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	<title>Comments on: Crowd-questioning Corporate Ethnographers</title>
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	<description>Notes and Queries in Anthropology</description>
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		<title>By: Boris</title>
		<link>/2010/05/27/crowd-questioning-corporate-anthropologists/comment-page-1/#comment-632313</link>
		<dc:creator><![CDATA[Boris]]></dc:creator>
		<pubDate>Mon, 07 Jun 2010 22:07:31 +0000</pubDate>
		<guid isPermaLink="false">/?p=3526#comment-632313</guid>
		<description><![CDATA[I&#039;d be interested in their views on the attempts of producer groups from Least Developed Countries (to use an industry term) to own, manage, and benefit from intangible assets. It is clear that in the corporate worlds, intellectual capital in all its legal and non-legal property form (trademarks, trade dress, trade design, patents, distribution agreements, licenses, company culture, etc.) is what it&#039;s all about. Less than 10% of what we pay for goes into covering production costs. Yet, most exporting producers say, in Sub-Saharan Africa, compete for the diminishing producer margins. So, even when exporting highly distinguishable products that command high prices in Western retail, when in other words &quot;value-added&quot; has already occurred, export income is capped at production cost margins, 5-10% of retail value.  

What would their advice be in approaching corporations on behalf producers whose intellectual assets are core of the corporate strategy? Whether in form brand identity (such as use of words and images), product (such as Ethiopian coffee growers asking Starbucks to use Ethiopian coffee brands under license), or knowledge (such as pharma companies basing product development on indigenous knowledge). 

I understand this may be not quite clear enough. But in case it does make sense, I will be grateful to hear the subject come up in the podcast. Even without it, I look forward to them.]]></description>
		<content:encoded><![CDATA[<p>I&#8217;d be interested in their views on the attempts of producer groups from Least Developed Countries (to use an industry term) to own, manage, and benefit from intangible assets. It is clear that in the corporate worlds, intellectual capital in all its legal and non-legal property form (trademarks, trade dress, trade design, patents, distribution agreements, licenses, company culture, etc.) is what it&#8217;s all about. Less than 10% of what we pay for goes into covering production costs. Yet, most exporting producers say, in Sub-Saharan Africa, compete for the diminishing producer margins. So, even when exporting highly distinguishable products that command high prices in Western retail, when in other words &#8220;value-added&#8221; has already occurred, export income is capped at production cost margins, 5-10% of retail value.  </p>
<p>What would their advice be in approaching corporations on behalf producers whose intellectual assets are core of the corporate strategy? Whether in form brand identity (such as use of words and images), product (such as Ethiopian coffee growers asking Starbucks to use Ethiopian coffee brands under license), or knowledge (such as pharma companies basing product development on indigenous knowledge). </p>
<p>I understand this may be not quite clear enough. But in case it does make sense, I will be grateful to hear the subject come up in the podcast. Even without it, I look forward to them.</p>
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		<title>By: Rick</title>
		<link>/2010/05/27/crowd-questioning-corporate-anthropologists/comment-page-1/#comment-631835</link>
		<dc:creator><![CDATA[Rick]]></dc:creator>
		<pubDate>Thu, 03 Jun 2010 18:08:34 +0000</pubDate>
		<guid isPermaLink="false">/?p=3526#comment-631835</guid>
		<description><![CDATA[I would want to know how he chooses a Chief Cultural Officer, and if he chooses anthropologists, or simply MBAs with a certain level of training. 
Does he choose from among people in his own personal network, or is there a place that acts as a clearing house for anthros to go and submit their resumes.  I looked on his website and I couldn&#039;t find such a place.]]></description>
		<content:encoded><![CDATA[<p>I would want to know how he chooses a Chief Cultural Officer, and if he chooses anthropologists, or simply MBAs with a certain level of training.<br />
Does he choose from among people in his own personal network, or is there a place that acts as a clearing house for anthros to go and submit their resumes.  I looked on his website and I couldn&#8217;t find such a place.</p>
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		<title>By: Michael</title>
		<link>/2010/05/27/crowd-questioning-corporate-anthropologists/comment-page-1/#comment-631456</link>
		<dc:creator><![CDATA[Michael]]></dc:creator>
		<pubDate>Sun, 30 May 2010 19:00:05 +0000</pubDate>
		<guid isPermaLink="false">/?p=3526#comment-631456</guid>
		<description><![CDATA[I would really like to hear your impressions and characterizations of the changing perceptions and receptions of anthropologists in the business world over the course of the last decade. In particular, I&#039;m wondering what your sense is that ethnography could be perceived as more than just the latest or most interesting data collection methodology, but could actually play a role in making decisions and possibly even changing the way decisions are made. In my experience, even companies that claim to be &quot;innovative&quot; tend to constantly fall back on the same ways of thinking that are tried and true. Grant, I know creating the &quot;chief culture officer&quot; position hopes to put anthropology-informed thinking in such a role, so I&#039;d be curious to hear what kinds of reception you have had so far--are there any concrete plans to actually establish a CCO role in any companies out there?]]></description>
		<content:encoded><![CDATA[<p>I would really like to hear your impressions and characterizations of the changing perceptions and receptions of anthropologists in the business world over the course of the last decade. In particular, I&#8217;m wondering what your sense is that ethnography could be perceived as more than just the latest or most interesting data collection methodology, but could actually play a role in making decisions and possibly even changing the way decisions are made. In my experience, even companies that claim to be &#8220;innovative&#8221; tend to constantly fall back on the same ways of thinking that are tried and true. Grant, I know creating the &#8220;chief culture officer&#8221; position hopes to put anthropology-informed thinking in such a role, so I&#8217;d be curious to hear what kinds of reception you have had so far&#8211;are there any concrete plans to actually establish a CCO role in any companies out there?</p>
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		<title>By: Jason Jackson</title>
		<link>/2010/05/27/crowd-questioning-corporate-anthropologists/comment-page-1/#comment-631205</link>
		<dc:creator><![CDATA[Jason Jackson]]></dc:creator>
		<pubDate>Fri, 28 May 2010 16:13:04 +0000</pubDate>
		<guid isPermaLink="false">/?p=3526#comment-631205</guid>
		<description><![CDATA[I&#039;d be interested in Grant McCracken&#039;s reflections on (1) his work as a museum person and material culture studies scholar and (2) on his transition out of that world and into his current work in culture of/in/for corporations. Graduate students in my department are more likely to be reading his book Big Hair or his essay in Material Anthropology than they are to know about Chief Culture Officer. I have tried to follow the line of progression and to keep his work in the mix by seeking reviews of his more recent books for Museum Anthropology Review. I saw his exhibition on Toronto youth culture at the Royal Ontario Museum during his time there and felt that it was very innovative. Museum anthropology would certainly be more interesting today if he were still involved.]]></description>
		<content:encoded><![CDATA[<p>I&#8217;d be interested in Grant McCracken&#8217;s reflections on (1) his work as a museum person and material culture studies scholar and (2) on his transition out of that world and into his current work in culture of/in/for corporations. Graduate students in my department are more likely to be reading his book Big Hair or his essay in Material Anthropology than they are to know about Chief Culture Officer. I have tried to follow the line of progression and to keep his work in the mix by seeking reviews of his more recent books for Museum Anthropology Review. I saw his exhibition on Toronto youth culture at the Royal Ontario Museum during his time there and felt that it was very innovative. Museum anthropology would certainly be more interesting today if he were still involved.</p>
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