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	<title>Comments on: Place Hacking</title>
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		<title>By: Place Hacking &#187; Blog Archive &#187; 15 thoughts for PhD students</title>
		<link>http://savageminds.org/2010/01/20/place-hacking/comment-page-1/#comment-703284</link>
		<dc:creator>Place Hacking &#187; Blog Archive &#187; 15 thoughts for PhD students</dc:creator>
		<pubDate>Sun, 12 Dec 2010 20:54:27 +0000</pubDate>
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		<description>[...] in high-ranking journals. I often publish in other places, sideline journals, online magazines, interviews on other people’s blogs, etc. but these are always in addition to my primary work thread. My best advice, passed on from my [...]</description>
		<content:encoded><![CDATA[<p>[...] in high-ranking journals. I often publish in other places, sideline journals, online magazines, interviews on other people’s blogs, etc. but these are always in addition to my primary work thread. My best advice, passed on from my [...]
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		<title>By: T W Reynolds</title>
		<link>http://savageminds.org/2010/01/20/place-hacking/comment-page-1/#comment-631115</link>
		<dc:creator>T W Reynolds</dc:creator>
		<pubDate>Wed, 26 May 2010 20:54:19 +0000</pubDate>
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		<description>As a MA student working in cultural landscapes I find this article refreshing.  Here we have Garrett just telling his story.  We are excited by the idea of exploring the past through its decaying skeletons. This article steps down from the ivory tower into urban ruins.  Does it glorify or romanticize the experience? Sure it does because it is about the experience not the results. Would I be interested in seeing his methodology chapter sure I would. I think his reasoning would be similar to all of ours.</description>
		<content:encoded><![CDATA[<p>As a MA student working in cultural landscapes I find this article refreshing.  Here we have Garrett just telling his story.  We are excited by the idea of exploring the past through its decaying skeletons. This article steps down from the ivory tower into urban ruins.  Does it glorify or romanticize the experience? Sure it does because it is about the experience not the results. Would I be interested in seeing his methodology chapter sure I would. I think his reasoning would be similar to all of ours.
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		<title>By: John McCreery</title>
		<link>http://savageminds.org/2010/01/20/place-hacking/comment-page-1/#comment-627977</link>
		<dc:creator>John McCreery</dc:creator>
		<pubDate>Mon, 25 Jan 2010 02:45:59 +0000</pubDate>
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		<description>_Given that I have spent a good chunk of my life participating with and interviewing dozens of people connected to the practice, and given that I am essentially putting myself forward as a representative for this very large underground community, many of whom are rather unhappy that I am doing so, yes, I am going to promote, not condemn the practice in an interview about my work._

Bradley, thank you. Every anthropologist should think carefully about what you say here. 

We need to recognize, first, that without the romanticizing and aestheticizing now seen as sins, anthropology would not exist. Imagine if every early anthropologist had written like Raymond Firth instead of Bronislaw Malinowski, let alone in the ponderous style of current critical theory. How many people would have read anthropology or found it exciting enough to pursue as a career?

