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	<title>Comments on: In Search of the Sophisticated</title>
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	<description>Notes and Queries in Anthropology — A Group Blog</description>
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		<title>By: Jeff Swan</title>
		<link>http://savageminds.org/2006/06/24/in-search-of-the-sophisticated/comment-page-1/#comment-53834</link>
		<dc:creator>Jeff Swan</dc:creator>
		<pubDate>Thu, 22 Feb 2007 09:34:39 +0000</pubDate>
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		<description>High! Your site is really great! Thank you for it!
http://lesbianheaven.sbn.bz/ - for girls only</description>
		<content:encoded><![CDATA[<p>High! Your site is really great! Thank you for it!<br />
<a href="http://lesbianheaven.sbn.bz/" rel="nofollow">http://lesbianheaven.sbn.bz/</a> &#8211; for girls only
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		<title>By: Boîte noire &#187; Archive du blog &#187; Un top 50 des blogs scientifiques anglophones</title>
		<link>http://savageminds.org/2006/06/24/in-search-of-the-sophisticated/comment-page-1/#comment-12100</link>
		<dc:creator>Boîte noire &#187; Archive du blog &#187; Un top 50 des blogs scientifiques anglophones</dc:creator>
		<pubDate>Fri, 07 Jul 2006 08:36:12 +0000</pubDate>
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		<description>[...] Savage Minds est un des rares blogs de sciences sociales présent dans la liste (je soupçonne Technorati d&#8217;une inclinaison à classer très favorablement les grands sites comme Science Blogs, qui publient majoritairement en sciences exactes, d&#8217;où le biais). Leur blog d&#8217;anthropologie aborde différents sujets tous aussi intéressants les uns que les autres, récemment des passages bruts d&#8217;ethnographie et quelques notes sur le quai Branly. [...]</description>
		<content:encoded><![CDATA[<p>[...] Savage Minds est un des rares blogs de sciences sociales présent dans la liste (je soupçonne Technorati d&#8217;une inclinaison à classer très favorablement les grands sites comme Science Blogs, qui publient majoritairement en sciences exactes, d&#8217;où le biais). Leur blog d&#8217;anthropologie aborde différents sujets tous aussi intéressants les uns que les autres, récemment des passages bruts d&#8217;ethnographie et quelques notes sur le quai Branly. [...]
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		<title>By: Tim</title>
		<link>http://savageminds.org/2006/06/24/in-search-of-the-sophisticated/comment-page-1/#comment-11190</link>
		<dc:creator>Tim</dc:creator>
		<pubDate>Tue, 27 Jun 2006 02:45:45 +0000</pubDate>
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		<description>That&#039;s because Western Art Museums (e.g. the Tate) and Ethnographic Museums (e.g. the Pitt Rivers) have different historical origins, shaped by collectors with different goals. It is only interesting to the extent that ethnographic material culture became recast as &#039;art&#039; of a non-Western form, thus making the separation an issue. But in museums with origins in the collections of  asthetes and grazers you do get less distinctions - an example would be the &lt;a href=&quot;http://www.scva.org.uk/&quot; rel=&quot;nofollow&quot;&gt;Sainsbury Centre for Visual Arts&lt;/a&gt; where neither geography nor culture serve as classifiers. Many of the Royal collections are similarly diverse. 

The collections of the new Musée du Quai Branly were mostly pillaged from the Musée de l&#039;Homme. When I last visited the latter the entirety of the ethnographic displays had been removed and replaced with a maze of cardboard upon which the works of a mid-20th century European cartoonist were mounted. Disappointed, moi? Oh well, at least it may mean another trip to Paris...</description>
		<content:encoded><![CDATA[<p>That&#8217;s because Western Art Museums (e.g. the Tate) and Ethnographic Museums (e.g. the Pitt Rivers) have different historical origins, shaped by collectors with different goals. It is only interesting to the extent that ethnographic material culture became recast as &#8216;art&#8217; of a non-Western form, thus making the separation an issue. But in museums with origins in the collections of  asthetes and grazers you do get less distinctions &#8211; an example would be the <a href="http://www.scva.org.uk/" rel="nofollow">Sainsbury Centre for Visual Arts</a> where neither geography nor culture serve as classifiers. Many of the Royal collections are similarly diverse. </p>
<p>The collections of the new Musée du Quai Branly were mostly pillaged from the Musée de l&#8217;Homme. When I last visited the latter the entirety of the ethnographic displays had been removed and replaced with a maze of cardboard upon which the works of a mid-20th century European cartoonist were mounted. Disappointed, moi? Oh well, at least it may mean another trip to Paris&#8230;
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		<title>By: oneman</title>
		<link>http://savageminds.org/2006/06/24/in-search-of-the-sophisticated/comment-page-1/#comment-11185</link>
		<dc:creator>oneman</dc:creator>
		<pubDate>Tue, 27 Jun 2006 01:54:36 +0000</pubDate>
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		<description>WHat&#039;s interesting is that you almost never see an art museum that is organized by continent in which Europe and North America are just two continents among the rest.  You see plenty of the reverse: Met-like organizations where &quot;art&quot; takes up most of the space and &quot;ancient art&quot;, &quot;non-Western art&quot;, &quot;Islamic art&quot;, &quot;Chinese art&quot;, or whatever have their own rooms.  But it&#039;s very rare for curators and museum donors to suppor the idea that there are varied art traditions out there and that the Western is but one (or a dozen) among many.  The Trocadero is the only example I can think of, and even there the non-Western was inscribed into the colonial relationship that positioned the work of Western artists as &quot;real&quot; art and the work of non-Western artists as little more than source material for Westerners.</description>
		<content:encoded><![CDATA[<p>WHat&#8217;s interesting is that you almost never see an art museum that is organized by continent in which Europe and North America are just two continents among the rest.  You see plenty of the reverse: Met-like organizations where &#8220;art&#8221; takes up most of the space and &#8220;ancient art&#8221;, &#8220;non-Western art&#8221;, &#8220;Islamic art&#8221;, &#8220;Chinese art&#8221;, or whatever have their own rooms.  But it&#8217;s very rare for curators and museum donors to suppor the idea that there are varied art traditions out there and that the Western is but one (or a dozen) among many.  The Trocadero is the only example I can think of, and even there the non-Western was inscribed into the colonial relationship that positioned the work of Western artists as &#8220;real&#8221; art and the work of non-Western artists as little more than source material for Westerners.
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