology.

The question I’d like to throw open to the readership of this blog is this: do you have any suggestions for participatory media technologies that can be used at the meetings that would allow those currently excluded to be included as presenters and collaborators and not just audiences (within the parameters of limited bandwidth)?

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The Digital Revolution and Anthropological Film

[The following is an invited post by Jay Ruby. Jay has been exploring the relationship between cultures and pictures for the over forty years. His research interests revolve around the application of anthropological insights to the production and comprehension of photographs, film, and television. For the past three decades, he has conducted ethnographic studies of pictorial communication among several U.S. communities.]

I first became interested in documentary and ethnographic film in the 1960s and was a witness to a profound technological change motivated by the need some filmmakers had to create a new cinematic form. It occurred in two places almost simultaneously – France and the U.S. Filmmakers wanted lightweight 16mm cameras with sync sound that needed no lighting and would need only a small crew for location shoots. In 1960, Drew Associates – Bob Drew, Albert Maysles, and D.A. Pennybaker jerry-rigged a fairly lightweight 16mm camera attached to a synced tape recorder and made the first American Direct Cinema film, Primary. (Dave Saunders, Direct Cinema: Observational Documentary and the Politics of the Sixties, London, Wallflower Press 2007) With its grainy, wobbly sometimes out of focus images and often-garbled sound, the film radically altered how some U.S documentarians made movies. While an interest in observational style films was relatively short among U.S. documentarians, some European anthrofilmmakers still consider it the best way to make films (See Anna Grinshaw and Amanda Ravetz’s 2009 Observational Cinema: Film and the Exploration of Social Film, Indiana University Press).

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Tweeting Westgate

[The following is an “invited post” by Dr. Sarah Hillewaert. Sarah is an Assistant Professor of Linguistic Anthropology at the University of Toronto. Her works focuses on shifting notions of personhood and the changing linguistic and material practices of youth in (coastal) Kenya.]

On Saturday September 21st 2013, an upscale shopping center in Nairobi, Kenya became the target of a ruthless siege. A group of gunmen, their estimated number ranging between 6 and 15, entered the Westgate Mall and opened fire on bewildered shoppers, indiscriminately killing men, women and children. A few hours into the siege, Al-Shabaab – a Somali Islamist group with ties to Al-Qaeda – claimed the Westgate attack, not through an auspicious video delivered to a major television network, nor through an official statement of Al-Shabaab’s leader, Ahmed Godane, but via a Tweet on the organization’s Twitter account. The militants’ use of social media, and of Twitter in particular, would be featured centrally in the international media’s coverage of the attack. This preoccupation with Al-Shabaab’s use of new media technology, and the concern it was able to create, revealed much more about our apprehension toward the unexpected linkages and similarities social media create than it did about Al-Shabaab’s international reach. The media coverage of the Westgate siege illustrated how we laud the “power” of social media when it generates desirable similarities; unanticipated linkages, however, need to be explained away. A focus on “outliers” or “extremists,” or the identification of practices that answer to our social imaginary then restores the familiar distance between of “us” and “them.” 

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Peer Review and Congressional Oversight – An Invited Post

[The following is an invited post by Megan Tracy.]

About two weeks ago, I received an email from one of the editors of the Science Insider blog. He began: “You’ve probably heard that your NSF grant to study the [Chinese] melamine poisoning scandal was targeted at two House science committee hearings yesterday.” I hadn’t heard and this is the first time my research has become the target of what feels like the never-ending rounds of partisan politics. The original critique of my project and the others being targeted is that they fail to directly benefit the American people. I was, quite frankly, rather surprised to be included as my project examines China’s evolving food regulatory system and has direct relevance for America’s food safety and security. The targeting of particular awards are not (and never are) about their specific content or quality but rather involve broader issues including the allocation of funding, peer review and congressional oversight. (It can, however, certainly feel direct especially when the intellectual merit of your specific grant is questioned and copies of the peer reviews and the program officer’s evaluations are requested in a letter written by the committee’s chairman. As a recent Slate article notes, these attacks appear to be winning. this year, for example, the Coburn amendment successfully limits NSF funding in political science to those that promote national security or the economic interests of the US. The same article argues that with a few exceptions, the social sciences have not been pushing back and are failing to present arguments with much traction in today’s economic and political climate.