We need to consider, second, that if we want our voices to be heard we need to negotiate the same fine line as journalists, both looking for a compelling story and treating our sources with respect — and, at the same time, being careful to avoid selling out by simply repeating what our sources want us to say. If our theories are worth the bother, it will always be because they reveal aspects of  what we are told or what we observe of which our sources may either be unaware or reluctant to reveal. How far we will go in exposing, demystifying or explaining will always be an unavoidable moral decision. Avoiding both the Scylla of selling out and the Charybdis of doing harm will never be easy.</description>
		<content:encoded><![CDATA[<p>_Given that I have spent a good chunk of my life participating with and interviewing dozens of people connected to the practice, and given that I am essentially putting myself forward as a representative for this very large underground community, many of whom are rather unhappy that I am doing so, yes, I am going to promote, not condemn the practice in an interview about my work._</p>
<p>Bradley, thank you. Every anthropologist should think carefully about what you say here. </p>
<p>We need to recognize, first, that without the romanticizing and aestheticizing now seen as sins, anthropology would not exist. Imagine if every early anthropologist had written like Raymond Firth instead of Bronislaw Malinowski, let alone in the ponderous style of current critical theory. How many people would have read anthropology or found it exciting enough to pursue as a career?</p>
<p>We need to consider, second, that if we want our voices to be heard we need to negotiate the same fine line as journalists, both looking for a compelling story and treating our sources with respect — and, at the same time, being careful to avoid selling out by simply repeating what our sources want us to say. If our theories are worth the bother, it will always be because they reveal aspects of  what we are told or what we observe of which our sources may either be unaware or reluctant to reveal. How far we will go in exposing, demystifying or explaining will always be an unavoidable moral decision. Avoiding both the Scylla of selling out and the Charybdis of doing harm will never be easy.
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		<title>By: Bradley L. Garrett</title>
		<link>http://savageminds.org/2010/01/20/place-hacking/comment-page-1/#comment-627952</link>
		<dc:creator>Bradley L. Garrett</dc:creator>
		<pubDate>Sun, 24 Jan 2010 13:17:54 +0000</pubDate>
		<guid isPermaLink="false">http://savageminds.org/?p=3115#comment-627952</guid>
		<description>@MRosen - Thank you for your comments. I will respond briefly in two points. One: my replies to Adam&#039;s &quot;probing&quot; questions were, I think, a necessary glorification because essentially the only question was &quot;why should we care?&quot; Given that I have spent a good chunk of my life participating with and interviewing dozens of people connected to the practice, and given that I am essentially putting myself forward as a representative for this very large underground community, many of whom are rather unhappy that I am doing so, yes, I am going to promote, not condemn the practice in an interview about my work.

Which brings me to my second point: what I may say in an interview online or post on my blog will obviously be rather different from the content of my dissertation. Would you prefer me to post my methodology chapter? I will of course add to academic discourse about the shortcomings and failings of the practice, about buying into one system of Western thought and representation while rejecting another, about the glorification (in line with systems of Western thought) of ruin, dereliction, etc., but that was not the goal here. The goal was to introduce the SM community to something new and exciting, to promote my research and to get people talking. Which it has done!

@John - of course the &quot;authorities&quot; are lurking in the same places, that just reinforces my point about illusions of control!

Thanks again for the comments!</description>
		<content:encoded><![CDATA[<p>@MRosen &#8211; Thank you for your comments. I will respond briefly in two points. One: my replies to Adam&#8217;s &#8220;probing&#8221; questions were, I think, a necessary glorification because essentially the only question was &#8220;why should we care?&#8221; Given that I have spent a good chunk of my life participating with and interviewing dozens of people connected to the practice, and given that I am essentially putting myself forward as a representative for this very large underground community, many of whom are rather unhappy that I am doing so, yes, I am going to promote, not condemn the practice in an interview about my work.</p>
<p>Which brings me to my second point: what I may say in an interview online or post on my blog will obviously be rather different from the content of my dissertation. Would you prefer me to post my methodology chapter? I will of course add to academic discourse about the shortcomings and failings of the practice, about buying into one system of Western thought and representation while rejecting another, about the glorification (in line with systems of Western thought) of ruin, dereliction, etc., but that was not the goal here. The goal was to introduce the SM community to something new and exciting, to promote my research and to get people talking. Which it has done!</p>
<p>@John &#8211; of course the &#8220;authorities&#8221; are lurking in the same places, that just reinforces my point about illusions of control!</p>
<p>Thanks again for the comments!
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		<title>By: John McCreery</title>
		<link>http://savageminds.org/2010/01/20/place-hacking/comment-page-1/#comment-627945</link>
		<dc:creator>John McCreery</dc:creator>
		<pubDate>Sun, 24 Jan 2010 08:49:27 +0000</pubDate>
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		<description>Thanks, MT. Now we are getting somewhere. I just get annoyed occasionally when folks trot out &quot;critical&quot; buzzwords in a wholly uncritical way.

Pure speculation, but I wonder if ignoring &quot;No trespassing&quot; signs to explore abandoned buildings and then posting footage on the Internet doesn&#039;t involve a new twist on the old game of doing something the parents tell you not to do and then telling your friends about it. There&#039;s an assumption here that the authority figures don&#039;t care all that much and, even if they do, they won&#039;t be hip to what only you and your friends know about. 

