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	<title>Comments on: Anthropologists as Scholarly Hipsters, Part II: Critiques from the Margins</title>
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	<description>Notes and Queries in Anthropology</description>
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		<title>By: Alex Posecznick</title>
		<link>/2014/05/05/anthropologists-as-scholarly-hipsters-part-ii-critiques-from-the-margins/comment-page-1/#comment-817872</link>
		<dc:creator><![CDATA[Alex Posecznick]]></dc:creator>
		<pubDate>Tue, 06 May 2014 13:45:24 +0000</pubDate>
		<guid isPermaLink="false">/?p=10983#comment-817872</guid>
		<description><![CDATA[Perhaps, it would be helpful for us to differentiate between the &#039;public intellectual&#039; and the &#039;celebrity intellectual.&#039; Or is even this a false dichotomy, with the former being used to describe intellectuals we approve of and the latter with those we don’t.  Or, perhaps as Eric Hobsbawm suggests, the ‘public intellectual’ was actually more the result of a particular historical moment than representative of a particular type of person.  He argues that “The decline of the great protesting intellectuals is thus due not only to the end of the Cold War, but to the depoliticization of Western citizens in a period of economic growth and the triumph of the consumer society” (http://chronicle.com/article/The-Paradox-of-Public/146153?cid=megamenu).  Is academic celebrity something we should therefore participate in?]]></description>
		<content:encoded><![CDATA[<p>Perhaps, it would be helpful for us to differentiate between the &#8216;public intellectual&#8217; and the &#8216;celebrity intellectual.&#8217; Or is even this a false dichotomy, with the former being used to describe intellectuals we approve of and the latter with those we don’t.  Or, perhaps as Eric Hobsbawm suggests, the ‘public intellectual’ was actually more the result of a particular historical moment than representative of a particular type of person.  He argues that “The decline of the great protesting intellectuals is thus due not only to the end of the Cold War, but to the depoliticization of Western citizens in a period of economic growth and the triumph of the consumer society” (<a href="http://chronicle.com/article/The-Paradox-of-Public/146153?cid=megamenu" rel="nofollow">http://chronicle.com/article/The-Paradox-of-Public/146153?cid=megamenu</a>).  Is academic celebrity something we should therefore participate in?</p>
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		<title>By: Alex Posecznick</title>
		<link>/2014/05/05/anthropologists-as-scholarly-hipsters-part-ii-critiques-from-the-margins/comment-page-1/#comment-817842</link>
		<dc:creator><![CDATA[Alex Posecznick]]></dc:creator>
		<pubDate>Tue, 06 May 2014 00:47:08 +0000</pubDate>
		<guid isPermaLink="false">/?p=10983#comment-817842</guid>
		<description><![CDATA[Thanks all for the thoughtful comments.  I wish to bring up here a discussion of exactly what we do mean by ‘public intellectual’ and what that looks like for anthropologists. I come with questions for discussion, not answers.  @StepsInShadows above suggests that we just “stopped” at some point, but there may be better ways to think about it.  @Enkerli, Wesch, Bateson-Mead, etc. are certainly interesting examples to bring up, as is the work done at the Center for a Public Anthropology (http://www.publicanthropology.org),/ including the complete book series that goes with it.  Among these, my personal favorite is Bourgois and Schonberg’s Righteous Dopefiend.  There are efforts to engage the public.

However, Bourgois and Schonberg are not household names like Margaret Mead was, or like Diamond, Dawkins, Neil DeGrasse Tyson, or Paul Krugman are.  Journalists like Barbara Ehrenreich also come close to crossing these intellectual lines through works like Nickel and Dimed.  These are authors of what Enkerli refers to as “semi-academic nonfiction.”  Emkerli also interestingly suggests that “it shouldn’t be too surprising that books in this genre aren’t typically published by people with an anthropological sensitivity.”  Why?  Is there something about anthropology in particular that makes crossing over into a popular, mainstream, semi-academic, non-fiction genre particularly challenging?  Is there a way to cross-over to speak to the general public in a way that they will find compelling and that will not sacrifice the spirit of anthropological inquiry?  Or does lightening up on the theory erase nuances so significant that in doing so it ceases to be anthropological?

