Category Archives: Interviews

An Interview with Allegra

The folks at Allegra drew some attention on the Internet recently with their fish out of water story of visiting the AAA annual meetings in Chicago last year. I ran into the main authors of the site, Miia and Julie, in Chicago and was blown away ( ‘wilted under’ would be a better description) by their energy and enthusiasm.  So what is Allegra? How does a website manage to be ‘deadly serious’ ‘tongue-in-cheek’ and ‘sexy’ all at the same time? How does it fit into the Internetoblogosphere? We sat down together for a (virtual) interview recently so they could tell me about their site.

Beware, Internet: Miia Halme-Tuomasaari and Julie Billaud
All up in your internetz: Miia Halme-Tuomasaari (left) and Julie Billaud (right)

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Savage Minds Interview: Kristina Killgrove

Kristina Killgrove is a biological anthropologist at the University of West Florida. Her research focuses on theorizing migration in antiquity and on understanding urban development and collapse through the analysis of human skeletal remains. She works primarily in the classical world, attempting to learn about the daily lives of the lower classes in Imperial Rome through osteological and biochemical analyses, but she has also worked on questions of population interaction in the contact-period southeastern U.S. and in Medieval Germany. A strong commitment to interdisciplinary research and teaching help her bridge the sometimes large divide between classics and anthropology.  For more about Killgrove’s work, check out her website or blog, email her (killgrove@uwf.edu), or follow her on twitter (@DrKillgrove).

Ryan Anderson: What brought you to anthropology?  What made you choose this as your career?

Kristina Killgrove: I’ve written a bit in the past (originally as a response to a Savage Minds post on love letters for anthropology) about how I’m an “accidental anthropologist.”  I never really set out to have a career in anthropology, as I honestly wasn’t entirely sure what anthropology was until maybe my third or fourth year in college.  What eventually brought me to anthropology, though, was a dissatisfaction with the field I’d chosen to major in: classics.

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Savage Minds Interview: Sarah Kendzior

Sarah Kendzior is a writer for Al Jazeera English. She has a PhD in cultural anthropology from Washington University and researches the political effects of digital media in the former USSR. You can find her work at sarahkendzior.com, and on Twitter: @sarahkendzior

Ryan Anderson:  First of all, thanks for doing this interview.  Let’s start off with the basics:  Why anthropology?  How and why did you end up in this field?

Sarah Kendzior: I got interested in anthropology while working as a research assistant for an anthropologist, Nazif Shahrani, while getting my MA in Central Eurasian Studies at Indiana University. Before I was an anthropologist, I was a journalist, but I was frustrated with the superficiality of foreign coverage. Journalists often cover foreign conflicts without knowing foreign languages, talking to local people, or examining the history and culture of the place they visit. I wanted to do things differently.

In 2004, I used to joke that anthropology was journalism with more work and less money. Of course, now there is no money in journalism either, but my point still stands. Ethnography is journalism that takes too long. I mean that not pejoratively but as an affirmation of the discipline’s values –– long-term observation; scrutiny of methodological practice; respect for history; commitment to understanding local beliefs and traditions.

I got spoiled working for Dr. Shahrani. He is an outspoken intellectual who spares no criticism of systems that he finds corrupt – including academia. He saw anthropology not as an abstraction removed from public life, but as a source of insight from which the public could benefit. Continue reading

Interview: An Anthropologist on Tiger Woods

I had the pleasure of pitching a few questions to Orin Starn, Chair and Professor of Cultural Anthropology at Duke University, about “popular anthropology,” golf, Ishi’s brain, and the right PC sports to play if you’re an anthropologist (its not golf!).

AF: I really liked your book The Passion of Tiger Woods: An Anthropologist Reports on Golf, Race, and Celebrity Scandal. As a golfer and media producer I found the book impossible to put down but as an anthropologist it made me wonder about the future of the discipline.

It might just be my hang-up having just earned my PhD badge but a key concern is the absence of data derived from ethnographic field research. You make passing reference to playing golf with other players and taking notes about the experience on the links but none of that information seemed to explicitly inform your reading of Tiger Woods. The book is primarily an analysis of representation–how race is discussed online, on TV, in tabloids. Again, this makes me think that some form of offline ethnographic research in these cultural industries might have afforded you and your readers access to forms of information not easily accessible. This brings up for me a bunch of questions:

How important is ethnographic field research for the future of the discipline?

