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Give and Take

This entry is part 16 of 20 in the Decolonizing Anthropology series.

By Leslie J. Sabiston and Didier M. Sylvain

did i see that right?
my skull is in a cardboard box
in that basement?
my bones are under
an orange tarp from canadian tire,
cracked.
rattling plastic in the wind.
 
my grave is desecrated
my skull is in that white lady’s basement
my bones are under that orange tarp from canadian tire
cracked
rattling plastic in the wind like a rake on the sidewalk.
 
my body is tired
from carrying
the weight
of this zhaganashi’s house.
 
ah nokomis
this shouldn’t have happened.
your relatives took such good care.
the mound so clearly marked.
ah nokomis
how did this happen?
what have you come to tell us?
why are you here?
 
aahhhhh my zhaganashi
welcome to kina gchi nishnaabe-ogaming
enjoy your visit.
but like my elder says
please don’t stay too long.*

              —Leanne Simpson [1]

Beloved, she my daughter. She mine. See. She come back to me of her own free will and I don’t have to explain a thing.  —Toni Morrison [2]

We knew we would be confronting a constructed division between our communities and profession before we even got here. We already had questions to critique that construction, to deconstruct the idea of the university as a place of enlightenment. And as the years go by, as we return to our ancestral homelands to conduct research, those questions become stronger and also more difficult to parse. Today we feel even more compelled to refuse certain colonial practices of our discipline, but the “why” spirals deeper and deeper. How deep do we want to go? What do we give and take in the descent? What do we lose?

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Decolonizing archaeological practice in Northeast India: Towards a community-based archaeology at Chungliyimti, Nagaland

This entry is part 17 of 20 in the Decolonizing Anthropology series.

By Tiatoshi Jamir

I was born on a land declared an ‘Excluded Area’: a previously colonized region. A geographic landmass formerly carved out of Assam: lodged between Myanmar to its east, Manipur to its south, bounded by the plains of Assam to the west and snow clad mountains of the sub-Himalayan region of Arunachal Pradesh to the north. Now tagged for tourism purposes as ‘The Land of Festivals,’ it is the very same homeland where Naga ancestors were once branded ‘wild’, ‘savage’, ‘primitive’ ‘uncivilized’ ‘barbaric’ and ‘head hunters’ by the colonial powers. This colonial stereotype of the Nagas continues and is reiterated in the neighboring states and Mainland India. A case in point is Manpreet Singh’s article The Soul Hunters of Central Asia (2006) published in Christianity Today that describes the Naga homeland as “once notorious worldwide for its savagery”,  now “the most Baptist state in the world.”

Abraham Lotha (2007), a noted Naga anthropologist, maintains that British colonialism in the Naga Hills is a story of double domination: political and scientific. This is evident in the production of mass ethnographic  materials,  topographical survey reports  and  monographs  that aided  colonial administration  in  their  attempt  to  control  the colonized. The museum collections that began in the early 19th century conveyed a certain awareness of the Nagas to the rest of India and the West by putting them in ethnographic  museums, on geographical/ethnographic maps, and in weighty books (Schäffler 2006b: 292, cited in Stockhausen 2008: 64). For a visiting European, the Naga Hills were a ‘museum-piece’ and the objects (both archaeological and ethnographic) were collected from the colonies and displayed  in  the  West as a way to authenticate the primitive stages  of human development. The region was perceived as a cultural backwater. This part of India, that was once a portion of the Hill District of Assam, later came to be recognized, after much political unrest, as the 16th State of India called ‘Nagaland’ on 1st of December, 1963.

Although I was born in a small suburban town in eastern Nagaland, I grew up experiencing a typical Naga life. As a teen, I learnt how to swing a dao (a local iron machete), how to sharpen the blade most effectively, and how to shoot a target with a gun. I slashed and burnt thick forest for cultivation, learnt the traditional skill of fire-making, carried loads of paddy on my shoulder after a bumper harvest, built traditional houses with my peers, laid fishing traps and other traditional means of fishing, read animal tracks and hunted, roamed the deep forests foraging and gathering for wild berries, fruits, and edible vegetables. Not only were these moments a part of my leisure time but I took great pride in what I learned for it was a part of my heritage. Inculcating such traditional values was not only key to one’s survival but was also considered gender assigned roles for a Naga man. Little did I realize that it was these early experiences that drew me close to anthropology, a discipline that would allow me to study about myself and our Naga culture.

