Tag Archives: web 2.0

Seeing Like a Social Network

paris-urban-form_crop-e

Fabric of Paris

In James Scott’s book Seeing Like a State, he compares the rise of surnames to the layout of Baron Haussmann’s Paris, with its wide boulevards designed (in part) for easier crowd control, to the rise of surnames. Both serve to make that which is legible only to local citizens more easily seen from the bird’s-eye view of the state.

The invention of permanent, inherited patronyms was, after the administrative simplification of nature (for example, the forest) and space (for example, land tenure), the last step in establishing the necessary preconditions of modern statecraft. In almost every case it was a state project, designed to allow officials to identify, unambiguously, the majority of its citizens. When successful, it went far to create a legible people. Tax and tithe rolls, property rolls, conscription lists, censuses, and property deeds recognized in law were inconceivable without some means of fixing an individual’s identity and linking him or her to a kin group. Campaigns to assign permanent patronyms have typically taken place, as one might expect, in the context of a state’s exertions to put its fiscal system on a sounder and more lucrative footing. Fearing, with good reason, that an effort to enumerate and register them could be a prelude to some new tax burden or conscription, local officials and the population at large often resisted such campaigns.

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Eco-Chic Burning Man Hipsters

That curious identity politic that mixes neo-primitive fashion, ecological coolness, spiritual openness, upper middle class ambition, multiculturalism, and conscious consumerism can be coalesced under the moniker eco-chic–an elite contradictory expression of social justice and neoliberalism. It will be explored in the conference EcoChic: Connecting Ethical, Sustainable and Elite Consumption, put on by the European Science Foundation in October. The conference organizers see this expressive culture accurately in its rich contradictions. Eco-chic “is both the product of and a move against globalization processes. It is a set of practices, an ideological frame and a marketing strategy.” If you’ve spent anytime in Shoreditch, Haight, Williamsburg, or Silverlake you’ve got some experience with these hip, trendy elites. Ramesh calls them “Burning Man Hipsters.” I’ve been studying new media producers in America and eco-chic describes an important cultural incarnation of these knowledge producer’s value set. As far as anthropology is concerned, meta-categories such as eco-chic, liberalism, or transhumanism that cross cultural boundaries while remaining bound by class, challenge our discipline to revisit totalizing notions such as “culture” and “tribe.”

Eco-chic, like many other socio-cultural manifestations of neoliberalism is rife with contradiction. The fundamental contradiction being that it is a social justice movement within consumer capitalism. The producers of eco-chic goods and experiences are structured by capitalism’s profit motive. Likewise consumers of eco-chic goods and experiences are motivated by ideals that try to transcend or correct the ecological or deleterious human impacts of capitalism. Thus both producer and consumer of eco-chic are caught in a contradiction between their social justice drives and their suspension in the logic of neoliberalism. Eco chic events such as Burning Man and television networks such as Al Gore’s Current TV also express the fundamental contradiction between the social and the entrepreneurial in social entrepreneurialism. How do the contradictions within eco-chic represent themselves in American West Coast’s cultural expressions such as Burning Man and Current TV? Continue reading

I Got Remixed by a Palestinian Hip-Hop Activist

A while back I wrote an incendiary post Remix Culture is a Myth that got me accused of elitism and other signs of unhipness. Stepping off of a tweet by Andrew Keen (“remix is a myth. … Barely anyone is remixing…”), I claimed remix culture receives way more academic attention than it’s small examples deserved. Biella Coleman and others correctly reminded me that it isn’t its quantity or quality but its challenge to legal institutions and liberal philosophy, as well as novel modes of production within and maybe beyond capitalism that make remix important. They convinced me of these points but I am still reeling from a new experience that added another perspective to my understanding of the impact of remix culture. My footage just got remixed by a Palestinian activist. 