Cory Doctorow&#039;s SF novel _Little Brother_ explores what happens when these assumptions break down in a near-future USA where Homeland Security is watching every move and every keystroke that the &quot;I&#039;m just playing, I&#039;m not a terrorist&quot; teenage heroes make. 

I remember having a high school friend whose dad worked at Camp Peary where the CIA trains its black ops people. Every time we drove through the gate, I got a little rush from reading the sign that said, &quot;Trespassers may be shot without warning.&quot; I wonder how that sort of situation would change urbex.</description>
		<content:encoded><![CDATA[<p>Thanks, MT. Now we are getting somewhere. I just get annoyed occasionally when folks trot out &#8220;critical&#8221; buzzwords in a wholly uncritical way.</p>
<p>Pure speculation, but I wonder if ignoring &#8220;No trespassing&#8221; signs to explore abandoned buildings and then posting footage on the Internet doesn&#8217;t involve a new twist on the old game of doing something the parents tell you not to do and then telling your friends about it. There&#8217;s an assumption here that the authority figures don&#8217;t care all that much and, even if they do, they won&#8217;t be hip to what only you and your friends know about. </p>
<p>Cory Doctorow&#8217;s SF novel _Little Brother_ explores what happens when these assumptions break down in a near-future USA where Homeland Security is watching every move and every keystroke that the &#8220;I&#8217;m just playing, I&#8217;m not a terrorist&#8221; teenage heroes make. </p>
<p>I remember having a high school friend whose dad worked at Camp Peary where the CIA trains its black ops people. Every time we drove through the gate, I got a little rush from reading the sign that said, &#8220;Trespassers may be shot without warning.&#8221; I wonder how that sort of situation would change urbex.
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		<title>By: MRosen</title>
		<link>http://savageminds.org/2010/01/20/place-hacking/comment-page-1/#comment-627933</link>
		<dc:creator>MRosen</dc:creator>
		<pubDate>Sun, 24 Jan 2010 00:47:32 +0000</pubDate>
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		<description>ah, sorry to get all puritanical - these kids today with their &quot;games&quot; and &quot;spectacles&quot;...

There&#039;s nothing wrong with trying to capture the wonder, excitement, and sense of transgression that people experience as part of urban exploration - the point of my comment was merely that I&#039;d like to see more direct answers to the challenging questions posed, perhaps answers that mingle the triumphal collective &quot;we&quot; with a more contextualized account of who engages in this practice and what the experience of &quot;getting into those cracks in the structure&quot; means for them (since Garrett claims that they are separable from him and his work).

It&#039;s really that second-to-last answer that got me - maximizing your flickr stats and &quot;raking in the google adsense cash.&quot;  I would say that&#039;s brushing shoulders with some grim and serious business.  I could speculate, but I&#039;d love to see someone more knowledgeable about urbex than I analyze how participants think about being wired in to the grid from which they declare their autonomy (or is the answer just &quot;play&quot;?).  Urbex seems to be a romantic enterprise in many ways; I&#039;m curious as to how the work of constructing this romantic mythos takes place - or is that, as Adam suggests,  the work of Garrett himself?   This process seems embedded in the new media economy; how does urbex relate to other similarly &quot;marginal&quot; lifestyles enabled by the internet/how does it differentiate itself?  Of course all this is not resolvable in an interview; I was just surprised that no one wanted to push in these directions.</description>
		<content:encoded><![CDATA[<p>ah, sorry to get all puritanical &#8211; these kids today with their &#8220;games&#8221; and &#8220;spectacles&#8221;&#8230;</p>
<p>There&#8217;s nothing wrong with trying to capture the wonder, excitement, and sense of transgression that people experience as part of urban exploration &#8211; the point of my comment was merely that I&#8217;d like to see more direct answers to the challenging questions posed, perhaps answers that mingle the triumphal collective &#8220;we&#8221; with a more contextualized account of who engages in this practice and what the experience of &#8220;getting into those cracks in the structure&#8221; means for them (since Garrett claims that they are separable from him and his work).</p>
<p>It&#8217;s really that second-to-last answer that got me &#8211; maximizing your flickr stats and &#8220;raking in the google adsense cash.&#8221;  I would say that&#8217;s brushing shoulders with some grim and serious business.  I could speculate, but I&#8217;d love to see someone more knowledgeable about urbex than I analyze how participants think about being wired in to the grid from which they declare their autonomy (or is the answer just &#8220;play&#8221;?).  Urbex seems to be a romantic enterprise in many ways; I&#8217;m curious as to how the work of constructing this romantic mythos takes place &#8211; or is that, as Adam suggests,  the work of Garrett himself?   This process seems embedded in the new media economy; how does urbex relate to other similarly &#8220;marginal&#8221; lifestyles enabled by the internet/how does it differentiate itself?  Of course all this is not resolvable in an interview; I was just surprised that no one wanted to push in these directions.
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		<title>By: John McCreery</title>
		<link>http://savageminds.org/2010/01/20/place-hacking/comment-page-1/#comment-627917</link>
		<dc:creator>John McCreery</dc:creator>
		<pubDate>Sat, 23 Jan 2010 13:19:39 +0000</pubDate>
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		<description>What is this problem that people have with &quot;romantic and aestheticized&quot;? Must an anthropologist be a Puritan? A bore who thinks that life must be grim and serious to be real? 