OS: For all the many changes over the decades, I think that intense, engaged fieldwork remains the single most distinctive thing about anthropology. I I think and hope it’ll remain just that. I like very much the idea that understanding another way of doing things shouldn’t be a fly-by proposal, but deserves the kind of deep, sustained engagement that only fieldwork can provide. I’m not sure that the actual ethnographies we write – which aren’t always very interesting — do justice to the great time and energy we give to our research, and yet I’m still a believer in the Boasian credo that fieldwork matters. Continue reading

Opening Anthropology: An interview with Keith Hart (Part 3 of 3)

This interview is part of an ongoing series about open access (OA), publishing, communication, and anthropology.  The first interview in this series was with Jason Baird Jackson (Part 1, Part 2, Part 3).  The second interview, with Tom Boellstorff, is here.  The third installment of this OA series is with Keith Hart.* (See Part 1  here, Part 2 here)

Ryan Anderson: Let’s bring things back to the issue of OA and the academy.  You have said that many OA activists are inhibited from fighting against the privatization of the intellectual commons because they have already “bought into the premises of an academic career”.  Why do you mean by this?

Keith Hart: Intellectual life is intrinsically individualistic. We may like to think of ourselves as social creatures, but unfortunately they only hand out brains one at a time. Collaboration is particularly developed in the hard sciences and the academy has always depended on an informal cultural commons: teaching, seminars, conferences, free sharing of ideas, equal access to libraries and so on. Everyone wants personal recognition, but up to the 1950s, this aspect of academic life took a back seat to the university as a community of scholars, teachers and their students.

The Cold War and the drive to restore home food supplies after the Second World War boosted research on armaments and agriculture. The post-war boom saw lots of public money being directed to universities for research. Private companies also poured money into research on chemicals. Student enrolments took off in the 1960s, so that universities now became big business. We think of them as medieval institutions, but the late twentieth-century university was something unique, a mass production line for workers in bureaucracies and the main research arm of the state. The academics had always ruled their own institutions, but this expansion gave power to administrators. Research came to dominate other academic activities. The humanities and social sciences didn’t have much to offer, but they too jumped onto the research bandwagon. Continue reading

Opening Anthropology: An interview with Keith Hart (Part 2 of 3)

This interview is part of an ongoing series about open access (OA), publishing, communication, and anthropology.  The first interview in this series was with Jason Baird Jackson (Part 1, Part 2, Part 3).  The second interview, with Tom Boellstorff, is here.  The third installment of this OA series is with Keith Hart.(See Part 1  here)

Ryan Anderson: Earlier you referred to OA as “a strategy of resistance to privatization of the commons”.  Can you elaborate on that point?

Keith Hart: I meant that private property is still the great unresolved contradiction of modern society, not least because its ubiquity often makes society invisible. For Rousseau, the invention of private property was the origin of social inequality. The liberal Enlightenment looked to anthropology for the knowledge needed to realize a democratic revolution against the Old Regime. Morgan (followed by Engels) used Rousseau’s framework to make the history of unequal society the main object of a democratic anthropology. More recently, Lévi-Strauss, Wolf and Goody renewed this tradition, each in their own way. Now David Graeber has taken it up again. But the ethnographic turn made this a marginal current in twentieth century anthropology.

I grew up in a working class district of Manchester. The doors of our houses had to be kept open for neighbors to come in and out as they wished. Even inside the house, bedroom and bathroom doors were never closed. Privacy was the opposite of being open to the free flow of solidarity. I thought that spirit had gone forever, but I found it again when I moved to France fifteen years ago. Here the tradition of people occupying the streets (manifestation) is very much alive and the notion of a public sphere that belongs to all is palpable. Continue reading

Opening Anthropology: An interview with Keith Hart (Part 1 of 3)

This interview is part of an ongoing series about open access (OA), publishing, communication, and anthropology.  The first interview in this series was with Jason Baird Jackson (Part 1, Part 2, Part 3).  The second interview, with Tom Boellstorff, is here.  The third installment of this OA series is with Keith Hart.*

Ryan Anderson: Thanks for doing this interview, Keith.  Let’s just jump right in here: What do you think about this whole ‘open access’ conversation going on in anthropology?