Perhaps the change since Mead is not in us but in the fragmented mediascape we encounter.  We are not the only academic discipline to struggle with this question, after all.  But is this level of celebrity, public intellectual a desirable goal at all?]]></description>
		<content:encoded><![CDATA[<p>Thanks all for the thoughtful comments.  I wish to bring up here a discussion of exactly what we do mean by ‘public intellectual’ and what that looks like for anthropologists. I come with questions for discussion, not answers.  @StepsInShadows above suggests that we just “stopped” at some point, but there may be better ways to think about it.  @Enkerli, Wesch, Bateson-Mead, etc. are certainly interesting examples to bring up, as is the work done at the Center for a Public Anthropology (<a href="http://www.publicanthropology.org/" rel="nofollow">http://www.publicanthropology.org/</a>), including the complete book series that goes with it.  Among these, my personal favorite is Bourgois and Schonberg’s Righteous Dopefiend.  There are efforts to engage the public.</p>
<p>However, Bourgois and Schonberg are not household names like Margaret Mead was, or like Diamond, Dawkins, Neil DeGrasse Tyson, or Paul Krugman are.  Journalists like Barbara Ehrenreich also come close to crossing these intellectual lines through works like Nickel and Dimed.  These are authors of what Enkerli refers to as “semi-academic nonfiction.”  Emkerli also interestingly suggests that “it shouldn’t be too surprising that books in this genre aren’t typically published by people with an anthropological sensitivity.”  Why?  Is there something about anthropology in particular that makes crossing over into a popular, mainstream, semi-academic, non-fiction genre particularly challenging?  Is there a way to cross-over to speak to the general public in a way that they will find compelling and that will not sacrifice the spirit of anthropological inquiry?  Or does lightening up on the theory erase nuances so significant that in doing so it ceases to be anthropological?</p>
<p>Perhaps the change since Mead is not in us but in the fragmented mediascape we encounter.  We are not the only academic discipline to struggle with this question, after all.  But is this level of celebrity, public intellectual a desirable goal at all?</p>
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		<title>By: Andrew McGrath (@ajmcgrath78)</title>
		<link>/2014/05/05/anthropologists-as-scholarly-hipsters-part-ii-critiques-from-the-margins/comment-page-1/#comment-817837</link>
		<dc:creator><![CDATA[Andrew McGrath (@ajmcgrath78)]]></dc:creator>
		<pubDate>Mon, 05 May 2014 22:55:49 +0000</pubDate>
		<guid isPermaLink="false">/?p=10983#comment-817837</guid>
		<description><![CDATA[The ontological turn would be nowhere without Can and Big Star. ahem.]]></description>
		<content:encoded><![CDATA[<p>The ontological turn would be nowhere without Can and Big Star. ahem.</p>
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		<title>By: enkerli</title>
		<link>/2014/05/05/anthropologists-as-scholarly-hipsters-part-ii-critiques-from-the-margins/comment-page-1/#comment-817835</link>
		<dc:creator><![CDATA[enkerli]]></dc:creator>
		<pubDate>Mon, 05 May 2014 22:21:19 +0000</pubDate>
		<guid isPermaLink="false">/?p=10983#comment-817835</guid>
		<description><![CDATA[Mike Wesch might be a useful example of an active anthropologist who took on the role of a public anthropologist. The “viral video” he created to accompany an academic article has had a significant impact on people’s understanding of that material and the ethnographic insight is obvious in his work. The fact that some academics dismiss his work goes well with the rest of your post.
Another example, from the same scene, is danah boyd. The added complexity comes from her role in a corporate research lab (and the type of anthro credentials she has).
Mary-Catherine Bateson-Mead does some work which could qualify her as a public intellectual and she certainly has the intellectual lineage.
David Graeber has been part of public discourse and may be having quite a deep impact on social change, in line with the «intellectuel» epithet originally applied to Émile Zola in the Dreyfuss affair.
Our own Maximilian Forte has been doing work which resonated outside the Ivory Tower.

If you mean people like Jared Diamond, Steven Pinker, Jonah Lehrer, Malcolm Gladwell, and Richard Dawkins, it might be a different issue. Bestselling authors of what we could call “semiacademic nonfiction” are rare in anthro (though we do have best selling authors,including some who wrote fiction). Considering the potentially negative impact some of their work may have on topics close to our heart, it shouldn&#039;t be too surprising that books in this genre aren&#039;t typically published by people with an anthropological sensitivity.

Public intellectuals are, as a whole, a very interesting bunch. Few of them are praised by academics from the disciplines they represent. In fact, your Diamond example could be fleshed out with criticism from geographers. On the other hand, such authors often sound insightful to people outside those disciplines. It&#039;s quite interesting to observe people’s reactions when they realize that, say, Gladwell is as problematic a writer in other fields as he is in their own field.

But there are people writing fascinating things which are potentially more grounded in intellectual traditions similar to our own. The most satisfying ones also tend to be the most modest and honest. Apart from the anthros named above, one could add people like sociologist Zeynep Tufekci (not to be confused with anthropologist Zeynep Arsel, the former “Hipsterologist”), David Weinberger, Adam Greenberg, and Steven Berlin Johnson.

Been compiling a list of public intellectuals, from diverse horizons. Many of them are college-educated English-speaking males from privileged positions, but the cultural context privileging individual authordom and authority is patriarchal anyway.