These questions are not to say that a bit of solid, realistic analysis would be amiss. Just wondering if there&#039;s anything there but the kind of Sunday School moralizing that some of us went into anthropology to escape.</description>
		<content:encoded><![CDATA[<p>What is this problem that people have with &#8220;romantic and aestheticized&#8221;? Must an anthropologist be a Puritan? A bore who thinks that life must be grim and serious to be real? </p>
<p>These questions are not to say that a bit of solid, realistic analysis would be amiss. Just wondering if there&#8217;s anything there but the kind of Sunday School moralizing that some of us went into anthropology to escape.
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		<title>By: Tim</title>
		<link>http://savageminds.org/2010/01/20/place-hacking/comment-page-1/#comment-627915</link>
		<dc:creator>Tim</dc:creator>
		<pubDate>Sat, 23 Jan 2010 10:10:05 +0000</pubDate>
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		<description>I will put my hand up in agreement with MRosen. Great, probing interview, but as for Garrett&#039;s take on urban exploration: pretentious much? The practice is romantic and aestheticized enough without bringing Guy Debord and Hakim Bey into it. I mean just look at the photographs of Michael Cook. I read great interview with him on BLDGBLOG a few years back.

http://bldgblog.blogspot.com/2007/08/drains-of-canada-interview-with-michael.html</description>
		<content:encoded><![CDATA[<p>I will put my hand up in agreement with MRosen. Great, probing interview, but as for Garrett&#8217;s take on urban exploration: pretentious much? The practice is romantic and aestheticized enough without bringing Guy Debord and Hakim Bey into it. I mean just look at the photographs of Michael Cook. I read great interview with him on BLDGBLOG a few years back.</p>
<p><a href="http://bldgblog.blogspot.com/2007/08/drains-of-canada-interview-with-michael.html" rel="nofollow">http://bldgblog.blogspot.com/2007/08/drains-of-canada-interview-with-michael.html</a>
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		<title>By: John McCreery</title>
		<link>http://savageminds.org/2010/01/20/place-hacking/comment-page-1/#comment-627910</link>
		<dc:creator>John McCreery</dc:creator>
		<pubDate>Sat, 23 Jan 2010 03:16:38 +0000</pubDate>
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		<description>Just curious, MRosen, do you have anything to add to the analysis? Or is all you know how to do is complain? Or, whoops, should I call that &quot;critique&quot;?