Keith Hart: Obviously I am in favor of it. The form that the discussion takes in contemporary anthropology seems to be specifically American, where the contradictions of established practice are most acute. In the most general sense, OA is a strategy of resistance to privatization of the commons, any commons. As such it is central to the intellectual property wars. But here I think we are talking about a much narrower issue of how to make research publications freely available without undermining their role as cultural capital in academic career advancement. This reflects the interests of a mass of unemployed young researchers who can’t afford to pay for information and yet still hope to find academic employment some day. The tension is between maintaining the intellectual commons and conserving ideas as private property. The situation is exacerbated in American anthropology by the peculiarly obdurate policy of the professional association (AAA) which elevates a closed regime of private production for profit above sharing knowledge with the general public. I am reminded of Marx’s early journalism against restriction of peasants’ access to fallen wood in the Westphalian forests. Most OA activists can’t fight privatization with his polemical intensity because they have already bought into the premises of an academic career. I met some anthropology friends on Twitter in 2009 who were as agitated then by the AAA’s restrictive (I am inclined to say “insane”) policies as they are now. We formed the Open Anthropology Cooperative–but we will return to that later. I am still struck by the insularity of American anthropologists who rarely consider if the French, for example, have come up with interesting responses to this general problem. Is OA an issue in Brazil or Scandinavia, in Japan or India? American anthropology isn’t the world and I hope that the OAC’s global membership will discuss these questions fruitfully. But then we run up against the limitations of language. Being able to read and write in English is not universal, yet how often is concern with OA extended to the issue of language barriers?

RA: These are some really important points you bring up.  First of all, let’s talk about the idea that American anthropology “isn’t the world,” as you say.  What do you know about some of the OA-related conversations that are taking place in France, Scandinavia, Brazil and elsewhere?  Where can or should we look to connect with those conversations?  Also, why do you think language barriers are so rarely addressed in OA discussions in the US? Continue reading

Opening our anthropological conversations: An Interview with Tom Boellstorff

I had the chance to conduct an email-based interview with Tom Boellstorff during this past month to explore some of his views about Open Access (hereafter OA) publishing in anthropology.  Update: You can download a PDF of this interview here.

Ryan Anderson: First of all, thanks for taking the time to do this interview, Tom. Here at Savage Minds we write about Open Access (OA) a lot, and many of our contributors seem to be in agreement about the need to look into alternative publishing options. But not everyone knows about OA or is in agreement with the push to head in that direction, and this includes many people who are well established in anthropology. So, what’s your opinion about OA? Is this an issue that should matter for anthropologists who are already successful within the current publishing regime, for example?

Tom Boellstorff: I think there’s an urgent need to build on the advocacy work a number of people have been doing within and outside the AAA to reach the goal of “gold” OA (meaning that articles are freely available to download online). In my September 2012 “From the Editor” piece in American Anthropologist I try to set out my current thinking in regard to this issue. If I can quote from that piece:

There are three primary reasons why this transition to gold open access is imperative, reasons that are simultaneously ethical, political, and intellectual. First, there is a fundamental contradiction between the often-repeated goal of making anthropology more public and relevant on the one hand, and the lack of open access on the other hand. Second, there is an incompatibility between the broad interest in transnationalizing anthropology and the lack of open access. Third, it is wrong for any academic journal to be based on a model where the unremunerated labor of scholars supports corporate profits. I see no way that the current subscription-based model can be modified so as to adequately address these concerns.

In terms of people not being in agreement to head in that direction, which as you say “includes many people who are well established in anthropology,” I think we need to reach out and work with those folks. The reality is that running a journal well takes money, particularly a larger journal, and I don’t think we want a future where publishing relies on unpaid graduate student labor, farmed-out copy editing, and so on. For me, the issue is that (1) regardless, we need to find a way toward gold OA, and (2) I just refuse to believe that so many smart people can’t find a way to do it. Continue reading

Captains

I’ve never been one for visual anthropology, and I’m totally uninterested in pushing the boundaries of what constitutes ‘ethnography’. As a fieldworker, I’m fascinated by the micro-dynamics of human behavior and how we create roles for each other to inhabit in everyday life. When I watch documentaries, then, I’m usually trying to imagine the human situations involved in production and let me tell you, there is a whole lot of that stuff in Captains, William Shattner’s documentary on the different actors who have portrayed captains in the sprawling Star Trek franchise.