A little over a month ago I uploaded 24 minutes of raw footage of the Palestine/Israel Wall I shot in 2009. This is footage for a documentary I am making about divided cities. I’ve finished the sections on Nicosia, Cyprus and Belfast, North Ireland and I’ve finished shooting but not editing this story on East Jerusalem. Unedited and with its natural sounds I thought it was gritty and evocative enough to stand alone on YouTube. I uploaded it and titled it “Palestine Apartheid Wall Raw Footage.” Last week I got a YouTube message from user WHW680 who kindly informed me that he remixed my footage into the French pro-independent Palestine hip-hop video “the Wall of Zionist Racist Freedom for Palestine.” Shocked and honored I watched the video.

Artistically, WHW680 doesn’t use the shots I would; he doesn’t get the projection ratios right; I wouldn’t quite be so intense with the title; and he cuts the edits too early or too late, making the viewing experience choppy. I am being intentionally superficial here for a reason, as I am trying to express the first round of mental dissonance experienced when remixed. As a cinematographer it is an enlightening if challenging ordeal. It gets deeper, too, when your work is not only remixed in a way that challenges your technical and artistic vision but is used politically in surprising ways.

The footage was used to make a music video for the track “Palestine” by Le Ministère des Affaires Populaires, a popular Arab-French hip-hip group in Paris, off of “Les Bronzés Font du Ch’ti” described as “an album that sounds like a call to rebellion, insurrection and disobedience but also solidarity.” They tour Palestine, including Gaza. The music is fantastic, mixing breaks, good flows, meaningful lyrics, and longing violins. Obviously I can get behind the activism of a liberated Palestine but becoming a tool for propaganda, despite my agreement with it, without my vocal consent, is a creatively dissonant experience.

Political semiotic engineering for the right causes I can dig, but agency denying actions are experienced as a type of cognitive violation nonetheless. The quintessential sign of this is the final few second of the video. After the footage ends and while the music still lingers, the words “Freedom, Return, and Equality,” and “Free Palestine-Boycott Israel,” and www.bdsmovement.net circle a Palestinian flag. This final frame essentially brands this video for the BDS Movement, a civil rights organization focused on “boycotts, divestment and sanctions (BDS) against Israel until it complies with international law and Palestinian rights.”

This isn’t “my” footage anymore, WHW680 generously cites me in the description, but the semiotic potential of the footage previously shot by me is mobilized for the BDS Movement. The aesthetic and the political fold into each other in remix activities in which preceding agencies, my own as cameraman, is incorporated or replaced by the technical agencies of the French remixer, WHW680, and reformulated into the political vision of the pro-Palestinian BDS Movement. Which is all good, but it gives me a new look at remix culture.

This experience has forced me to eat some of my words. Remix culture isn’t a myth. I agree with my earlier detractors who stated that it isn’t about the volume of the activity nor the impact of this remixed song or that music video. I would add something more. Being remixed is personally transformative for those being reformatted by values and practices beyond their control. Not only does remix challenge jurisprudence and liberalism, and present new modes of knowledge production, it also modifies the subjective constitution of agency in artistic and political social sphere.

Information Imperialism?

By the end of the year the US State department will spend $70 million on stealth communications technologies to enable activists to communicate beyond the reach of dictators according to a recent NYT article. Prototypes include a suitcase capable of quickly blanketing a region with a free wifi network, bluetooth devices that can silently share data, software that protects the anonymity of Chinese users, independent cellphone networks in Afghanistan, and underground buried cell phones on the border of North Korea for desperate phone calls to “freedom.” These are political tools deployed to promote the agenda of one nation over that of another. How should we address information imperialism? The use of networked communications tools to subvert so-called regimes exposes a proclivity for digital intervention that likely also includes digital literacy projects to provoke revolutionary actions, propaganda campaigns to make celebrities out of bloggers, and covert code warfare. Let’s review the spectrum of information interventions to ascertain the ways and hows of information imperialism. Continue reading

Jonathan Franzen: Read Some Erving Goffman. Please!

Jonathan Franzen’s NY Times Op-Ed, “Liking Is for Cowards. Go for What Hurts,” is one of the most e-mailed articles and is also one of the most shared articles on my Twitter and Facebook feeds. And it hurts.

Let’s start here:

I may be overstating the case, a little bit. Very probably, you’re sick to death of hearing social media disrespected by cranky 51-year-olds.

Yes. Next?