How about spelling out for us your unromantic, realist take on what is going on here?</description>
		<content:encoded><![CDATA[<p>Just curious, MRosen, do you have anything to add to the analysis? Or is all you know how to do is complain? Or, whoops, should I call that &#8220;critique&#8221;?</p>
<p>How about spelling out for us your unromantic, realist take on what is going on here?
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		<title>By: MRosen</title>
		<link>http://savageminds.org/2010/01/20/place-hacking/comment-page-1/#comment-627909</link>
		<dc:creator>MRosen</dc:creator>
		<pubDate>Sat, 23 Jan 2010 03:09:00 +0000</pubDate>
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		<description>wait...does nobody else have a problem with Garrett&#039;s largely uncritical engagement with the urbex community - dare I say, his wide-eyed romanticizing/aestheticizing of their practices?  Adam&#039;s questions cut to the core deficiencies of Garrett&#039;s work, and few of them are satisfactorily answered.  I see this as a great example of how to try to conduct a probing interview...</description>
		<content:encoded><![CDATA[<p>wait&#8230;does nobody else have a problem with Garrett&#8217;s largely uncritical engagement with the urbex community &#8211; dare I say, his wide-eyed romanticizing/aestheticizing of their practices?  Adam&#8217;s questions cut to the core deficiencies of Garrett&#8217;s work, and few of them are satisfactorily answered.  I see this as a great example of how to try to conduct a probing interview&#8230;
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		<title>By: Min Min</title>
		<link>http://savageminds.org/2010/01/20/place-hacking/comment-page-1/#comment-627884</link>
		<dc:creator>Min Min</dc:creator>
		<pubDate>Fri, 22 Jan 2010 01:00:23 +0000</pubDate>
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		<description>@ Z: Have you checked out the ballroom in King Edward Hotel off King Street? It&#039;s abandoned and supposedly haunted. You can only get up on the elevator to the 2nd last floor and then walk up the last bit.</description>
		<content:encoded><![CDATA[<p>@ Z: Have you checked out the ballroom in King Edward Hotel off King Street? It&#8217;s abandoned and supposedly haunted. You can only get up on the elevator to the 2nd last floor and then walk up the last bit.
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		<title>By: Bradley L. Garrett</title>
		<link>http://savageminds.org/2010/01/20/place-hacking/comment-page-1/#comment-627878</link>
		<dc:creator>Bradley L. Garrett</dc:creator>
		<pubDate>Thu, 21 Jan 2010 18:23:59 +0000</pubDate>
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		<description>Zohar, 

Arguably the most famous urban explorer was from Toronto! His name was Jeff Chapman, aka Ninjalicious: http://en.wikipedia.org/wiki/Ninjalicious

Have a look at this book by him, it is full of locations in the area: http://www.amazon.com/Access-All-Areas-Users-Exploration/dp/0973778709/ref=sr_1_1?ie=UTF8&amp;s=books&amp;qid=1264097185&amp;sr=8-1

Finally, check out the Canadian UrbEx forum called UER: http://www.uer.ca/forum_showcats.asp?fid=1

That should keep you busy! 
   
      -The Goblinmerchant</description>
		<content:encoded><![CDATA[<p>Zohar, </p>
<p>Arguably the most famous urban explorer was from Toronto! His name was Jeff Chapman, aka Ninjalicious: <a href="http://en.wikipedia.org/wiki/Ninjalicious" rel="nofollow">http://en.wikipedia.org/wiki/Ninjalicious</a></p>
<p>Have a look at this book by him, it is full of locations in the area: <a href="http://www.amazon.com/Access-All-Areas-Users-Exploration/dp/0973778709/ref=sr_1_1?ie=UTF8&#038;s=books&#038;qid=1264097185&#038;sr=8-1" rel="nofollow">http://www.amazon.com/Access-All-Areas-Users-Exploration/dp/0973778709/ref=sr_1_1?ie=UTF8&#038;s=books&#038;qid=1264097185&#038;sr=8-1</a></p>
<p>Finally, check out the Canadian UrbEx forum called UER: <a href="http://www.uer.ca/forum_showcats.asp?fid=1" rel="nofollow">http://www.uer.ca/forum_showcats.asp?fid=1</a></p>
<p>That should keep you busy! </p>
<p>      -The Goblinmerchant
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		<title>By: Bradley L. Garrett</title>
		<link>http://savageminds.org/2010/01/20/place-hacking/comment-page-1/#comment-627877</link>
		<dc:creator>Bradley L. Garrett</dc:creator>
		<pubDate>Thu, 21 Jan 2010 18:10:15 +0000</pubDate>
		<guid isPermaLink="false">http://savageminds.org/?p=3115#comment-627877</guid>
		<description>Zohar, 

Aguably the most famous urban explorer in the world was from Toronto! His name was Jeff Chapman, also called Ninjalicious: http://en.wikipedia.org/wiki/Ninjalicious

Have a look at this book by him, it is full of locations in the area: http://www.amazon.com/Access-All-Areas-Users-Exploration/dp/0973778709/ref=sr_1_1?ie=UTF8&amp;s=books&amp;qid=1264097185&amp;sr=8-1

Finally, check out the Canadian UrbEx forum called UER: http://www.uer.ca/forum_showcats.asp?fid=1

That should keep you busy! 

