[Savage Minds is pleased to publish this essay by guest author Carla Jones as part of our Writers’ Workshop series. Carla is Associate Professor of Anthropology at the University of Colorado, Boulder. Her research analyzes the cultural politics of appearance in urban Indonesia, with particular focus on femininity, aesthetics and Islam. She has written extensively on self-improvement programs and middle-class respectability during the Suharto and post-Suharto periods in Jogjakarta and Jakarta, and is the co-editor, with Ann Marie Leshkowich and Sandra Niessen, of Re-Orienting Fashion: The Globalization of Asian Dress (Berg, 2003). Her current work situates anxieties about Islamic style in the context of broader debates about visibility and wealth.]
We are living in affective times. At least according to the many journal themes, conference panel titles and other measures of anthropology’s current interests, affect is in the air. This feels relevant for thinking about writing. Feeling seems central to the reasons we write, even if we rarely say that out loud. Feeling in the mood to write, feeling ready to say something, feeling safe to say it, feeling passionately about it, feeling proud of it once we’ve said it, these all undergird the conditions for writing. These feelings contrast with the objectivity of a social science based in data and facts, and we have a now decades-long critique in the discipline about the fundamentally political and subjective nature of knowledge production. But these are also largely positive feelings.
I want to suggest that one of the motivations to write is also irritation. This may seem contrary and cranky. I don’t mean for it to. For me it is empowering. I increasingly find that the nudge that takes me from mental idea to written word is much more than a deadline. It is a feeling that might be impolite. I find I am most in the mood to write when I am agitated. Continue reading