My aim here is mainly to set up a contrast between the narcissistic tendencies of technology and the problem of actual love.

Wait. What? Why is technology narcissistic? Although he starts out talking about his “sexy” BlackBerry Bold, he really means Facebook. One is a piece of hardware, the other a piece of social software accessed via that device. If, for the time being, we assume that Facebook is narcissistic, does that mean that all technology is narcissistic? What is narcissistic about a telephone, a device which allows you to speak to other people? Sure, your conversations may be about yourself, but that’s because you’re narcissistic, not because your telephone is.

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Academic Research in the Age of Facebook

Two articles prompted this post. Jonah Lehrer’s WSJ article on how easy it is for a “wise crowd” to turn into a “dumb herd,” and a NY Times piece about Eli Pariser’s The Filter Bubble: What the Internet Is Hiding from You. How might this kind of filtering, networking, and pre-digesting of data affect academic research?

Eli Pariser tells us, not too surprisingly, that Google adapts to our needs, showing us stuff it thinks we are more likely to be interested in.

If you’re a foodie, says Jake Hubert, a Google spokesman, “over time, you’ll see more results for apple the fruit not for Apple the computer, and that’s based on your Web history.”

Which is fine, except that

in a effort to single out users for tailored recommendations or advertisements, personalization tends to sort people into categories that may limit their options. It is a system that cocoons users, diminishing the kind of exposure to opposing viewpoints necessary for a healthy democracy, says Jaron Lanier, a computer scientist and the author of “You Are Not a Gadget.”

“People tend to get into this echo chamber where more and more of what they see conforms to the idea of who some software thinks they are — like a Nascar dad who likes samurai swords,” Mr. Lanier says. “You start to become more and more like the image of you because that is what you are seeing.”

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@_Capitalism_

I wasn’t so sure that it reflexively understood what it was doing with the whole global bio-political-cash-techno-domination thing–so it is an honor to finally hear from @capitalism_ itself on Twitter! Here @_capitalism describes its Twitterverse suchly:

“This is my house, this is where I speak my thoughts, this is where I brutalize the masses.”

In the great model of other revealers such as @MuammarLGaddafi, @OsamaInHell, and @BPGlobalPR–here is a representative sample of what @capitalism is thinking about today. Check out the transparency that can be achieve when grand narratives take it upon themselves to use the spiritual technology of the world wide web. No more investigative reporting, academic activism, or critical theory is necessary to interpret disaster capitalism. It is all right here! Zuckerberg is right, the world is becoming more transparent ‘cuz of the internets. Thanks Biz Stone and thank you @capitalism for coming clean with your intents!

_Capitalism_

Cash grabbing is an altruistic behaviors, grab that cash, put your consciousness on hold for another fifty years.  Continue reading

Critical Pessimism & Media Reform Movements

The American satellite television network Free Speech TV asked me to write up a blurb for their monthly newsletter about my participatory/observatory trip with them to the National Conference on Media Reform in Boston. This is my attempt at what Henry Jenkins calls “critical pessimism”–an “exaggeration” that “frighten readers into taking action” to stop media consolidation, exclusion, and the absence of televisual diversity.

Free Speech TV at the National Conference on Media Reform

From its inception in 1995, Free Speech TV’s goal has been to infiltrate and subvert the vapid, shrill and corporately controlled American television newscape with challenging and unheard voices. Fast forward to 2011, and in the age of viral videos, social media and ubiquitous computing, the same issues persist.

An excellent young pro-freedom-of-speech organization, Free Press, called all media activists to Boston for the National Conference on Media Reform (NCMR), April 8-10, to celebrate independent media and incubate strategies to fight the tide of corporate personhood, monopolization in communication industries, and the denial of access to the public airwaves.

These are issues FSTV has long fought, first with VHS tapes of radical documentaries shipped to community access stations throughout the nation, then through satellite carriage in 30 million homes, and now via live internet video and direct dialogues with the audience through social media.

FSTV was at NCMR in full force, covering live panels on everything from the role of social media in North African revolutions to media’s sexualization of women; developing strategic relationships with print, radio, internet and television collaborators; interviewing luminaries like FCC Commissioner Copps; and inspiring the delegates by opening up the otherwise closed and corporatized satellite television world to the voices of media activists fighting for access and diversity during a frankly terrifying period in American media freedom.

