(Savage Minds is pleased to run this essay by guest author Paul Stoller as part of our Writer’s Workshop series. Paul is Professor of Anthropology at West Chester University. He is the renowned author of innumerable articles and eleven books ranging from ethnography to memoir to biography, and is also a regular Huffington Post blogger on anthropology, Africa, higher education, politics, and more. In 2013, he received the Anders Retzius Gold Medal in Anthropology from the King of Sweden. His newest book Yaya’s Story: The Quest for Well-being in the World will be out in October from the University of Chicago Press.)
For the Songhay people of Niger and Mali life is a series of paths that end and then fork off in two new directions. At these forks in the road the traveler must choose her or his direction, destination, and fate. My choices, many of which were shaped by forces beyond my control, miraculously led me to two mentors: the late Jean Rouch, French filmmaker extraordinaire, and the late Adamu Jenitongo, a profoundly wise sorcerer-philosopher among the Songhay people. Both of these men loved to tell stories, the life source of their science and their art. They never told me how to tell a story; rather, they asked me to sit with them, walk with them, and laugh with them. In this way, they said, I would find my own way in the world and my own way to tell stories. They both believed that the story, in whatever form it might take, is a powerful way to transmit complex knowledge from one generation to the next. Like Milan Kundera in his magisterial The Art of the Novel, they believed that the evocative force of narrative could capture truths far beyond the scope of any philosophical discourse. Continue reading