Things get interesting quickly because it becomes obvious that the subject of the documentary is not the interviewees but the interviewer: Shattner’s real intention is clearly to make a documentary about himself and the long road he’s trod in life, and particularly to let the entire world know that he was once a classical thespian in the mould of Olivier and Gieldgud. The other major theme is how ennobled and wise he has become being forced to carry the entire weight of the Star Trek franchise on his back across the course of his career.

As a result the show focuses prominently on the fact that the other captains also started out in theater, mostly so Shattner can ask tell them about his time treading the boards. He asks them how Star Trek has changed them, so he can tell them how it has changed him. He asks them their views on life after death and the nature of infinity so that he can brood over his inevitable mortality. It is, in short, a clinic on how not to interview people, with special focus on the preoccupied and narcissistic interviewer. Absolutely fascinating to watch. Continue reading

Hackers, Hippies, and the Techno-Spiritualities of Silicon Valley

I had the pleasure of hanging out with Dutch anthropologist Dorien Zandbergen (PhD, Anthropology, Leiden University) in Sweden in October at an ESF Research Conference and learning about her fascinating research into the convergence of new age spirituality and new media discourses in and around Silicon Valley. I loved the idea of a Dutch anthropologist studying me and my friends in the eco-chic Burning Man hipster scene so I asked her to riff off of a few questions for this blog. Zandbergen talked about liminality, technoscience, the California ideology, ‘multiplicit style,’ secularization, studying sideways, liberalism, internet culture, ‘pronoia’, open-endedness, emergence, the neoliberal ideal of the autonomous self, the confluence of hackers and hippies in San Francisco, the usual…

(AF) What is New Edge and how did you conduct your fieldwork?

(DZ) The term New Edge fuses the notions ‘New Age’ and ‘edgy’, as in ‘edgy technologies’. In the late 1980s, founder of the ‘cyberpunk’ magazine Mondo 2000, Ken Goffman, used the term to refer both to the overlaps and the incompatibilities between the spiritual worldview of ‘New Agers’ and the ‘geeky’ worldview of the scientists and hackers of the San Francisco Bay Area. Such interactions were articulated in the overlapping scenes of Virtual Reality development, electronic dance, computer hacking and cyberpunk fiction. I borrowed the term New Edge to study the genealogy of cultural cross-overs between – simply put – the ‘hippies’ and the ‘hackers’ of the Bay Area, beginning with the 1960s and tracing it to the current (2008) moment. Continue reading

Anthropology & Open Access: An Interview with Jason Baird Jackson (Part 3 of 3)

This is the last segment of this three part interview with Jason Baird Jackson about anthropology and open access. See Part 1 here, and Part 2, here.

Ryan Anderson: I think this last point you make about the direct role that faculty and graduate students play in all this is really important. We all have choices, and ultimately the publishing and communication system is what we make of it. So, as a last question for you, what advice do you have for people who are interested in these issues but unsure where to start looking for others who share similar concerns, values, and commitments?

Jason Baird Jackson: The open access community is by its very nature, open. In North American and European contexts, finding folks eager to help students and established scholars negotiate these questions is pretty easy. If one is at a university with a research- oriented library, there will be one or more librarians specializing in these issues. Such librarians often lead workshops on such topics as “author’s rights,” “copyright issues for scholars,” and “open access.” Librarians have a strong service ethic and are usually very eager to help scholars get their bearings on these topics. They are SO eager to find faculty allies on these questions. If you give them a moment, they will also passionately explain why OA matters so much to the future of the library and its public service mission.

While research libraries at larger universities are often a center of gravity for information and resources on these topics, librarians at teaching colleges are often just as energized and knowledgeable about these matters because, given their scale and budgets, open access is even more important to them as they seek to serve their campuses. Librarian Barbara Fister at Gustavus Adolphus College is a great example. She writes wonderful columns on these topics for Inside Higher Education and Library Journal. She’s the kind of thinker, activist, and explainer who is very accessible online. I have already mentioned Peter Suber and the explanatory resources that he has assembled with the help of the larger community. Continue reading

Anthropology & Open Access: An Interview with Jason Baird Jackson (Part 2 of 3)

See Part 1 of this interview, here.

Ryan Anderson: So what are the major stumbling blocks holding up a transition to Open Access in your view? What’s keeping most people from making this jump? Lastly, what do you think about the system employed by the Social Science Research Network (SSRN) where authors can post working papers? Can a system like that be a stepping stone to OA?

