This Anthro Life – Savage Minds Crossover Series, part 3
by Adam Gamwell and Ryan Collins
This Anthro Life has teamed up with Savage Minds to bring you a special 5-part podcast and blog crossover series. While thinking together as two anthropological productions that exist for multiple kinds of audiences and publics, we became inspired to have a series of conversations about why anthropology matters today. We’re sitting down with some of the folks behind Savage Minds, SAPIENS, the American Anthropological Association and the Society for American Archaeology to bring you conversations on anthropological thinking and its relevance through an innovative blend of audio and text.
In our third episode of the TAL + SM crossover series, we explored SAPIENS’ approach to producing anthropological content for popular audiences. Ryan and Adam were joined by the digital editor of SAPIENS, Daniel Salas, to discuss the implications of using anthropology to engage the public through journalism. The episode focused on the questions How do you reconcile scientific and anthropological writing, and is this mixture a new genre? Is there a balance to be found between producing timeless “evergreen” stories versus current events focused content for audience engagement?
A review of Euphoria by Lily King. New York: Atlantic Monthly Press (2014).
The last time Margaret Mead appeared as a character in a best-selling novel was over fifty years ago. In Irving Wallace’s The Three Sirens (1963), Dr. Maud Hayden (the Mead stand-in) finds her world turned upside down by the discovery of a Polynesian island where, as America’s foremost anthropologist, she leads a team of researchers who encounter “people from a simpler, happier society, free from the inhibitions and tensions of the 20th century.” The novel’s dust jacket informs us that the culture of the island is “a shocking assault, a challenge to their most cherished beliefs about love, sex, marriage, child rearing, and justice.” So profound is this encounter that the researchers end up studying their own desires, fears, and passions. Of course, this trashy potboiler had no redeeming social value, but interest in the Mead character, the tension between a repressive West and a permissive Polynesia, and the interplay between professional fieldwork and private lives attracted many avid readers. Continue reading →
As a graduate student during the time that the “Writing Culture” movement was in its heyday, I was drawn to ethnographies such as Lila Abu-Lughod’s Veiled Sentiments: Honor and Poetry in a Bedouin Society. I loved it not only for its poignant analysis of the cultural contexts of Bedouin poetry but also for Abu-Lughod’s fine writing. Before becoming an anthropologist, I had received a master’s degree in creative writing, and I have always been interested in the ways that anthropology and literature inform one another. In particular, what can anthropologists learn from fiction? Continue reading →
My impression is that many people read fiction as an escape from their day-to-day. I am not those people. I like to have enough of a non-fictional toehold on a story to be able to judge its verisimilitude. I don’t want to be the reader analog to the millions of people under the impression that the legal system is in any way similar to Law & Order or CSI.
Given my interests and experiences, my toehold criterion seems to leave me with only so many fictional reading options to choose from. But early this spring I came across one short story and one novel fitting it to a T. Continue reading →