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Using Social Media to Teach Theory to Undergraduate Students

Savage Minds welcomes guest blogger Carole McGranahan.

“Political economy?” “Symbolic analyses?” Post-whatism?” Semester after semester, my advanced anthropology students told me they couldn’t remember the theories they had learned in their introductory anthropology course (even, they sheepishly confessed, if I had been their professor for that course). In response, I built a review of general anthropological theory into my classes and developed a theory course for junior and senior anthropology majors.

But re-teaching theory at the advanced level was not enough. I needed a better strategy for teaching theory at the very beginning level of anthropological instruction which, for me now as professor and earlier as graduate student, meant in a large lecture class of anywhere from 100 to 550 students. How could I teach theory so that introductory students could retain and use this knowledge beyond exam day? What new pedagogies would enable students to carry the theoretical messages of Levi-Strauss or Mead or Ortner with them? My strategy was to turn to social media, to teach theory by putting students in dialogue with each other: I created two new course assignments, a student-generated theory wiki and a theory blog.

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“Finding Sayun” and aboriginal romance films

[Savage Minds welcomes guest blogger Darryl Sterk.]

Finding Sayun is a superb new anti-aboriginal romance film by Laha Mebow (陳潔瑤), a Taiwan indigenous director. The film revisits the 1943 Japanese propaganda film Sayon’s Bell about an indigenous girl from Nan-ao, a “rural township” in northeastern Taiwan, who drowned trying to carry luggage across a river for the man she adored: a departing Japanese officer. (Sayon and Sayun are two different transliterations of the same name.) Sayon’s Bell wanted to reassure the Japanese public that, a decade after the Wushe uprising in 1930, Taiwan’s indigenous peoples had been converted to imperial subjects, and to convince aboriginal braves to fight for the emperor: it would be hard to resist after hearing Sayun singing the inspiring Song of the Taiwan Soldiers:

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Food Categories, China, and the Biomedical Model

As a trained nutritionist, I was taught about food and nutrition mainly as a science, chemical interactions divorced from their larger cultural contexts. Western scientists have “fine-tuned” nutritional components into large categories (protein, carbohydrates, fat) and small categories (vitamins, minerals). I was taught that this form of categorization is science, it is biological, and these are the components that are compatible with life on this planet.

Nutrition has been medicalized in the West, but humans enjoy the taste of food as well, ensuring that food and nutrition have become part of consumer culture. Each time we sit down to a table, or put something in our mouth we do so in the context of this culture. There are good foods (vegetables, fruits, organics, whole) and bad foods (fast food, convenience food, GMO’s, pesticides). Western society also has a somewhat collective understanding of snack food and comfort food, healthy food and unhealthy food, food for babies and food the elderly. There are foods that men eat, and foods that women eat. This is food, but this is NOT food.

Biological necessities such as food and nutrition do not develop outside of the context of culture and human interaction. In fact, we can probably say that one of the roles of “culture” has been to modify these biological dispositions, and the most rudimentary ways we do this is through categorization. George Lakoff explained in Women, Fire and Dangerous Things “…the chain of inference–from conjunction to categorization to commonality–is the norm. The inference is based on the common idea of what it means to be in the same category: things are categorized together on the basis of what they have in common”. Creating and understanding categories helps us reaffirm our shared identity that is culture.

There are multiple and contradictory categories of food and nutrition globally. Because nutrition and food are inextricably linked both politically and economically to health, however, what foods are categorized and why, matters. Food and nutrition are packaged and marketed for things like taste and enjoyment. But food is also packaged and sold to promote health, oftentimes by corporations with the blessing of global health organizations. This is primarily done through our understanding of the biomedical model of nutrition. Worldwide, however, traditional categories of what foods are healthy and why do not always integrate well into this model. Continue reading