Jason Baird Jackson: At the author level, one stumbling block is a pervasive lack of basic knowledge about these issues among scholars and policy makers within our field (and in most fields). I am sympathetic to everyone’s plight. It is all very complicated and uncertain therefore doing what we have always done has proven the easiest path. Most of us do not understand copyright or the Creative Commons system. Most of us do not understand journal business models or how it is that librarians have made so much (expensive) information so easily available to those of us with the luxury of university affiliations. In the face of much confusion and anxiety, just sending our manuscripts to the editors and journals that we know in the way that we have always done has seemed sensible and prudent.

Related is the situation in which we perceive that we understand the changing landscape better than we do. A clear instance is when we post the final published versions of our writings online because we wrongly believe ourselves to have the right to do so. The increasing prevalence of such accidental piracy fosters the misunderstanding that such practices are the right way to do open access. Such piracy is counter-productive on many levels and is unnecessary given that there are legal and technically better ways to pursue OA.

Such author-centered issues are the major stumbling block for green OA. The fact that many scholars do not have direct access to a home institutional repository is another factor. I tried to suggest that there are usually workarounds for this in my earlier comments. Your mentioning of the Social Science Research Network represents another possible solution that anthropologists should investigate more actively [see Adam Leeds’ comment about SSRN here on Savage Minds a while back]. I have not yet given it the attention that it deserves as a possible option for anthropologists.

The biggest factor driving green OA are funder and especially institutional OA mandates (touched upon above). Those who are most eager to promote OA in anthropology can work locally to establish mandates in their home institutions. When a university such as Kansas or California or a college such as Oberlin, or when (hypothetically) a research institute, applied anthropology agency or museum, establish a green OA mandate, this has the almost immediate effect of educating the entire research community at such an institution about the issues that we have been talking about, above and beyond the obvious direct benefit of bringing a large portion of that institution’s research output into the OA domain. Such mandates can be established at the school or department level in instances where an institution-wide mandate cannot yet be achieved. The most prominent and persistent advocate for green OA and for green OA mandates is cognitive scientist Steven Harnad, who makes the case consistently and forcefully, on the basis of much evidence, at his website Open Access Archivangelism. Continue reading

Anthropology & Open Access: An Interview with Jason Baird Jackson (Part 1 of 3)

During the last few weeks I had the chance to conduct an email based interview with Jason Baird Jackson about Open Access (OA), academic publishing, and anthropology…

Ryan Anderson: Thanks for doing this interview, Jason. My first question is really basic: What IS open access all about, and how is it any different from standard academic publishing?

Jason Baird Jackson: Its a pleasure to have this chance to talk about open access (hereafter, OA). When I am asked to recommend an explanation of what OA is about, I usually point colleagues to the basic introductory documents assembled by philosopher and OA strategist Peter Suber. His one page “Very Brief Introduction to Open Access” is a great place to start. It begins noting: “Open-access (OA) literature is digital, online, free of charge, and free of most copyright and licensing restrictions. What makes it possible is the internet and the consent of the author or copyright-holder.” There is much more that scholarly authors, societies, publishers, and libraries need to know about OA, but this is a good start. The features that Suber notes in this sentence comprise the basic differences that you are searching for.

OA evokes different things for different people and interest groups. I suspect that we will touch on some of the range of concerns that these actors bring to the topic. For a time, it made sense to speak of OA as an alternative to standard academic publishing but I do not think that this framing works any longer. While OA represents a significant set of transformations in what we might think of as the inherited scholarly publishing domain, OA is now at the heart of standard academic publishing. That does not mean that there is agreement about the issues or about emergent practices or even about the definition of basic terms. My “its all one system now” view just acknowledges such facts on the ground as the reality that we now have academic authors publishing in “gold OA” journals without even realizing that such a nameable kind of publication exists as such. On the other side of the ledger, the largest commercial publishers are fully, if sometimes begrudgingly, involved in open access through their having acceded to public, university, and funder demands for what is called “green OA” and via their author-pays approaches to gold and “hybrid” OA”. (We’ll touch on these modes, perhaps.) While people like me tend to talk about OA as a means towards a dramatic transformation of scholarly communication, one aimed at making it more sustainable, accountable, ethical, public, etc., commercial publishers increasingly describe OA as just another business model. We are debating and rebuilding the same publishing system even if, at times, and in some senses, it seems like OA advocates are creating an alternative infrastructure for the discovery, circulation, evaluation, and reuse of scholarly research outputs.

