(Savage Minds is pleased to run this guest column from Gina Athena Ulysse as the launch post of our new Writers’ Workshop series. Gina is an associate professor of anthropology at Wesleyan University. Born in Haiti, she has lived in the United States for the last thirty years. She is also a poet, performance artist and multi-media artist. Prof U, as her students call her, is the author of Downtown Ladies: Informal Commercial Importers, A Haitian Anthropologist and Self-Making in Jamaica (Chicago 2008). She recently completed Why Haiti Needs New Narratives, a collection of post-quake dispatches, essays and meditations written between 2010-2012. Currently, she is developing, VooDooDoll, What if Haiti Were a Woman, a performance-installation project. Most recently, her writing has been published in Gastronomica, Souls, and Transition.)
When I write, there’s a slight lag- a
-whatever– space-between when words strung together into phrases or sentences are transmitted onto the page with fingers trained as intermediaries. A right hand injury made me identify this pause as I became more conscious of various aspects and levels in my writing. Not being able to type gave me a new relationship to interludes in my process. Continue reading
[The post below was contributed by guest blogger Ali Kenner, and is part of a series on the relationship between academic precarity and the production of ethnography, introduced here.]
What might one find on the sidelines of academia? If you’re the managing editor of an academic journal, such as Cultural Anthropology (CA), the sidelines are rich with activity – trouble-shooting Open Journal Systems and managing content on http://culanth.org; staying up on open access conversations; running CA’s editorial intern program; coordinating various projects and figuring out how best to archive them; overseeing the production of the journal, in print and online; and managing the redesign of CA’s website. You’ll spend untold hours with your email client, and talk about how much time you spend there (this is part of your “busy” talk).
I didn’t see my work with CA as academic, or ethnographic, until recently. “Sidelines” is a fitting concept for the work I do at CA – managing editor by day, and ethnographer – of asthma, yoga, and alternative healthcare systems – by night, and weekend. I told myself I would stay on the sideline just until my partner finished grad school, then we could go on the job market together. But this isn’t honest – CA is much more than a day job for me (especially when you consider how I really spend my nights and weekends). I am compelled by our professional gold standard, the tenure-track position. That’s the endgame for many of us, I think. On the other hand, I love the work I do at CA. It’s an incredible space of production, if not in terms of conventional social science research.
As for my precarious position – I work on a 12-month contract and I ignore this fact. For now. Continue reading