My childhood imagination enhanced stories told to me by my elders of where we were from, and my history embraced the possibility of exciting seafarers, noble learned men and women, poor housekeepers, exiled princesses, wandering mystics, Marxists fighting the good fight, and revolutionaries standing up against the British. While some of this might very well be true, at age five or six, sitting in New Jersey, truth was a far fetched notion and irrelevant. As we do, I have carried these stories with me through my life and into my practice, and I revisit them now as I consider the topography of text. I am curious about what it means to write about others from a position of otherness as the cartography of elsewhere informs my writing from within, while positioned somewhere else.
Where are you from?
But, where are you really from?