Not to mention mainstream.]]></description>
		<content:encoded><![CDATA[<p>Mike Wesch might be a useful example of an active anthropologist who took on the role of a public anthropologist. The “viral video” he created to accompany an academic article has had a significant impact on people’s understanding of that material and the ethnographic insight is obvious in his work. The fact that some academics dismiss his work goes well with the rest of your post.<br />
Another example, from the same scene, is danah boyd. The added complexity comes from her role in a corporate research lab (and the type of anthro credentials she has).<br />
Mary-Catherine Bateson-Mead does some work which could qualify her as a public intellectual and she certainly has the intellectual lineage.<br />
David Graeber has been part of public discourse and may be having quite a deep impact on social change, in line with the «intellectuel» epithet originally applied to Émile Zola in the Dreyfuss affair.<br />
Our own Maximilian Forte has been doing work which resonated outside the Ivory Tower.</p>
<p>If you mean people like Jared Diamond, Steven Pinker, Jonah Lehrer, Malcolm Gladwell, and Richard Dawkins, it might be a different issue. Bestselling authors of what we could call “semiacademic nonfiction” are rare in anthro (though we do have best selling authors,including some who wrote fiction). Considering the potentially negative impact some of their work may have on topics close to our heart, it shouldn&#8217;t be too surprising that books in this genre aren&#8217;t typically published by people with an anthropological sensitivity.</p>
<p>Public intellectuals are, as a whole, a very interesting bunch. Few of them are praised by academics from the disciplines they represent. In fact, your Diamond example could be fleshed out with criticism from geographers. On the other hand, such authors often sound insightful to people outside those disciplines. It&#8217;s quite interesting to observe people’s reactions when they realize that, say, Gladwell is as problematic a writer in other fields as he is in their own field.</p>
<p>But there are people writing fascinating things which are potentially more grounded in intellectual traditions similar to our own. The most satisfying ones also tend to be the most modest and honest. Apart from the anthros named above, one could add people like sociologist Zeynep Tufekci (not to be confused with anthropologist Zeynep Arsel, the former “Hipsterologist”), David Weinberger, Adam Greenberg, and Steven Berlin Johnson.</p>
<p>Been compiling a list of public intellectuals, from diverse horizons. Many of them are college-educated English-speaking males from privileged positions, but the cultural context privileging individual authordom and authority is patriarchal anyway.</p>
<p>Not to mention mainstream.</p>
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		<title>By: StepsInShadows</title>
		<link>/2014/05/05/anthropologists-as-scholarly-hipsters-part-ii-critiques-from-the-margins/comment-page-1/#comment-817824</link>
		<dc:creator><![CDATA[StepsInShadows]]></dc:creator>
		<pubDate>Mon, 05 May 2014 16:26:27 +0000</pubDate>
		<guid isPermaLink="false">/?p=10983#comment-817824</guid>
		<description><![CDATA[Didn&#039;t Margaret Mead, Ruth Benedict, Gregory Bateson, and their predecessor, Franz Boas, do the public-intellectual thing? It&#039;s like we did the thing right up to the late 1960&#039;s and then stopped. If we picked it back up again, what would it look like? Twitter anthropology (of which there is plenty)? Anthropology on (not &#039;of&#039;, a la MWesch, but just on, available via) YouTube? Big-promo anthropology; a kind of Marina to Jared&#039;s Diamonds, bad pop-cultural pun fully intended?

I&#039;m not being facetious here - it strikes me that if anthropology is to take back its own territories, we need to dial down the hipster-elitism (and actually subtle classism) of talking about theories and aggressively do what we say we do - listen to, collaborate with, and promote the interests of our others, wherever they&#039;re found (these days, increasingly on social media).]]></description>
		<content:encoded><![CDATA[<p>Didn&#8217;t Margaret Mead, Ruth Benedict, Gregory Bateson, and their predecessor, Franz Boas, do the public-intellectual thing? It&#8217;s like we did the thing right up to the late 1960&#8217;s and then stopped. If we picked it back up again, what would it look like? Twitter anthropology (of which there is plenty)? Anthropology on (not &#8216;of&#8217;, a la MWesch, but just on, available via) YouTube? Big-promo anthropology; a kind of Marina to Jared&#8217;s Diamonds, bad pop-cultural pun fully intended?</p>
<p>I&#8217;m not being facetious here &#8211; it strikes me that if anthropology is to take back its own territories, we need to dial down the hipster-elitism (and actually subtle classism) of talking about theories and aggressively do what we say we do &#8211; listen to, collaborate with, and promote the interests of our others, wherever they&#8217;re found (these days, increasingly on social media).</p>
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		<title>By: Jam</title>
		<link>/2014/05/05/anthropologists-as-scholarly-hipsters-part-ii-critiques-from-the-margins/comment-page-1/#comment-817821</link>
		<dc:creator><![CDATA[Jam]]></dc:creator>
		<pubDate>Mon, 05 May 2014 15:11:36 +0000</pubDate>
		<guid isPermaLink="false">/?p=10983#comment-817821</guid>
		<description><![CDATA[Have you heard of the ontological turn? They&#039;re pretty new... only released their first EP..]]></description>
		<content:encoded><![CDATA[<p>Have you heard of the ontological turn? They&#8217;re pretty new&#8230; only released their first EP..</p>
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