Language choice can be an issue of access. In attempt to shorten some of the gaps, but mostly to highlight some of the awesome anthropology happening in Taiwan, we have taken on this exciting translation project. Beginning with last week’s article, The Riddle of Sean Lien, we will be translating a handful of articles written in Chinese from the Guava Anthropology blog for Savage Minds this September. The articles we have chosen range in theme, background, and chronology, and yet all remain, in our opinion, excitingly relevant. Continue reading
(Savage Minds is pleased to post this essay by guest author Kevin Carrico as part of our Writer’s Workshop series. Kevin is a postdoctoral fellow at the University of Oklahoma’s Institute for US-China Issues, having completed his PhD in Sociocultural Anthropology at Cornell University in 2013. His research focuses upon the implications of Han nationalism for ethnic relations in China. He is a contributor to Cultural Anthropology’s special issue on Self-Immolation as Protest in Tibet, and his translation of Tsering Woeser’s Self-immolation in Tibet is forthcoming from Verso Press in 2015.)
I recently finished translating a book, Tsering Woeser’s Self-Immolation in Tibet (Immolation au Tibet, la honte du monde), in a project that combines the two main components of my career path thus far: translation and anthropology. Prior to my graduate work, I was a translator of Chinese and French documents in Shanghai. And now as an anthropologist, I still engage in the occasional translation of texts that I consider uniquely insightful. This brief essay is an attempt to think through the relationship between these two activities via my recent work on self-immolation in Tibet. Continue reading
The epic film Seediq Bale: Warriors of the Rainbow Bridge is of particular interest to translators because it’s in the Taiwanese aboriginal language Seediq. As a Chinese-English literary translator I’m naturally interested in problems of translation in the film. Unfortunately, I don’t know the Seediq language. Translators know they should comment on languages they know well; but I’m going to go out on a limb here and comment on one issue of translation in Seediq Bale: the title of the film. Then I’ll use the nativization-foreignization continuum from translation theory to comment on different translations of the title.