It can be treated as a different topic, one that we need only acknowledge and not discuss, but I just used the terribly clumsy phrase “research outputs” as a way of highlighting the parallel transformations that we are experiencing in the system of scholarly genres. Running alongside the OA transformation, the canonical genres—journal article and scholarly book—are being remixed and destabilized in countless ways. For anthropology, these generic changes are different from those that followed the field’s “writing culture” debates. Earlier, we wondered what we could say in a book. Now we wonder what a book is. In your own corner of the new territory, I could ask: Is your anthropologies project a journal, a scholarly website, a weblog? Do your authors know? Such questions are increasingly present and point to what a time of experimentation we are in. OA advocates in anthropology have been particularly attentive to this related-but-not-the-same issue of genre. That said, the core of the OA discussion has been the journal article as we’ve known it and few would deny its continued centrality as the currency of the academic realm. Continue reading

Illustrated Man, #7 – Shane, the Lone Ethnographer

In this installment of Illustrated Man we’re joined by anthropologist and comic book aficionado, Sally Campbell Galman, assistant professor of child and family studies at the U Mass School of Education. Dr. Galman is author and illustrator of Shane, the Lone Ethnographer, an introductory text that uses comics as a vehicle for teaching field methodology.

MT: Tell me something of your love for comics. What is the personal history of your tastes and interests?

SG: As a girl growing up in Japan and Hawaii surrounded by early Anime culture and the comics scene on base I was phenomenally uninterested in comix/comics and the associated culture. I think a large part of this was that back then (1980s) it was a heavy, heavy masculinist scene that alienated a lot of girls and boys, and maybe I was responding to that. The genre is defined much, MUCH more widely now and I think that’s a lot more welcoming for girls and women as well as subaltern men and people of color, to name a few.

I really wasn’t interested in that as much as I was in drawing — drawing was what I spent my days and nights doing and developing. Don’t get me wrong — I’m not classically trained in ANY respect, but I do remember there was this little Ed Emberly book about learning to draw animals from basic shapes that rocked my 5 year old world.

It’s probably a little pedestrian for the dyed-in-the-wool comics fan but the two artists who turned me on to the possibilities of the graphic novel and the panel or strip-format comic were Gary Larson and Art Spiegelman. The former was so quirky — it gave me the idea that there could be more than just superheroes or Prince Valiant or Cathy. The latter taught me about diversity of style and subject matter. The Maus series changed my world from an artistic and political point of view, considering I first came across it in 6th grade. Again, things are much different now, and as an adult (with the internet!) I have a much better range of stuff to read.

MT: Why did you think it would be a good thing to bring comics and anthropology together? Is there something that comics can do for anthropology?
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Crowd-questioning Corporate Ethnographers

We have the honor of interviewing business anthros Grant McCracken and Barry Dornfeld. By we I mean you.

Barry wrote a groundbreaking text in the anthropology of media production: Producing Public Television, Producing Public Culture. Twelve years after its publication, Dornfeld’s book remains the deepest description of television production and the tense conflicts that happen when do-gooder social science meets a ruthless profit motive. If you’ve ever been frustrated with how nonfiction TV networks (Discovery, Nat Geo, Travel, Animal Planet) take our scientific issues and make them into titillating edutainment then this young classic should find itself tattered and dog-eared on your desk. Today he is a corporate anthropologist at the Center for Applied Research.

Grant is the foremost anthropologist theorizing the role of culture in corporate practices. He shows how many corporations struggle along with anthropologists to define culture. Some CEOs get it. Others don’t. In his book Chief Culture Officer, Grant argues that the future of corporate profit–and social relevance–is dependent upon executives being anthropological in their executing. The corporate capitalization of the culture concept is far from politically neutral and Grant seems like one ready to defend his position against any would-be anti-corporate anthro-activist. Grant is presently a member of MIT’s Convergence Culture Consortium.

The theme of this batch of Savage Interviews is corporate anthropology and in the frictionless outsourcing style of multinational corporations we give this job to you. No this is not exploitative labor. I don’t get paid and neither will you. We are creating knowledge and value together, for the discipline, for free, for fun, for the open-source corporation WordPress. So graciously give up your private dreams, ideas, and questions about corporate anthropology just like you do on Facebook. What should I ask these guys? Post your questions as comments below or send them to me as emails. Later listen to the posed and the answered queries.