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Foundations of an Anarchist Archaeology: A Community Manifesto

This entry is part 18 of 20 in the Decolonizing Anthropology series.

By The Black Trowel Collective

An anarchist archaeology embraces considerations of social inequity as a critique of authoritarian forms of power and as a rubric for enabling egalitarian and equitable relationships.

The term anarchism derives from an– (without) + arkhos (ruler), but a better and more active translation of it is perhaps ‘against domination.’ An anarchist archaeology insists on an archaeology that is committed to dismantling single hierarchical models of the past, and in that sense, its core incorporates tenets of a decolonized, indigenous, and feminist archaeology, contesting hegemonic narratives of the past. It is a theory explicitly about human relationships operating without recourse to coercive forms like authoritarianism, hierarchy, or exploitation of other humans. Some anarchists extend this argument further to non-human relationships with objects, other species, and the environment.

In keeping with these principles, there is no orthodox, overarching, uniform version of anarchism. There are multiple approaches to anarchist theory and practice tied together by common threads, and it is these commonalities that inform our anarchist archaeology. Here we outline principles for an anarchist archaeology that can be applied towards studies of the past, toward archaeologically informed examinations of contemporary societies, and to archaeological practices, including professional ethics. We offer this as both a manifesto and as a living document open to constant contextual review and revision.

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Decentering “the human” at the interfaces of anthropology and science studies?

This entry is part 19 of 20 in the Decolonizing Anthropology series.

By: Kristina Lyons

In what ways do seeds, soils, bees, microbes, and rivers matter when Native, Black, brown, queer, and trans human bodies are systematically under assault? Can a decolonizing approach successfully decenter “the human” in this political moment? For whom, when, and how is human exceptionalism a problem that needs to be overcome in the first place?

In my first year teaching feminist science studies courses at UC Santa Cruz, certain literature at the interfaces between anthropology and science studies that might be said to deal with “naturescultures” and “human-nonhuman” relations was received with discomfort by a number of the undergraduate students I encountered in my classes. Some of these students were in tension with being asked to care about what they perceived as beings or things outside their political identities and collectives in a commitment to foreground the violence(s) experienced by Native, Black, brown, queer, and trans human bodies. Others were predisposed against the masculine whiteness and Euro-Atlantic based analytical focus of much science studies, which has been a recurrent critique of dominant science and technology studies (STS) genealogies and scholarship. Still others were suspicious of anything that smelt of the Anthropocene, and its current framings that often uncritically assume a blanket concept of humanity, history, and geologic record. Despite their roles in shaping and being shaped by racist legacies and ongoing coloniality, I found myself at times in the extremely uncomfortable and impossible position of defending the disciplines of anthropology and science studies. One Native American student wrote me to share that her father had taught her never to trust an anthropologist. What if anything had “environmental” anthropology learned from the critical contributions of Indigenous, queer, feminist, and critical race and ethnic studies? Why does much STS continue to be focused on such a limited portion of the world narrated by white voices and perspectives? How might we go about “decolonizing” science studies and its interfaces? Where, when, how, by, and for whom is this a possibility or even desired? Continue reading

Anthropology Under My Skin

This entry is part 20 of 20 in the Decolonizing Anthropology series.

By: Lorena Gibson

How we can reclaim anthropology in Aotearoa New Zealand and stake out a new public and pedagogical space for the discipline? This question was at the heart of a panel at the recent Anthropology in Aotearoa Symposium, hosted by the Cultural Anthropology Programme at Victoria University of Wellington on 10-12 May 2017. My contribution to the panel–shared below–was as part of a group of anthropologists from across the country who collectively sought to address the above question.

Writing a poem was my way of overcoming the writer’s block that hit me when I tried to turn my abstract into a paper. I was inspired to do so after re-reading the work of my colleague Teresia Teaiwa, who has been a major influence on how I think about and practice anthropology and who sadly passed away earlier this year. My poem begins where I first encountered anthropology – as an undergraduate student in a first-year class taught by Jeff Sluka – and ends with a new class I will teach next term. Providing a view from Aotearoa, it retraces some key moments in my journey towards what Faye Harrison calls an anthropology for liberation.

I am grateful to Sita Venkateswar for showing me what a classroom agenda can look like when informed by a politics of decolonisation, and to Teresia Teaiwa for continuing to inspire.

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