Zora and Performance
I am most struck, however, by Zora’s recognition and analysis of the performative nature of Black culture. Years before performance theory was born, Zora Neale Hurston had been there and done that. We will not find her insights, however, in the traditional scholarly publications. Zora’s discourses on the performative character of Black people are in essays published in the then groundbreaking anthology, The New Negro edited by Nancy Cunard. There hold a wealth of analysis and interpretation of Negro/Black performativity, and are frequently overlooked.
Many academics today have come to recognize that there is significant intellectual value in having a “public voice” that reaches broader audiences beyond those attracted to our scholarly articles. The Savage Mind blog is a good example of the multiplicity of platforms available to anthropologists to speak their piece outside of the constraints of refereed journal articles.
Zora, like her contemporary Margaret Mead who wrote for RedBook, was a “cultural commentator” or what we call in today’s parlance, a “public intellectual” of the first order. Continue reading