One question haunted the many stages, daises and dialogues at the NCMR: Is the open, decentralized, accessible and diverse internet – by which media production, citizen journalism and community collaboration have been recently democratized – becoming closed, centralized and homogenous as it begins to look and feel more like the elite-controlled cable television system?

For example, while we were in the conference, the House voted to block the FCC from protecting our right to access an open Internet. The mergers of Comcast and NBC-Universal and AT&T/T-Mobile loomed behind every passionate oration. And yet FSTV was there to document when FCC Commissioner Copps took the stage stating he would resist the denial of network neutrality and such monopolizing mergers.

Internationally, examples of the power and problems of the internet exist. The Egypt-based Facebook group “We are all Khaled Said” had 80,000 members, many who amassed at Tahrir Square on January 26, instigating a wave of democratization that began in Tunisia – also fueled by social media – and hopefully continuing to Libya. Two days later, however, the Mubarak regime was able effectively to hit a “kill switch” on the internet and target activists using Facebook for arrest, an activity that worked against the desires of the repressive regime. At the NCMR, Democracy Now! reporter Sharif Abdel Kouddous said,  “Facebook was down … so they hit the streets. It had the reverse desire and effect that the government wanted to happen.”

In 2010, Reporters Without Borders compiled a list of 13 internet enemies – countries that suppress free speech online. The U.S. wasn’t on the list, but U.S. companies Amazon, Paypal, Mastercard, Visa and Apple were pressured to cut digital and financial support for whistleblowing WikiLeaks. The point is obvious: A vigilant press aided by an open, uncensored and unprivatized internet are necessary yet threatened and are the focus of FSTV’s coverage at NCMR.

FSTV embodies that ancient movement of ordinary people taking back power from entrenched elites. Today, every issue, from class inequality to ecological justice – is a media issue. However, our media sources, from journalists to internet and television delivery systems, are being co-opted by monopolizing corporations and lobbyists. As an independent, open and interactive television network, FSTV is an antidote to the problems facing free speech and democracy as more media power is centralized in fewer hands. Thankfully, as we found out in Boston, FSTV is not alone in this dangerous and difficult operation of media liberation.


Jenkins hyperbolically describes “critical pessimists” as people who “opt out of media altogether and live in the woods, eating acorns and lizards and reading only books published on recycled paper by small alternative presses”. This is a false exaggeration of a movement that is providing a necessary check on corporate power and mindfully working for greater civic, community, and citizen involvement in media production.

Participation, Collaboration, and Mergers

I work at UCLA’s Part.Public.Part.Lab where we investigate new modes of co-production and participation facilitated by networked technologies. Internet-enabled citizen journalism such as Current TV, public science like PatientsLikeMe, and free and open software development like Wikipedia are key foci. In the lab I investigate the vitality or closure of a moment of freedom and openness within cable television, news production, and internet video when the amateur and the alternative disrupted the professional and the mainstream. What are the promises and perils of social justice video in the age of internet/television convergence? Will internet video become as inaccessible, vapid, and homogenous as cable television? In our recent paper, Birds of the Internet: Towards a field guide to the organization and governance of participation, we draft a guide to identify two species flourishing in the internet ecology: what we call “formal social enterprises,” which include firms and non-profits, as well as the “organized publics” the enterprises foster or from which they emerge. These two types share a vertical or inverted relationship, power comes down from visionary CEOs and charismatic NGO directors to provoke rabid social media production, or a viable movement foments amongst grassroots makers that percolates upwards towards the formation of semi-elitist institutions. In light of this research and with a discreet fieldwork experience to think through I would like to clarify and address three types of social interaction: participation, collaboration, and mergers. Continue reading

Performing Technical Affiliation

By Patricia G. Lange, USC

There’s a new sociological variable in town, one which I call performing technical affiliation. Technically speaking, it is not a new way of thinking about identity. For many years, perhaps millennia, people have enacted aspects of identity by interacting with and through technologized objects, forms of knowledge and related practices and values. Nevertheless, technical affiliation is not recognized on the same level of analytical importance as are traditional variables—such as class, sex, gender, ethnicity, and social race—that are most often cited in anthropological studies of sociality. It is time that technical affiliations are brought more systematically into analyses of identity and negotiations of the self.