Thanks for the interest everyone!
   
      -The Goblinmerchant</description>
		<content:encoded><![CDATA[<p>Zohar, </p>
<p>Aguably the most famous urban explorer in the world was from Toronto! His name was Jeff Chapman, also called Ninjalicious: <a href="http://en.wikipedia.org/wiki/Ninjalicious" rel="nofollow">http://en.wikipedia.org/wiki/Ninjalicious</a></p>
<p>Have a look at this book by him, it is full of locations in the area: <a href="http://www.amazon.com/Access-All-Areas-Users-Exploration/dp/0973778709/ref=sr_1_1?ie=UTF8&#038;s=books&#038;qid=1264097185&#038;sr=8-1" rel="nofollow">http://www.amazon.com/Access-All-Areas-Users-Exploration/dp/0973778709/ref=sr_1_1?ie=UTF8&#038;s=books&#038;qid=1264097185&#038;sr=8-1</a></p>
<p>Finally, check out the Canadian UrbEx forum called UER: <a href="http://www.uer.ca/forum_showcats.asp?fid=1" rel="nofollow">http://www.uer.ca/forum_showcats.asp?fid=1</a></p>
<p>That should keep you busy! </p>
<p>Thanks for the interest everyone!</p>
<p>      -The Goblinmerchant
<p>
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		<title>By: Zohar</title>
		<link>http://savageminds.org/2010/01/20/place-hacking/comment-page-1/#comment-627876</link>
		<dc:creator>Zohar</dc:creator>
		<pubDate>Thu, 21 Jan 2010 17:48:22 +0000</pubDate>
		<guid isPermaLink="false">http://savageminds.org/?p=3115#comment-627876</guid>
		<description>A great read. Such a fascinating experience. I&#039;ve done my BA in Anthropology. Looking back at it all now makes me feel like I&#039;ve almost achieved nothing. This post however awakens my desire for exploration of urban geography.

I live in Toronto, Ontario. Would you know of similar spots around here that I could try to explore? Photograph? Abandoned sites like the ones you&#039;ve visited elsewhere?

Z.</description>
		<content:encoded><![CDATA[<p>A great read. Such a fascinating experience. I&#8217;ve done my BA in Anthropology. Looking back at it all now makes me feel like I&#8217;ve almost achieved nothing. This post however awakens my desire for exploration of urban geography.</p>
<p>I live in Toronto, Ontario. Would you know of similar spots around here that I could try to explore? Photograph? Abandoned sites like the ones you&#8217;ve visited elsewhere?</p>
<p>Z.
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		<title>By: MTBradley</title>
		<link>http://savageminds.org/2010/01/20/place-hacking/comment-page-1/#comment-627875</link>
		<dc:creator>MTBradley</dc:creator>
		<pubDate>Thu, 21 Jan 2010 17:42:55 +0000</pubDate>
		<guid isPermaLink="false">http://savageminds.org/?p=3115#comment-627875</guid>
		<description>bq. The stories that I find really enticing are not in the grand narratives but in the fine details. And out comes the archaeologist in me. Going through peoples belongings left behind, old pictures and letters to the family, imaging what lives were like before the industry was picked apart by packets or resource extinction, driving it into bankruptcy or obsoletion.

Remind me again why archaeologists don&#039;t have to go through the IRB process?</description>
		<content:encoded><![CDATA[<p>bq. The stories that I find really enticing are not in the grand narratives but in the fine details. And out comes the archaeologist in me. Going through peoples belongings left behind, old pictures and letters to the family, imaging what lives were like before the industry was picked apart by packets or resource extinction, driving it into bankruptcy or obsoletion.</p>
<p>Remind me again why archaeologists don&#8217;t have to go through the IRB process?
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