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Social Media: From Meaning to Presence

by Jenny Cool, USC

I sometimes joke that I’ve been working in new media so long I can’t believe we still call it that. But longitude is no laughing matter in an age of time-space compression: and the persistence of novelty no accident. Yet, there is much to be gleaned from histories of the new. At least that’s what I contend in taking up Adam’s invitation to post about my 10-year study of Cyborganic, an influential group of early web geeks—producer-consumers of new forms, social imaginaries, and practices of networked communication and techno-sociality. Cyborganic spored and faded away by 2003, yet many of the genres, imaginaries, and practices that emerged out of this milieu (San Francisco’s South of Market area in the 1990s) have since become predominant on the Internet. Cyborganic members brought Wired magazine online; led the open source Apache project; and created dozens of Internet firms and projects, from bOING bOING to Craig’s List and Twitter. Continue reading

Thinking about the importance of communications “revolutions.”

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There has been a lot of talk about the importance of social media in recent world events. See for instance, here, here, and here. Some of the more astute commentators have referred to earlier technological revolutions and their impact on television: usenet, fax machines, television, cameras, telegraph, and even the printing press. One technology, however, always seem to get left out, maybe because it seems too “obvious,” and that is literacy.

This is too bad because there is a great literature on the subject. A user named “dinalopez” has put together a wonderful bibliography on WorldCat – a list which contains many of my favorite articles on the subject, as well as many I haven’t read. I wanted to draw upon this critical literacy studies literature to make three points about technology and social change.

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Cultural Contradictions of Net Neutrality

“Free, open, keep one web,” World Wide Web inventor Sir Tim Berners-Lee’s is heard provoking us in the 15 second video above.

How can you champion anything that has the totalizing vibe to it as Berners-Lee’s One Web thing? Doesn’t it sound like One Web=One World=First World? Isn’t this One Web pitch a commercial for the global hegemony of Silicon Valley made technologies, standards, and corporations? Wouldn’t a greater diversity of broadband and wifi options be more advantageous to cultural diversity than merely One? The controversial and slightly ridiculous claim I will make now is that the tiering or diversification of the internet, such as we saw yesterday at the FCC, might foreshadow the fragmentation of the One Web into many ethnic and linguistic webs in the future.

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What’s behind YouTube and Mechanical Turk?

This is the second provocation on the theme of digital labor from me and Ramesh Srinivasan. To warm up, check out Saskia Sassen at last year’s Internet as Playground and Factory as she warns us about how financial logicians uses networked technologies to manipulate human ingenuity:

Free Use as Free Labor on YouTube

YouTube, subsidiary of Google, serves as a notable example of how a company creates value through free, user-contributed labor. User-producers upload content to YouTube for free and are given the opportunity to freely use Google’s immense, proprietary data centers (commonly called the “cloud”). Adding content, commenting, tagging, and even browsing all add value to the corporate product, though the amount of user investment and creative immersion differs in each of these cases. In the process, content creators facilitate Google’s ability to place targeted advertisements. These advertising schemes are monetized via the billion+ views YouTube receives per week. Commenting, tagging, and browsing are more passive forms of labor, as each adds to YouTube’s ability to build a social space that users will continuously return to, and optimize algorithms that allow for more efficient retrieval and browsing.

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#AAA2010 FTW!

This year was a breakout year for the use of Twitter at the AAA. The ease of Tweeting via SMS or over 3G networks meant that limited wifi access wasn’t a problem. According to Summarizr, there were over 1031 tweets using the #AAA2010 hashtag.

80% (824) of the tweets in this TwapperKeeper archive were made by 28% (56) of the twitterers.

The top 10 (5%) twitterers account for 31% (326) of the tweets.

49% (96) of the twitterers only tweeted once.

It was also great meeting some of you at the SavageMinds party!